Describe the measured tone and vibrance in DarkRoom's own terms
The calibration commits named DarkRoom's default curve after another product and described vibrance as doing what another editor's does at the same value. The curve is the DNG SDK's reference, so it is called that; vibrance is scaled to deliver the strength its value names, as measured against the photographer's earlier exports. Two test names follow. The measurements and where they came from are unchanged.
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@@ -2785,13 +2785,13 @@ rendered by DarkRoom against Lightroom's JPEG (MSE, sRGB 8-bit):
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| 0.20.0's sigmoid at its defaults | ~1200 — about 0.7 EV darker, and flatter |
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| Sigmoid, exposure, contrast and white fitted | ~150 (contrast 1.73, +0.73 EV) |
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| Camera Raw's curve after baseline exposure, at contrast 1.4 | 224 |
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| Camera Raw's curve, contrast 1.5 | ~150 |
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| Camera Raw's curve, exposure, contrast and white fitted | 143 |
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| DNG reference curve after baseline exposure, at contrast 1.4 | 224 |
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| DNG reference curve, contrast 1.5 | ~150 |
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| DNG reference curve, exposure, contrast and white fitted | 143 |
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So Camera Raw's curve is the default for every raw, and the default contrast is 1.5 — under that
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So the DNG reference curve is the default for every raw, and the default contrast is 1.5 — under that
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curve a power of 1.5/1.4 about grey (`REFERENCE_CONTRAST` is where the curve is untouched). The
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brightness needs nothing: baseline exposure and the curve together land where Lightroom does. The
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brightness needs nothing: baseline exposure and the curve together land where the earlier exports do. The
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profile's look strength, vibrance and saturation bought nothing measurable on those exports. The
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user chose to change every photograph rather than keep edited ones on the old rendering. The
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fitting tools live outside the repository (`darkroom-lrfit`).
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@@ -2799,7 +2799,7 @@ fitting tools live outside the repository (`darkroom-lrfit`).
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*Amended earlier the same day:* the default was **not** decided. The measurement below was against
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Lightroom previews of photographs carrying the user's Lightroom edits — a house look of HSL
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saturation (Blue +58, Aqua +50, …), Highlights −40 and Blacks −20 in every DNG's XMP — so it said
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nothing about Camera Raw's base rendering. Under Camera Raw's curve `_MG_9080` renders brighter
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nothing about Camera Raw's base rendering. Under the DNG reference curve `_MG_9080` renders brighter
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than its Lightroom preview (mean 0.39 against 0.31). The sigmoid stays the default; the curve
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below is a choice; the default is decided by measurement against Lightroom exports of unedited
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photographs (the `lr-fit` work). What follows is the original text.
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