Keep the sigmoid as the default curve; Camera Raw's tone is a choice
The Camera Raw default rested on comparing against Lightroom previews of photographs that carry the user's Lightroom edits — HSL saturation Blue +58, Aqua +50 and more, Highlights -40, Blacks -20, in every DNG's XMP — so it measured the house look, not Camera Raw's base rendering. Under the ACR3 curve _MG_9080 renders brighter than its Lightroom preview (mean 0.39 against 0.31). So the curve choice's first variant, the default, is the sigmoid again and every raw renders as in 0.20.0 apart from baseline exposure. D21 and camera-profiles.md §12 now say the default is open, to be decided by measuring against Lightroom exports of unedited photographs. Tests that are about Camera Raw's tone choose it explicitly.
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@@ -295,8 +295,12 @@ that rendering, chosen by a new parameter on `view_transform`:
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| `curve` | What it is | Default for |
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| Camera Raw | the profile's curve, else ACR3, via RGBTone in ProPhoto | every raw (D21) |
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| Sigmoid | D19's log-logistic curve | — |
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| Sigmoid | D19's log-logistic curve | every raw, for now |
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| Camera Raw | the profile's curve, else ACR3, via RGBTone in ProPhoto | — (D21: the default is open) |
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*Amended 2026-10-03:* Camera Raw was the default in the first draft. The measurement it rested on
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compared against Lightroom renders of *edited* photographs; see D21. The default is decided by
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measuring against Lightroom exports of unedited ones.
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A JPEG is still not rendered again (FR-DEV-3j). Film simulation still replaces the view transform
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when a stock is chosen.
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