Ship four presets for a bluer sky

Blue sky, Deep blue sky, Polariser, and Blue sky with golden land, in a
Skies section after Essentials. Each darkens the colour mixer's azure and
blue bands and adds chroma to them — what a polarising filter does to a
clear sky — and brings the highlights down with it, so a white cloud does
not read as a cut-out against the deeper blue. The stronger ones nudge
azure towards blue and add dehaze.

They are looks and work only on the hues a sky occupies, so an overcast
frame is left nearly alone: there is no blue for them to deepen, and
tinting grey cloud blue would be worse than doing nothing. Tuned by eye on
the demo library's alpine and Manhattan frames, with an overcast Étretat
frame as the control.

docs/manual/README.md

@@ -278,7 +278,7 @@ apply elsewhere, and imports Lightroom presets — `Folder…` for a folder of
 them, `.xmp file…` for one.
 
 The sheet lists your own presets first, then the ones DarkRoom ships —
-Essentials, and colour, cinema and black-and-white film, one measured stock
+Essentials, Skies, and colour, cinema and black-and-white film, one measured stock
 each. A shipped preset is a look: it changes what it names and leaves the
 photograph's own corrections alone, as an imported Lightroom preset does.
 Saving under a shipped preset's name makes your version the one that name