File presets in folders that open and close, as collections do
The presets menu and sheet listed every preset under flat section headings, seventy rows to scroll past. They now list folders, closed until opened, with how many presets each holds; opening one shows what is inside it, folders and presets indented beneath. A category is spelled in the name: "Portraits/Warm skin" is Warm skin in a Portraits folder under Yours. The file format does not change, so an older build lists the whole path as the name; renaming a preset is how it moves, and saving or renaming into a folder opens the way to it. A Lightroom import names what it reads after the folders below the one chosen, and a "/" in a displayed name becomes "∕" so it files nothing. The shipped film sections become Film › Colour, Cinema and Black and white. The tree is built and flattened in Rust (PresetTree), each row carrying its depth, and which folders are open is remembered for the session. A PopupWindow keeps the size it was shown at, so a folder opened in the menu pushed its contents under "Save or manage…"; the menu is shown again after each toggle to take its new height. That is a function on the rail because Slint 1.17 generates Rust that does not compile for a popup's close() reached from inside the popup. The sheet's list takes a preferred height of up to 400px, since a Flickable reports next to nothing and an opened folder showed three rows. The manual describes the folders and naming. Its pictures show the menu with Film › Colour open, and a black-and-white stock applied from Film › Black and white; the scenes aim popup rows from the rail's entry, and pick the menu's "Film" over the develop column's film chooser.
This commit is contained in:
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@@ -39,7 +39,7 @@ The list is longer than it is tall, so a way to walk it that cannot be lost to t
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Anchored on the fingers' midpoint, and on the pointer, so the gesture reads as magnifying the picture rather than sliding it about. Double-tap is the way to an exact 1:1; this is the way to everything in between. Past 1:1 the pixels are shown as they are, square and unsmoothed; below it, filtered.
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<sub>`ui/dr-ui/ui/app.slint:1974`</sub>
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<sub>`ui/dr-ui/ui/app.slint:1977`</sub>
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### Move a magnified photograph about
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@@ -50,7 +50,7 @@ Anchored on the fingers' midpoint, and on the pointer, so the gesture reads as m
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Only once there is something outside the viewport to reach, which is why the cursor becomes a hand exactly then. The view is clamped to the frame: panning past the edge would show undefined area beside the photograph, and that reads as a rendering fault rather than as the end of the picture.
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<sub>`ui/dr-ui/ui/app.slint:2070`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2073`</sub>
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### Paint a mask by hand
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@@ -60,7 +60,7 @@ Only once there is something outside the viewport to reach, which is why the cur
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A model's mask stops inside a shoulder and leaks into the hair, and no single edge control fixes two errors that go opposite ways. The whole stroke is one step in the history, so taking a mark back costs one press however long it took to make.
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<sub>`ui/dr-ui/ui/app.slint:2161`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2164`</sub>
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### Open this list
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@@ -70,7 +70,7 @@ A model's mask stops inside a shoulder and leaks into the hair, and no single ed
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Most of the keys are develop's, and a reference that could only be opened from the grid had to be looked up before opening the photograph they were wanted for.
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<sub>`ui/dr-ui/ui/app.slint:2387`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2390`</sub>
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### Take back the last change
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@@ -81,7 +81,7 @@ Most of the keys are develop's, and a reference that could only be opened from t
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A whole drag is one step, so undo takes back a decision rather than a frame of a gesture. The list is there because arriving six steps back costs what arriving from one does.
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<sub>`ui/dr-ui/ui/app.slint:2417`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2420`</sub>
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### Do it again after taking it back
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@@ -90,7 +90,7 @@ A whole drag is one step, so undo takes back a decision rather than a frame of a
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- **Keyboard** — `Ctrl+Shift+Z`, or `Ctrl+Y`
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- **See it** — [in the manual](manual/README.md#history-snapshots-presets)
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<sub>`ui/dr-ui/ui/app.slint:2431`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2434`</sub>
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### Remove a repair
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@@ -98,7 +98,7 @@ A whole drag is one step, so undo takes back a decision rather than a frame of a
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- **Pointer** — Click it, then Delete Repair
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- **Keyboard** — `Delete` or `Backspace`, while repairing
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<sub>`ui/dr-ui/ui/app.slint:2451`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2454`</sub>
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### Copy the settings from this photograph
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@@ -109,7 +109,7 @@ A whole drag is one step, so undo takes back a decision rather than a frame of a
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The button is the copy that has to work: a tablet has no modifier key to hold and no menu bar to hang the action from. The shortcut is an accelerator for a control that is on screen either way.
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<sub>`ui/dr-ui/ui/app.slint:2470`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2473`</sub>
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### Paste the settings onto this photograph
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@@ -120,7 +120,7 @@ The button is the copy that has to work: a tablet has no modifier key to hold an
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The button names what would be pasted — "3 adjustments", and whether the crop is coming with it — which the shortcut cannot say. Both paste the same scope.
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<sub>`ui/dr-ui/ui/app.slint:2483`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2486`</sub>
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### Choose which kinds of edit a copy carries
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@@ -131,7 +131,7 @@ The button names what would be pasted — "3 adjustments", and whether the crop
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Lightroom's Copy Settings. Pasting a look across a shoot usually means leaving each frame's crop and rotation alone, and that is a choice to make at the moment of copying.
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<sub>`ui/dr-ui/ui/app.slint:2501`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2504`</sub>
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### Export this photograph as the last one was
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@@ -142,7 +142,7 @@ Lightroom's Copy Settings. Pasting a look across a shoot usually means leaving e
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Every export runs on the defaults in Settings, so "as the last one was" is what the button already does. The chord is Lightroom's and darktable's, kept so hands that learned it there need not learn it again.
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<sub>`ui/dr-ui/ui/app.slint:2526`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2529`</sub>
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### Choose how to export, then export
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@@ -153,7 +153,7 @@ Every export runs on the defaults in Settings, so "as the last one was" is what
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The export sheet is the export defaults alone with an Export button. What is chosen there is kept, so it is also what the next Ctrl+Shift+E uses.
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<sub>`ui/dr-ui/ui/app.slint:2539`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2542`</sub>
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### Keep a crop that leaves a mask outside
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@@ -161,7 +161,7 @@ The export sheet is the export defaults alone with an Export button. What is cho
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- **Pointer** — Press "Keep crop" on the notice, or "Undo crop" to take it back
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- **Keyboard** — `Enter` keeps it; `Ctrl+Z` takes the crop back, like any other step
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<sub>`ui/dr-ui/ui/app.slint:2604`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2607`</sub>
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### Go back to the grid
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@@ -171,7 +171,7 @@ The export sheet is the export defaults alone with an Export button. What is cho
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Lightroom's key for the grid. Escape gets there too, but a step at a time — out of a mode, then out of a zoom — where this goes straight back.
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<sub>`ui/dr-ui/ui/app.slint:2621`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2624`</sub>
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### Nudge the control last moved
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@@ -181,7 +181,7 @@ Lightroom's key for the grid. Escape gets there too, but a step at a time — ou
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Lightroom's keys for the selected slider. There is no focus ring on a slider here, so "selected" is the last one moved — the same control `R` puts back — which covers the framing sliders, perspective included, as well as the adjustments.
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<sub>`ui/dr-ui/ui/app.slint:2650`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2653`</sub>
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### Change which group of adjustments is on screen
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@@ -192,7 +192,7 @@ Lightroom's keys for the selected slider. There is no focus ring on a slider her
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The groups are whatever the operation set declares itself to be about, so there are as many as the pipeline has and no key can be assigned to one of them by name. Stepping is the binding that survives a node being added.
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<sub>`ui/dr-ui/ui/app.slint:2678`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2681`</sub>
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### Look at the photograph at 1:1
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@@ -203,7 +203,7 @@ The groups are whatever the operation set declares itself to be about, so there
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Noise reduction and capture sharpening are judgements about single pixels, and a fitted view averages several of the file's into each one on screen — so the frame looks softer than it is and the correction goes too far. The point and the magnification survive opening the next photograph, which is what makes checking the same eye across forty portraits forty keystrokes rather than forty pans. From 1:1 on the photograph is drawn as its own pixels, each a hard-edged square, rather than smoothed into a blur.
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<sub>`ui/dr-ui/ui/app.slint:2714`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2717`</sub>
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### Rate this photograph
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@@ -211,7 +211,7 @@ Noise reduction and capture sharpening are judgements about single pixels, and a
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- **Pointer** — Click a star in the top bar
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- **Keyboard** — `0`–`5`
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<sub>`ui/dr-ui/ui/app.slint:2771`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2774`</sub>
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### Pick or reject this photograph
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@@ -221,7 +221,7 @@ Noise reduction and capture sharpening are judgements about single pixels, and a
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The grid's keys, on the photograph that is open (FR-UI-5, 2026-09-19). Judging here does not move on to the next frame: that belongs to culling, and in develop the photograph in front of you is the one being worked on.
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<sub>`ui/dr-ui/ui/app.slint:2777`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2780`</sub>
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### Give this photograph a colour label
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@@ -232,7 +232,7 @@ The grid's keys, on the photograph that is open (FR-UI-5, 2026-09-19). Judging h
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The grid's keys, on the photograph that is open, so labelling while stepping through a folder is one hand's work. The bar names the label in words beside its mark.
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<sub>`ui/dr-ui/ui/app.slint:2807`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2810`</sub>
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### Move to the next or previous photograph
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@@ -243,7 +243,7 @@ The grid's keys, on the photograph that is open, so labelling while stepping thr
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The edit on screen is saved on the way out, so stepping through a folder is as much a departure as going back to the grid and loses nothing. A and D as well as the arrows, so the left hand steps along the roll while the right stays on the mouse.
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<sub>`ui/dr-ui/ui/app.slint:2832`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2835`</sub>
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### See the photograph before you edited it
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@@ -254,7 +254,7 @@ The edit on screen is saved on the way out, so stepping through a folder is as m
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Held rather than toggled, and no split screen: a split halves the working image on the tablet the column was sized for, and the comparison photographers describe making is a flick back and forth. It takes no history step, so checking whether a frame is overcooked costs nothing to undo afterwards.
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<sub>`ui/dr-ui/ui/app.slint:2962`</sub>
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<sub>`ui/dr-ui/ui/app.slint:2965`</sub>
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### Put one control back to its default
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@@ -338,7 +338,7 @@ The question a correction raises is whether it did what it was for — whether t
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One key for "up one", innermost first: a question before the sheet under it, a sheet before the view, a view before the library. Nothing is left behind a dialogue that the key walked straight past.
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<sub>`ui/dr-ui/ui/app.slint:1022`</sub>
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<sub>`ui/dr-ui/ui/app.slint:1024`</sub>
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### Do what a sheet offers
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@@ -346,7 +346,7 @@ One key for "up one", innermost first: a question before the sheet under it, a s
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- **Pointer** — Press its button — Export, or Copy
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- **Keyboard** — `Enter`, on the export and copy sheets
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<sub>`ui/dr-ui/ui/app.slint:1032`</sub>
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<sub>`ui/dr-ui/ui/app.slint:1034`</sub>
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### Scroll by the scrollbar
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+15
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Every change is a step; `Undo` and the History panel walk them. `Snapshot`
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keeps the current state under a name. `Presets`, at the foot of the tool
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rail on the left, opens a menu of presets beside the photograph; choosing
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one applies it. The menu's last row, `Save or manage…`, opens the presets
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sheet, which saves the settings to apply elsewhere, renames and deletes
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them, and imports Lightroom presets — `Folder…` for a folder of them,
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`.xmp file…` for one.
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rail on the left, opens a menu of presets beside the photograph, filed in
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folders that start closed: your own under `Yours`, then the ones DarkRoom
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ships — `Essentials`, `Skies`, and `Film`, which holds `Colour`, `Cinema`
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and `Black and white`, one measured stock each. Choosing a folder opens it;
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choosing a preset applies it. The menu's last row, `Save or manage…`, opens
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the presets sheet, which lists the same folders and saves the settings to
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apply elsewhere, renames and deletes them, and imports Lightroom presets —
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`Folder…` for a folder of them, `.xmp file…` for one.
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The menu and the sheet list your own presets first, then the ones DarkRoom ships —
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Essentials, Skies, and colour, cinema and black-and-white film, one measured stock
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each. A shipped preset is a look: it changes what it names and leaves the
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A `/` in a name files the preset: `Portraits/Warm skin` is `Warm skin` in a
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`Portraits` folder under `Yours`, and renaming it is how it moves. An
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imported Lightroom folder keeps its groups the same way.
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A shipped preset is a look: it changes what it names and leaves the
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photograph's own corrections alone, as an imported Lightroom preset does.
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Saving under a shipped preset's name makes your version the one that name
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applies, marked *changed*; `Revert` brings the shipped one back, and renaming
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yours makes it one of your own. A film preset carries its stock: choosing one
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sets the `Film` chooser and leaves the rest of the edit where it was.
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### Copying settings
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+14
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@@ -353,22 +353,26 @@ a gradient over the sky whose <code>Print Exposure</code> burns it in.</p>
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<h3 id="history-snapshots-presets">History, snapshots, presets</h3>
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<p>Every change is a step; <code>Undo</code> and the History panel walk them. <code>Snapshot</code>
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keeps the current state under a name. <code>Presets</code>, at the foot of the tool
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rail on the left, opens a menu of presets beside the photograph; choosing
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one applies it. The menu's last row, <code>Save or manage…</code>, opens the presets
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sheet, which saves the settings to apply elsewhere, renames and deletes
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them, and imports Lightroom presets — <code>Folder…</code> for a folder of them,
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<code>.xmp file…</code> for one.</p>
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<p>The menu and the sheet list your own presets first, then the ones DarkRoom ships —
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Essentials, Skies, and colour, cinema and black-and-white film, one measured stock
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each. A shipped preset is a look: it changes what it names and leaves the
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rail on the left, opens a menu of presets beside the photograph, filed in
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folders that start closed: your own under <code>Yours</code>, then the ones DarkRoom
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ships — <code>Essentials</code>, <code>Skies</code>, and <code>Film</code>, which holds <code>Colour</code>, <code>Cinema</code>
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and <code>Black and white</code>, one measured stock each. Choosing a folder opens it;
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choosing a preset applies it. The menu's last row, <code>Save or manage…</code>, opens
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the presets sheet, which lists the same folders and saves the settings to
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apply elsewhere, renames and deletes them, and imports Lightroom presets —
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<code>Folder…</code> for a folder of them, <code>.xmp file…</code> for one.</p>
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<p>A <code>/</code> in a name files the preset: <code>Portraits/Warm skin</code> is <code>Warm skin</code> in a
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<code>Portraits</code> folder under <code>Yours</code>, and renaming it is how it moves. An
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imported Lightroom folder keeps its groups the same way.</p>
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<p>A shipped preset is a look: it changes what it names and leaves the
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photograph's own corrections alone, as an imported Lightroom preset does.
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Saving under a shipped preset's name makes your version the one that name
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applies, marked <em>changed</em>; <code>Revert</code> brings the shipped one back, and renaming
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yours makes it one of your own. A film preset carries its stock: choosing one
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sets the <code>Film</code> chooser and leaves the rest of the edit where it was.</p>
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<figure><img loading="lazy" src="media/presets-menu.png" alt="The presets menu open beside the tool rail, over the photograph"><figcaption>The presets menu open beside the tool rail, over the photograph</figcaption></figure>
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<figure><img loading="lazy" src="media/presets-menu.png" alt="The presets menu beside the tool rail, with Film and its colour stocks open"><figcaption>The presets menu beside the tool rail, with Film and its colour stocks open</figcaption></figure>
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<figure><img loading="lazy" src="media/presets.png" alt="The presets sheet: a name for the current edit, the shipped Essentials, importing, and what an apply carries"><figcaption>The presets sheet: a name for the current edit, the shipped Essentials, importing, and what an apply carries</figcaption></figure>
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<figure><img loading="lazy" src="media/presets-film.gif" alt="Scrolling down the shipped presets to the black-and-white films, applying Ilford HP5 Plus, then holding Before"><figcaption>Scrolling down the shipped presets to the black-and-white films, applying Ilford HP5 Plus, then holding Before</figcaption></figure>
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<figure><img loading="lazy" src="media/presets-film.gif" alt="Opening Film, then Black and white, in the presets menu and applying Ilford HP5 Plus, then holding Before"><figcaption>Opening Film, then Black and white, in the presets menu and applying Ilford HP5 Plus, then holding Before</figcaption></figure>
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<h3 id="copying-settings">Copying settings</h3>
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<p><code>Copy</code> in the top bar, or Ctrl+C, takes this photograph's settings; <code>Paste</code>,
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or Ctrl+V, puts them on another, and says what it would paste — how many
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