File presets in folders that open and close, as collections do
The presets menu and sheet listed every preset under flat section headings, seventy rows to scroll past. They now list folders, closed until opened, with how many presets each holds; opening one shows what is inside it, folders and presets indented beneath. A category is spelled in the name: "Portraits/Warm skin" is Warm skin in a Portraits folder under Yours. The file format does not change, so an older build lists the whole path as the name; renaming a preset is how it moves, and saving or renaming into a folder opens the way to it. A Lightroom import names what it reads after the folders below the one chosen, and a "/" in a displayed name becomes "∕" so it files nothing. The shipped film sections become Film › Colour, Cinema and Black and white. The tree is built and flattened in Rust (PresetTree), each row carrying its depth, and which folders are open is remembered for the session. A PopupWindow keeps the size it was shown at, so a folder opened in the menu pushed its contents under "Save or manage…"; the menu is shown again after each toggle to take its new height. That is a function on the rail because Slint 1.17 generates Rust that does not compile for a popup's close() reached from inside the popup. The sheet's list takes a preferred height of up to 400px, since a Flickable reports next to nothing and an opened folder showed three rows. The manual describes the folders and naming. Its pictures show the menu with Film › Colour open, and a black-and-white stock applied from Film › Black and white; the scenes aim popup rows from the rail's entry, and pick the menu's "Film" over the develop column's film chooser.
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@@ -299,26 +299,31 @@ a gradient over the sky whose `Print Exposure` burns it in.
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Every change is a step; `Undo` and the History panel walk them. `Snapshot`
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keeps the current state under a name. `Presets`, at the foot of the tool
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rail on the left, opens a menu of presets beside the photograph; choosing
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one applies it. The menu's last row, `Save or manage…`, opens the presets
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sheet, which saves the settings to apply elsewhere, renames and deletes
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them, and imports Lightroom presets — `Folder…` for a folder of them,
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`.xmp file…` for one.
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rail on the left, opens a menu of presets beside the photograph, filed in
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folders that start closed: your own under `Yours`, then the ones DarkRoom
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ships — `Essentials`, `Skies`, and `Film`, which holds `Colour`, `Cinema`
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and `Black and white`, one measured stock each. Choosing a folder opens it;
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choosing a preset applies it. The menu's last row, `Save or manage…`, opens
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the presets sheet, which lists the same folders and saves the settings to
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apply elsewhere, renames and deletes them, and imports Lightroom presets —
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`Folder…` for a folder of them, `.xmp file…` for one.
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The menu and the sheet list your own presets first, then the ones DarkRoom ships —
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Essentials, Skies, and colour, cinema and black-and-white film, one measured stock
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each. A shipped preset is a look: it changes what it names and leaves the
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A `/` in a name files the preset: `Portraits/Warm skin` is `Warm skin` in a
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`Portraits` folder under `Yours`, and renaming it is how it moves. An
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imported Lightroom folder keeps its groups the same way.
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A shipped preset is a look: it changes what it names and leaves the
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photograph's own corrections alone, as an imported Lightroom preset does.
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Saving under a shipped preset's name makes your version the one that name
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applies, marked *changed*; `Revert` brings the shipped one back, and renaming
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yours makes it one of your own. A film preset carries its stock: choosing one
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sets the `Film` chooser and leaves the rest of the edit where it was.
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### Copying settings
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@@ -353,22 +353,26 @@ a gradient over the sky whose <code>Print Exposure</code> burns it in.</p>
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<h3 id="history-snapshots-presets">History, snapshots, presets</h3>
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<p>Every change is a step; <code>Undo</code> and the History panel walk them. <code>Snapshot</code>
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keeps the current state under a name. <code>Presets</code>, at the foot of the tool
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rail on the left, opens a menu of presets beside the photograph; choosing
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one applies it. The menu's last row, <code>Save or manage…</code>, opens the presets
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sheet, which saves the settings to apply elsewhere, renames and deletes
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them, and imports Lightroom presets — <code>Folder…</code> for a folder of them,
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<code>.xmp file…</code> for one.</p>
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<p>The menu and the sheet list your own presets first, then the ones DarkRoom ships —
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Essentials, Skies, and colour, cinema and black-and-white film, one measured stock
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each. A shipped preset is a look: it changes what it names and leaves the
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rail on the left, opens a menu of presets beside the photograph, filed in
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folders that start closed: your own under <code>Yours</code>, then the ones DarkRoom
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ships — <code>Essentials</code>, <code>Skies</code>, and <code>Film</code>, which holds <code>Colour</code>, <code>Cinema</code>
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and <code>Black and white</code>, one measured stock each. Choosing a folder opens it;
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choosing a preset applies it. The menu's last row, <code>Save or manage…</code>, opens
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the presets sheet, which lists the same folders and saves the settings to
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apply elsewhere, renames and deletes them, and imports Lightroom presets —
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<code>Folder…</code> for a folder of them, <code>.xmp file…</code> for one.</p>
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<p>A <code>/</code> in a name files the preset: <code>Portraits/Warm skin</code> is <code>Warm skin</code> in a
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<code>Portraits</code> folder under <code>Yours</code>, and renaming it is how it moves. An
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imported Lightroom folder keeps its groups the same way.</p>
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<p>A shipped preset is a look: it changes what it names and leaves the
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photograph's own corrections alone, as an imported Lightroom preset does.
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Saving under a shipped preset's name makes your version the one that name
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applies, marked <em>changed</em>; <code>Revert</code> brings the shipped one back, and renaming
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yours makes it one of your own. A film preset carries its stock: choosing one
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sets the <code>Film</code> chooser and leaves the rest of the edit where it was.</p>
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<figure><img loading="lazy" src="media/presets-menu.png" alt="The presets menu open beside the tool rail, over the photograph"><figcaption>The presets menu open beside the tool rail, over the photograph</figcaption></figure>
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<figure><img loading="lazy" src="media/presets-menu.png" alt="The presets menu beside the tool rail, with Film and its colour stocks open"><figcaption>The presets menu beside the tool rail, with Film and its colour stocks open</figcaption></figure>
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<figure><img loading="lazy" src="media/presets.png" alt="The presets sheet: a name for the current edit, the shipped Essentials, importing, and what an apply carries"><figcaption>The presets sheet: a name for the current edit, the shipped Essentials, importing, and what an apply carries</figcaption></figure>
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<figure><img loading="lazy" src="media/presets-film.gif" alt="Scrolling down the shipped presets to the black-and-white films, applying Ilford HP5 Plus, then holding Before"><figcaption>Scrolling down the shipped presets to the black-and-white films, applying Ilford HP5 Plus, then holding Before</figcaption></figure>
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<figure><img loading="lazy" src="media/presets-film.gif" alt="Opening Film, then Black and white, in the presets menu and applying Ilford HP5 Plus, then holding Before"><figcaption>Opening Film, then Black and white, in the presets menu and applying Ilford HP5 Plus, then holding Before</figcaption></figure>
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<h3 id="copying-settings">Copying settings</h3>
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<p><code>Copy</code> in the top bar, or Ctrl+C, takes this photograph's settings; <code>Paste</code>,
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or Ctrl+V, puts them on another, and says what it would paste — how many
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