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Leave a panorama frame out without leaving the page

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A frame that did not fit ended the job with its name, and the only way
on was Back, a smaller selection and every frame read, demosaiced and
searched for keypoints again. Each row on the page now has a box. An
unticked frame is left out and the rest are solved again from what the
first pass measured.

dr_pano::align is split for it: match_pairs does the matching and the
pairwise RANSAC once over every frame (about 5 s for twelve), and solve
takes a subset of the frames and uses only the links among them (about
0.1 s). Solving a subset by re-aligning it also moved every RANSAC seed,
which are keyed on frame position, and on the fixture set that was
enough to lose a marginal link and strand a neighbour of the frame left
out.

A frame that cannot be placed no longer stops the job either. Its row
names it and Merge stays off until it is unticked; the headless example
leaves such frames out the same way, and takes --leave-out N to try it.
This commit is contained in:
dtourolle
2026-09-27 16:29:39 -04:00
parent e98b1def98
commit 621a6b8313
9 changed files with 616 additions and 202 deletions
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docs/gestures.md
+24 -24
View File
@@ -39,7 +39,7 @@ The list is longer than it is tall, so a way to walk it that cannot be lost to t
Anchored on the fingers' midpoint, and on the pointer, so the gesture reads as magnifying the picture rather than sliding it about. Double-tap is the way to an exact 1:1; this is the way to everything in between. Past 1:1 the pixels are shown as they are, square and unsmoothed; below it, filtered.
<sub>`ui/dr-ui/ui/app.slint:1972`</sub>
<sub>`ui/dr-ui/ui/app.slint:1974`</sub>
### Move a magnified photograph about
@@ -50,7 +50,7 @@ Anchored on the fingers' midpoint, and on the pointer, so the gesture reads as m
Only once there is something outside the viewport to reach, which is why the cursor becomes a hand exactly then. The view is clamped to the frame: panning past the edge would show undefined area beside the photograph, and that reads as a rendering fault rather than as the end of the picture.
<sub>`ui/dr-ui/ui/app.slint:2068`</sub>
<sub>`ui/dr-ui/ui/app.slint:2070`</sub>
### Paint a mask by hand
@@ -60,7 +60,7 @@ Only once there is something outside the viewport to reach, which is why the cur
A model's mask stops inside a shoulder and leaks into the hair, and no single edge control fixes two errors that go opposite ways. The whole stroke is one step in the history, so taking a mark back costs one press however long it took to make.
<sub>`ui/dr-ui/ui/app.slint:2159`</sub>
<sub>`ui/dr-ui/ui/app.slint:2161`</sub>
### Open this list
@@ -70,7 +70,7 @@ A model's mask stops inside a shoulder and leaks into the hair, and no single ed
Most of the keys are develop's, and a reference that could only be opened from the grid had to be looked up before opening the photograph they were wanted for.
<sub>`ui/dr-ui/ui/app.slint:2385`</sub>
<sub>`ui/dr-ui/ui/app.slint:2387`</sub>
### Take back the last change
@@ -81,7 +81,7 @@ Most of the keys are develop's, and a reference that could only be opened from t
A whole drag is one step, so undo takes back a decision rather than a frame of a gesture. The list is there because arriving six steps back costs what arriving from one does.
<sub>`ui/dr-ui/ui/app.slint:2415`</sub>
<sub>`ui/dr-ui/ui/app.slint:2417`</sub>
### Do it again after taking it back
@@ -90,7 +90,7 @@ A whole drag is one step, so undo takes back a decision rather than a frame of a
- **Keyboard** — `Ctrl+Shift+Z`, or `Ctrl+Y`
- **See it** — [in the manual](manual/README.md#history-snapshots-presets)
<sub>`ui/dr-ui/ui/app.slint:2429`</sub>
<sub>`ui/dr-ui/ui/app.slint:2431`</sub>
### Remove a repair
@@ -98,7 +98,7 @@ A whole drag is one step, so undo takes back a decision rather than a frame of a
- **Pointer** — Click it, then Delete Repair
- **Keyboard** — `Delete` or `Backspace`, while repairing
<sub>`ui/dr-ui/ui/app.slint:2449`</sub>
<sub>`ui/dr-ui/ui/app.slint:2451`</sub>
### Copy the settings from this photograph
@@ -109,7 +109,7 @@ A whole drag is one step, so undo takes back a decision rather than a frame of a
The button is the copy that has to work: a tablet has no modifier key to hold and no menu bar to hang the action from. The shortcut is an accelerator for a control that is on screen either way.
<sub>`ui/dr-ui/ui/app.slint:2468`</sub>
<sub>`ui/dr-ui/ui/app.slint:2470`</sub>
### Paste the settings onto this photograph
@@ -120,7 +120,7 @@ The button is the copy that has to work: a tablet has no modifier key to hold an
The button names what would be pasted — "3 adjustments", and whether the crop is coming with it — which the shortcut cannot say. Both paste the same scope.
<sub>`ui/dr-ui/ui/app.slint:2481`</sub>
<sub>`ui/dr-ui/ui/app.slint:2483`</sub>
### Choose which kinds of edit a copy carries
@@ -131,7 +131,7 @@ The button names what would be pasted — "3 adjustments", and whether the crop
Lightroom's Copy Settings. Pasting a look across a shoot usually means leaving each frame's crop and rotation alone, and that is a choice to make at the moment of copying.
<sub>`ui/dr-ui/ui/app.slint:2499`</sub>
<sub>`ui/dr-ui/ui/app.slint:2501`</sub>
### Export this photograph as the last one was
@@ -142,7 +142,7 @@ Lightroom's Copy Settings. Pasting a look across a shoot usually means leaving e
Every export runs on the defaults in Settings, so "as the last one was" is what the button already does. The chord is Lightroom's and darktable's, kept so hands that learned it there need not learn it again.
<sub>`ui/dr-ui/ui/app.slint:2524`</sub>
<sub>`ui/dr-ui/ui/app.slint:2526`</sub>
### Choose how to export, then export
@@ -153,7 +153,7 @@ Every export runs on the defaults in Settings, so "as the last one was" is what
The export sheet is the export defaults alone with an Export button. What is chosen there is kept, so it is also what the next Ctrl+Shift+E uses.
<sub>`ui/dr-ui/ui/app.slint:2537`</sub>
<sub>`ui/dr-ui/ui/app.slint:2539`</sub>
### Keep a crop that leaves a mask outside
@@ -161,7 +161,7 @@ The export sheet is the export defaults alone with an Export button. What is cho
- **Pointer** — Press "Keep crop" on the notice, or "Undo crop" to take it back
- **Keyboard** — `Enter` keeps it; `Ctrl+Z` takes the crop back, like any other step
<sub>`ui/dr-ui/ui/app.slint:2602`</sub>
<sub>`ui/dr-ui/ui/app.slint:2604`</sub>
### Go back to the grid
@@ -171,7 +171,7 @@ The export sheet is the export defaults alone with an Export button. What is cho
Lightroom's key for the grid. Escape gets there too, but a step at a time — out of a mode, then out of a zoom — where this goes straight back.
<sub>`ui/dr-ui/ui/app.slint:2619`</sub>
<sub>`ui/dr-ui/ui/app.slint:2621`</sub>
### Nudge the control last moved
@@ -181,7 +181,7 @@ Lightroom's key for the grid. Escape gets there too, but a step at a time — ou
Lightroom's keys for the selected slider. There is no focus ring on a slider here, so "selected" is the last one moved — the same control `R` puts back — which covers the framing sliders, perspective included, as well as the adjustments.
<sub>`ui/dr-ui/ui/app.slint:2648`</sub>
<sub>`ui/dr-ui/ui/app.slint:2650`</sub>
### Change which group of adjustments is on screen
@@ -192,7 +192,7 @@ Lightroom's keys for the selected slider. There is no focus ring on a slider her
The groups are whatever the operation set declares itself to be about, so there are as many as the pipeline has and no key can be assigned to one of them by name. Stepping is the binding that survives a node being added.
<sub>`ui/dr-ui/ui/app.slint:2676`</sub>
<sub>`ui/dr-ui/ui/app.slint:2678`</sub>
### Look at the photograph at 1:1
@@ -203,7 +203,7 @@ The groups are whatever the operation set declares itself to be about, so there
Noise reduction and capture sharpening are judgements about single pixels, and a fitted view averages several of the file's into each one on screen — so the frame looks softer than it is and the correction goes too far. The point and the magnification survive opening the next photograph, which is what makes checking the same eye across forty portraits forty keystrokes rather than forty pans. From 1:1 on the photograph is drawn as its own pixels, each a hard-edged square, rather than smoothed into a blur.
<sub>`ui/dr-ui/ui/app.slint:2712`</sub>
<sub>`ui/dr-ui/ui/app.slint:2714`</sub>
### Rate this photograph
@@ -211,7 +211,7 @@ Noise reduction and capture sharpening are judgements about single pixels, and a
- **Pointer** — Click a star in the top bar
- **Keyboard** — `0`–`5`
<sub>`ui/dr-ui/ui/app.slint:2769`</sub>
<sub>`ui/dr-ui/ui/app.slint:2771`</sub>
### Pick or reject this photograph
@@ -221,7 +221,7 @@ Noise reduction and capture sharpening are judgements about single pixels, and a
The grid's keys, on the photograph that is open (FR-UI-5, 2026-09-19). Judging here does not move on to the next frame: that belongs to culling, and in develop the photograph in front of you is the one being worked on.
<sub>`ui/dr-ui/ui/app.slint:2775`</sub>
<sub>`ui/dr-ui/ui/app.slint:2777`</sub>
### Give this photograph a colour label
@@ -232,7 +232,7 @@ The grid's keys, on the photograph that is open (FR-UI-5, 2026-09-19). Judging h
The grid's keys, on the photograph that is open, so labelling while stepping through a folder is one hand's work. The bar names the label in words beside its mark.
<sub>`ui/dr-ui/ui/app.slint:2805`</sub>
<sub>`ui/dr-ui/ui/app.slint:2807`</sub>
### Move to the next or previous photograph
@@ -243,7 +243,7 @@ The grid's keys, on the photograph that is open, so labelling while stepping thr
The edit on screen is saved on the way out, so stepping through a folder is as much a departure as going back to the grid and loses nothing. A and D as well as the arrows, so the left hand steps along the roll while the right stays on the mouse.
<sub>`ui/dr-ui/ui/app.slint:2830`</sub>
<sub>`ui/dr-ui/ui/app.slint:2832`</sub>
### See the photograph before you edited it
@@ -254,7 +254,7 @@ The edit on screen is saved on the way out, so stepping through a folder is as m
Held rather than toggled, and no split screen: a split halves the working image on the tablet the column was sized for, and the comparison photographers describe making is a flick back and forth. It takes no history step, so checking whether a frame is overcooked costs nothing to undo afterwards.
<sub>`ui/dr-ui/ui/app.slint:2960`</sub>
<sub>`ui/dr-ui/ui/app.slint:2962`</sub>
### Put one control back to its default
@@ -338,7 +338,7 @@ The question a correction raises is whether it did what it was for — whether t
One key for "up one", innermost first: a question before the sheet under it, a sheet before the view, a view before the library. Nothing is left behind a dialogue that the key walked straight past.
<sub>`ui/dr-ui/ui/app.slint:1021`</sub>
<sub>`ui/dr-ui/ui/app.slint:1022`</sub>
### Do what a sheet offers
@@ -346,7 +346,7 @@ One key for "up one", innermost first: a question before the sheet under it, a s
- **Pointer** — Press its button — Export, or Copy
- **Keyboard** — `Enter`, on the export and copy sheets
<sub>`ui/dr-ui/ui/app.slint:1031`</sub>
<sub>`ui/dr-ui/ui/app.slint:1032`</sub>
### Scroll by the scrollbar