S15.3: the camera-space tap is uniforms, not structure — and FR-MRG-2 moves below the profile

The fused chain, as operation.rs's tests fix it, is warp → as-shot white
balance → operations → base curve → camera matrix → store. LinearWorking
stores after the matrix, so the existing linear tap carries the body's
base curve, and a composite stitched from it and developed as an
unprofiled body would render that curve twice.

FR-MRG-2 therefore stitches camera-linear RGB — after the warp, before
white balance, curve and matrix — and the composite carries the first
source's body, matrices and as-shot neutral so its own develop applies
the profile once. The composer already makes this a uniform question:
white balance, matrix and the curve flag are reserved uniforms, so the
tap is a compose entry with no operations and a render entry that fills
them neutral. panorama.md §5.1 states the shape and asks for f32 buffers.

docs/panorama.md

@@ -50,7 +50,7 @@ reused:
 
 | Exists | Where | Reused for |
 |---|---|---|
-| Render a source to scene-linear on the GPU | `dr-gpu` demosaic → camera profile → working space | FR-MRG-2's input, once a tap after lens correction and before tone exists (S15.3) |
+| Render a source through the fused pass, with a linear f16 output mode | `dr-gpu` demosaic → `AdjustPass`, `OutputMode::LinearWorking` | FR-MRG-2's camera-space input, as a compose entry with no operations and the profile uniforms neutral (S15.3) |
 | Tiled rendering with a priority scheduler | ARCH §5.3 | Pulling source tiles on demand into an output chunk (§5 below) |
 | A non-CFA source entering the pipeline | `Demosaicer::from_rgba8` | The composite's decode path, if the container is a TIFF (S15.1) |
 | DNG matrices read through rawler | `dr-decode::profile` | The composite's decode path, if the container is a DNG |
@@ -70,7 +70,7 @@ FR-MRG-10 states the rule; this is the table it was written from.
 
 | Stage | Cost shape | Runs on | Why |
 |---|---|---|---|
-| Source to scene-linear | per pixel, full res | GPU, the existing pipeline | It *is* the pipeline |
+| Source to camera-linear | per pixel, full res | GPU, the existing pipeline | It *is* the pipeline, stopped early |
 | Keypoint detection | once per frame, at 1024 px | CPU, tract (NEON on the tablet) | Bounded by frame count, not output size. Same runtime faces and masks use. Hand-written WGSL convolutions for a model that runs five times would be work with no visible gain. |
 | Descriptor matching | K² × D per pair | CPU, SIMD | 2048² × 64 × 10 pairs ≈ 3 GFLOP — tens of milliseconds |
 | Rotation solve, bundle adjustment | 3N + 1 parameters, Levenberg–Marquardt | CPU | Microseconds. Not parallel work. |
@@ -125,6 +125,41 @@ neutral graph at zoom 1 and gets the same caching every other consumer does.
 A tile pulled for one chunk is usually needed by the neighbouring chunk, and
 stays hot for it.
 
+### 5.1 The tap — S15.3, answered by reading the composer
+
+The fused shader's order, fixed by `operation.rs`'s own tests: warp → as-shot
+white balance → operations → base curve → camera matrix → store. The store is
+either the display encode or, in `OutputMode::LinearWorking`, an unclipped
+`rgba16float` of linear sRGB. That mode exists for the detail stage and is
+selected from the operations, never by a caller flag, so that a shader and
+the texture bound to it cannot disagree.
+
+The merge wants the values *before* the curve and matrix (FR-MRG-2), and the
+composer already makes that a matter of uniforms rather than structure: the
+white balance, the matrix and the curve's active flag are all in the reserved
+uniform block, and a fused pass with no operations, `as_shot_wb = 1`,
+`cam_to_srgb = I` and `base_curve_last.z = 0` stores exactly camera-linear
+RGB after the warp. So the tap is:
+
+- `EditGraph::compose_camera_linear()` — the `LinearWorking` tail with an
+  empty operation list and identity framing, paired by name with
+- `AdjustPass::render_camera_linear()` — binds the f16 target, fills the
+  reserved uniforms neutral instead of from the source, returns the texture,
+- and a float readback beside the existing 8-bit one.
+
+Nothing in the chain moves. **Precision:** the tap and every chunk buffer
+after it should be `rgba32float`, not f16. A 14-bit sensor has 16 384 steps
+to white; f16 has 2 048 in the top octave, and a composite that is going to
+be re-developed deserves the sensor's precision. The cost is 2× on buffers
+FR-MRG-11 already bounds.
+
+**What the DNG carries as a consequence:** the first source's `Make`,
+`Model` and `UniqueCameraModel` — so `base_curve::for_body` finds the 6D's
+curve — its `ColorMatrix1`/`2` with illuminants, and its `AsShotNeutral`. The
+composite then develops through the same profile as its sources, applied
+once. The spike's 64 × 48 file (§8) already carries the matrix and neutral;
+the body name is a string.
+
 ## 6. The keypoint model
 
 FR-MRG-8: works without weights, better with them. The licence read comes

docs/requirements.md

@@ -1694,18 +1694,23 @@ which is the workflow break FR-DEV-8 was added to close for dust. It is also the
 three §7 merges, and the one whose alignment problem is smallest — a rotation about one point,
 with no depth to recover — so it is where the shared machinery is built.
 
-**FR-MRG-2 — What is stitched.** Each source enters the merge at develop-neutral scene-linear:
+**FR-MRG-2 — What is stitched.** Each source enters the merge in **camera space**: after black
-after black and white levels, demosaic, camera profile and lens distortion correction, before any
+and white levels, demosaic and lens distortion correction, and before everything else — no white
-tone or colour adjustment, with one white balance — the first frame's — applied to all. The
+balance, no base curve, no camera matrix, no edit. The composite carries the first source's body,
-sources' own edits are not baked in. The composite is developed afterwards as if it were a new
+colour matrix and as-shot neutral, so that it is developed afterwards exactly as one of its
-RAW.
+sources would be: the camera profile, the white balance and every operation in §3.3 are applied
+once, to the composite, in its own develop.
 
 This is the clause that decides what the output *is*. Stitching the rendered edits is what a JPEG
 stitcher does; the result cannot be re-developed, and any difference between the frames' edits
-becomes a seam. Stitching neutral pixels produces something that behaves like a photograph the
+becomes a seam. Stitching camera-space pixels produces a photograph the camera could have taken,
-camera could have taken, and every develop operation in §3.3 then applies to it once, not five
+and nothing is applied twice. The cut sits *below* the profile, not above it, for a reason S15.3
-times. Lens correction sits above the cut because a distorted frame does not align; white balance
+found in the pipeline: the base curve is part of the profile (FR-DEV-3e) and is applied to every
-sits above it because the scalars must agree across frames or the overlaps do not match.
+frame of a known body, so a composite that baked it in and then developed as one would render the
+curve twice. Lens correction alone sits above the cut, because a distorted frame does not align.
+White balance sits below it because the sensor saw the same light in every frame: un-balanced
+camera RGB agrees across the overlaps whether or not the camera's auto white balance drifted, and
+the balanced values would not.
 
 **FR-MRG-3 — The output file.** *(general to any merge)* Scene-linear, at least 16 bits per
 channel, in a wide gamut with the colour transform resolved or the profile carried, with capture
@@ -2469,7 +2474,7 @@ stacks.
 | **S13** | **Slint accessibility on Android:** verify TalkBack exposure of names, roles, and values | Whether NFR-A11Y-2 is achievable in the chosen toolkit | NFR-A11Y-2 |
 | **S14** | **Face pipeline in Rust, on a real personal library:** run a detector plus an embedder over ~2,000 images through a Rust ONNX runtime, at proxy resolution, on the reference desktop. Measure per-image latency, cluster purity against hand-labelled truth, and fit the FR-CULL-9 calibration to see whether it converges on a library-sized sample. **Resolve the model licence question before writing any of it** | Whether §3.9.1 is buildable without breaking the pure-Rust dependency policy, and whether the accuracy is worth the subsystem | D13, FR-CULL-8, FR-CULL-9 |
 
-| **S15** | **Panorama pre-conditions, in order of what can kill it:** (1) write a linear DNG with the `tiff` crate and read it back through rawler — decides FR-MRG-3's container; (2) export XFeat to ONNX at a fixed 1024 px input and load it under tract with zero unsupported operators — the F6 check `segmentation.md` records, and the licence read first; (3) tap the working-space texture after lens correction and before tone, and confirm it carries what FR-MRG-2 asks for; (4) a tiled multi-band blend of a 100 MP output on the reference tablet, and XFeat's per-frame time on its CPU — the two halves of NFR-MRG-1 | Whether §3.11 is buildable on the pipeline as it stands, and what the tablet figure is | D18, FR-MRG-2, FR-MRG-3, FR-MRG-8, FR-MRG-11, NFR-MRG-1 |
+| **S15** | **Panorama pre-conditions, in order of what can kill it:** (1) write a linear DNG with the `tiff` crate and read it back through rawler — decides FR-MRG-3's container; (2) export XFeat to ONNX at a fixed 1024 px input and load it under tract with zero unsupported operators — the F6 check `segmentation.md` records, and the licence read first; (3) find where in the fused chain FR-MRG-2's camera-space tap sits and what it costs to expose; (4) a tiled multi-band blend of a 100 MP output on the reference tablet, and XFeat's per-frame time on its CPU — the two halves of NFR-MRG-1 | Whether §3.11 is buildable on the pipeline as it stands, and what the tablet figure is | D18, FR-MRG-2, FR-MRG-3, FR-MRG-8, FR-MRG-11, NFR-MRG-1 |
 
 ### Why this order