diff --git a/docs/manual/index.html b/docs/manual/index.html index 5449234..dba0fa6 100644 --- a/docs/manual/index.html +++ b/docs/manual/index.html @@ -172,6 +172,7 @@ purple included, and None. Each label is drawn with its initial on it reads without telling the colours apart, and the filter bar has a chip for each. In develop, the top bar names the open photograph's label and sets it, and the same keys work there.

+
Labelling four frames with 6, 7, 8 and 9, taking one off with the same key, and filtering the grid to green
Labelling four frames with 6, 7, 8 and 9, taking one off with the same key, and filtering the grid to green

Getting about

Drag the timeline to scrub through years; Ctrl and the wheel resize the thumbnails.

@@ -217,8 +218,10 @@ Hold Before to see the photograph as it was.

Raising exposure, pulling the highlights, lifting the shadows, then holding Before
Raising exposure, pulling the highlights, lifting the shadows, then holding Before

Looking closer

Double-click for 1:1; drag to move about; double-click again to fit. The -wheel zooms to any amount in between.

-
Zooming to 1:1, panning, and back
Zooming to 1:1, panning, and back
+wheel zooms to any amount in between. Past 1:1 the file's own pixels are +drawn as hard-edged blocks rather than smoothed, so what you see is what +the sensor recorded.

+
Zooming to 1:1, panning, then on in with the wheel until the pixels are blocks
Zooming to 1:1, panning, then on in with the wheel until the pixels are blocks

Moving between photographs

The roll along the foot of the canvas holds the photographs the grid was showing; click one to open it. The right arrow, D or space opens the next, @@ -235,6 +238,13 @@ refused, since a clipped pixel has no colour left to balance.

Crop by dragging the frame's corners, straighten with the slider, lock a ratio from the chips. Done composing returns to the photograph.

Cropping, straightening and choosing a ratio
Cropping, straightening and choosing a ratio
+

Vertical and Horizontal, under Straighten, correct the lines that +converge when the camera is tilted up at a building; the crop refits to +what is left.

+
Standing towers shot from below upright with the Vertical slider
Standing towers shot from below upright with the Vertical slider
+

A crop that leaves a mask wholly outside the frame says so, and offers to +take the crop back or keep it.

+
A stroke in a corner, a crop that leaves it outside, and the notice with Undo crop and Keep crop
A stroke in a corner, a crop that leaves it outside, and the notice with Undo crop and Keep crop

Local adjustments

Local in the rail turns the column into a mask stack. Find subjects runs a segmentation model over the photograph; what it recognises appears as a list @@ -247,7 +257,10 @@ or shrink its edge, choose how it falls off. Show masks as draws th tinted, as alpha, or as an outline; the eye on its row switches it off.

Looking at the mask three ways, painting into it, then growing its edge
Looking at the mask three ways, painting into it, then growing its edge

Linear and radial gradients, a tone range and a colour range are the other -ways to make one; each can be combined with any other.

+ways to make one; each can be combined with any other. ∩ Intersect keeps +only where the new part and the mask agree: below, a gradient over the +lower half, then two strokes that survive only where the gradient is.

+
A linear gradient, then Intersect and two painted strokes
A linear gradient, then Intersect and two painted strokes

Repair

Repair in the rail: click a mark and it is covered from a source DarkRoom chooses beside it. Drag either circle to move it; the size, feather and