From 90c7cb65d315a2d4e2d25c6f2f9e29656730e0dc Mon Sep 17 00:00:00 2001
From: Duncan Tourolle None. Each label is drawn with its initial on
it reads without telling the colours apart, and the filter bar has a chip for
each. In develop, the top bar names the open photograph's label and sets it,
and the same keys work there.

Drag the timeline to scrub through years; Ctrl and the wheel resize the thumbnails.
@@ -217,8 +218,10 @@ HoldBefore to see the photograph as it was.

Double-click for 1:1; drag to move about; double-click again to fit. The -wheel zooms to any amount in between.
-

The roll along the foot of the canvas holds the photographs the grid was
showing; click one to open it. The right arrow, D or space opens the next,
@@ -235,6 +238,13 @@ refused, since a clipped pixel has no colour left to balance.
Crop by dragging the frame's corners, straighten with the slider, lock a
ratio from the chips. Done composing returns to the photograph.

Vertical and Horizontal, under Straighten, correct the lines that
+converge when the camera is tilted up at a building; the crop refits to
+what is left.

A crop that leaves a mask wholly outside the frame says so, and offers to +take the crop back or keep it.
+
Local in the rail turns the column into a mask stack. Find subjects runs a
segmentation model over the photograph; what it recognises appears as a list
@@ -247,7 +257,10 @@ or shrink its edge, choose how it falls off. Show masks as draws th
tinted, as alpha, or as an outline; the eye on its row switches it off.

Linear and radial gradients, a tone range and a colour range are the other -ways to make one; each can be combined with any other.
+ways to make one; each can be combined with any other.∩ Intersect keeps
+only where the new part and the mask agree: below, a gradient over the
+lower half, then two strokes that survive only where the gradient is.
+
Repair in the rail: click a mark and it is covered from a source DarkRoom
chooses beside it. Drag either circle to move it; the size, feather and