diff --git a/docs/manual/README.md b/docs/manual/README.md index 4b368be..3c12da2 100644 --- a/docs/manual/README.md +++ b/docs/manual/README.md @@ -207,18 +207,20 @@ the sensor recorded. ### AI denoise -For a photograph taken in poor light at a high ISO. `AI Denoise`, in the -Detail group, replaces how the camera's raw data is turned into colour: a -network trained on this library's own photographs removes the noise and -the blotches of colour that come with it, while keeping the fine detail. -Look at it at 1:1, where noise lives. +How every raw is developed. `AI Denoise`, at the top of the Adjust panel, +replaces how the camera's raw data is turned into colour: a network trained +on this library's own photographs removes the noise and the blotches of +colour that come with it, while keeping the fine detail. It is on for every +raw unless you switch it off with `Apply`. Look at it at 1:1, where noise +lives. -Switch it on with `Apply`. The photograph keeps showing as it was while -the network works, with its progress in the bar at the top, and changes -when it is done — a few seconds on a computer with a graphics card, about -fifteen on its processor alone, longer on the tablet. `Keep grain` puts -back some of what was removed, as grain without colour, for a picture that -does not look too smooth. +The photograph shows the camera's ordinary conversion while the network +works, with its progress in the bar at the top, and changes when it is +done — a few seconds on a computer with a graphics card, about +fifteen on its processor alone, longer on the tablet. The result is kept, +so a photograph opened again, or exported, does not wait a second time. +`Strength` eases it off: below 100 % it puts back some of what was removed, +as grain without colour, for a picture that does not look too smooth. ![An ISO 8000 night frame at 1:1, AI Denoise switched on, then some grain kept](media/develop-denoise.gif) diff --git a/docs/manual/index.html b/docs/manual/index.html index 3939c00..4b7d5f1 100644 --- a/docs/manual/index.html +++ b/docs/manual/index.html @@ -289,17 +289,19 @@ drawn as hard-edged blocks rather than smoothed, so what you see is what the sensor recorded.

Zooming to 1:1 with a double-click, panning, then further in with the wheel
Zooming to 1:1 with a double-click, panning, then further in with the wheel

AI denoise

-

For a photograph taken in poor light at a high ISO. AI Denoise, in the -Detail group, replaces how the camera's raw data is turned into colour: a -network trained on this library's own photographs removes the noise and -the blotches of colour that come with it, while keeping the fine detail. -Look at it at 1:1, where noise lives.

-

Switch it on with Apply. The photograph keeps showing as it was while -the network works, with its progress in the bar at the top, and changes -when it is done — a few seconds on a computer with a graphics card, about -fifteen on its processor alone, longer on the tablet. Keep grain puts -back some of what was removed, as grain without colour, for a picture that -does not look too smooth.

+

How every raw is developed. AI Denoise, at the top of the Adjust panel, +replaces how the camera's raw data is turned into colour: a network trained +on this library's own photographs removes the noise and the blotches of +colour that come with it, while keeping the fine detail. It is on for every +raw unless you switch it off with Apply. Look at it at 1:1, where noise +lives.

+

The photograph shows the camera's ordinary conversion while the network +works, with its progress in the bar at the top, and changes when it is +done — a few seconds on a computer with a graphics card, about +fifteen on its processor alone, longer on the tablet. The result is kept, +so a photograph opened again, or exported, does not wait a second time. +Strength eases it off: below 100 % it puts back some of what was removed, +as grain without colour, for a picture that does not look too smooth.

An ISO 8000 night frame at 1:1, AI Denoise switched on, then some grain kept
An ISO 8000 night frame at 1:1, AI Denoise switched on, then some grain kept
BeforeAfter
The railing and the lamp at ISO 8000, as the camera recorded themThe same, with AI Denoise