0007fa459fd64d56dcebd9236c3c7e54384d80d3
16
Commits
| Author | SHA1 | Message | Date | |
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 dtourolle
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92afaebd34 |
Make the view transform an operation the photographer can set
FR-DEV-3j gives the view transform two controls, contrast and the white point in stops above middle grey, persisted and held per mask layer like any other setting. A scene-referred pipeline whose white point cannot be moved hands the photographer a shoulder they cannot place. `view_transform` is a hand-written node in `Stage::View`, a new stage the composer emits last and emits whatever the node's state: a neutral operation is otherwise left out of the shader, but a photograph with no view transform is a scan. "Active" keeps meaning "moved from the defaults", so an untouched photograph writes nothing for it and `every_node_starts_neutral` still holds. A caller whose chain holds no view operation gets a default one. The composer's loop becomes an ordered list of steps — camera nodes, the matrix, scene nodes, layer-only nodes, the view — so each is emitted in exactly one place. The base curve could not be a node because it belonged to the camera; the ops README records why that argument went with it (D19). The panel shows it in the Light group as "Tone Mapping". Tests that counted the blocks of a neutral graph now count one, the view transform, and the two chain-wide tests that load a film expect the view transform to be absent, since a stock replaces it. |
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dtourolle
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6b99f67f47 |
Develop a mask layer's film on its own settings
A layer offered the film's sliders and they moved nothing: its copy of the node was never given the stock, so it stayed inactive. Film now works in a layer the way the other adjustments do, as offsets to the photograph's settings, but blended as settings rather than as results, since a film is a rendering and cross-fading two developments is not what a region on a pushed film looks like. - dr-film bakes no slider. Exposure is a gain in the shader; push interpolates the stock's measured processes, one curve row each; the print is split at the paper's log exposure, so print exposure is an addition between two lookups and exact at any setting. The enlarger stays balanced at the photograph's exposure. - film_sim reads all four settings as uniforms, format one-hot over a grain count per format, so every uniform is linear in what it does. - Operation::blends_settings lets the composer average each overlapping layer's uniforms with the global ones by mask weight, the global setting taking whatever weight the layers leave, and run the fragment once. Three layers at full weight give the mean of their settings. - The stock picker is hidden on a layer. Only the photograph's exposure re-solves the print balance; push, print exposure and format need no rebake at all now. |
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dtourolle
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81b1ae8c42 |
Measure the haze from the picture, and divide it back out
Four files named dehaze as a member of the compositional detail family — `detail.rs` twice, `dr-gpu`'s detail module, `ops/README.md` and `capture_sharpen.rs` — and no such node existed. Every one of them was describing the family by listing clarity, texture and a control the photographer could not reach. Haze is the one degradation the controls already in the chain cannot remove, and the reason is spatial rather than tonal. Scattering composites an airlight over the scene in proportion to distance, so the lift is per-pixel: a black point that clears the mountains crushes the foreground, and a contrast curve that clears the mountains does the same. So the node has to estimate the transmission at every pixel, which is the dark-channel prior — the local minimum over the channels and over a patch is the airlight that has been added there — and then invert the scattering model with it. The airlight is taken as neutral and as unit, which removes the one part of the published method this stage cannot perform. Estimating it properly is a whole-frame reduction, and the detail chain has none: it hands each pass the pass before it. It is also unnecessary, because white balance is the first node in the chain and has already driven the illuminant to grey, so only the magnitude is unknown — and an unknown magnitude on the veil is a scale factor on the amount slider, which the photographer is setting by eye regardless. The patch is a fraction of the frame's shorter edge, through `RenderScale::frame_fraction`, and never a count of pixels. It has to be wide enough to contain something dark and narrow enough that what it measures is still local, and both of those are statements about how much of the composition it covers — so it must cover the same proportion of the picture on a proxy as in the export, or the file is sharpened for a patch three times narrower than the one that was tuned on screen. Affording it needs an identity a Gaussian does not have. Erosions compose by adding their structuring elements, so the minimum over a run of d followed by the minimum over k points spaced d apart is the exact minimum over the whole kd window. At the square root that is 16 taps rather than 61 at 4K, and it is the same filter rather than an approximation of one — which is the difference from the strided kernel `local_contrast` refuses, where sampling an image that is not band-limited aliases into the base and comes back as mottling. It runs first among the compositional detail nodes, at order 125: after noise reduction, because dividing by a transmission below one amplifies the noise in the veiled distance by exactly the factor it recovers the contrast by, and before clarity and texture, coarse before fine, so that their base is computed on the picture the veil has left rather than on a modelling about to be divided out. What it cannot honour is the placement dehaze most wants. It shifts colour — it subtracts a grey term and rescales, so saturation changes wherever the veil is thick — and the colour work would ideally be correcting the picture that leaves here. The detail stage runs as a group after every point operation, because a neighbourhood pass is a separate dispatch over a texture the fused pass has finished writing, so an order placing this node ahead of `vibrance` would be a lie the chain cannot tell. Interleaving would mean splitting the fused pass in half around it, at the cost of a second full-frame dispatch and intermediate for every edit in the catalogue whether it dehazes or not. The declaration records that rather than leaving it to be rediscovered. FR-DEV-18 is added to the requirements register alongside it. The tag had nowhere to point, and an orphan tag fails the traceability gate rather than quietly counting for nothing. |
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 dtourolleandClaude Opus 5
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e17b909d41 |
Connect the lens vignetting correction to the pipeline
`ops/vignetting.rs` has carried a complete descriptor, polynomial, helper and test suite without an entry in `ops/`, so it was never in `chain()`. It reached no photograph and no panel, and `Attribute::Optics` was an empty category in consequence — filtered out of the tab strip for having no rows, by a chain that had never been given its only member. Declaring it needs the one thing the operation was written against and which did not exist. `wgsl_body` reads `radius`, and the module claimed "the composer publishes `radius` in the shader prologue for exactly this reason". It did not. `sample_source` now does, in both sampling branches, beside the `source_px` it already published for the same class of caller. It is corner-normalised there, which is the part that is easy to leave out. `p` spans ±0.5·aspect, so its length at the corner is 0.5·length(aspect) — about 0.901 on a 3:2 frame, not 1. Lensfun's polynomials are fitted against a corner radius of 1, so passing `length(p)` straight in evaluates every one of them short of where it was measured, by a factor that changes with the aspect ratio. It would have read as a correction that is simply too weak, which is indistinguishable from a bad profile. Both `lens.rs` and `framing.rs` asserted the normalisation `p` does not have; corrected. `order: 5` puts the correction ahead of the tonal stages, and the ordering is load-bearing rather than tidy. Recovering a corner means dividing by an attenuation below one — about two stops for a fast prime wide open — so run after the highlights have been rolled off and clipped, the lift has nowhere to go and the corners posterise instead of brightening. `layer_chain` now drops `Optics` as well as the neighbourhood operations. A local vignetting slider would have worked, which is what makes it worth excluding: `radius` measures from the centre of the whole photograph and a mask cannot move the optical axis, so it would lay a frame-centred radial ramp across the picture and multiply it by the mask. The existing exclusion covers operations that move and do nothing; this one covers an operation that moves and does something its name does not promise. The rule both share is now written down. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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0c3b8cb1c4 |
Hand out descriptors a declaration could produce
`Operation::descriptor()` returned `&'static OpDescriptor`, and that lifetime
is the whole reason a build-time node is free and a run-time node is
impossible: only a compile-time literal can satisfy it, so no amount of
reading `ops/*.yaml` at startup could ever produce a descriptor the rest of
the application would accept. FR-PLG-2 says a bundled operation and a
third-party plugin are the same kind of thing, differing only in where the
file was found — and a lifetime outsiders cannot meet is exactly the second,
weaker format that requirement forbids.
So a descriptor is now owned and handed out as `Arc<OpDescriptor>`, with `Vec`
where it held `&'static` slices. `Arc` rather than a `&self`-borrowed
reference because the callers want to *keep* it: the develop panel collects
descriptors and then mutates the graph, and a borrow would tie the
descriptor's lifetime to a borrow of the operation it came from, which is the
one thing `&'static` was doing right.
The identifier newtypes deliberately did not follow. `ParamId` is `Copy`, is
compared in `match` arms against generated constants, is a map key in the
sidecar and history, and reaches Slint model rows; an `Arc<str>` there would
cost a refcount on every one of those and would take `match id { EXPOSURE =>
.. }` away from the generated code. They gain an interner instead, which is
honest about its lifetime rather than pretending to one — the set of ids is
bounded by deduplication and is process-lifetime by construction, because the
sidecar on disk names its parameters and an id has to stay resolvable for as
long as any edit naming it can be opened.
No behaviour changes. Every descriptor that was a `static` is a `LazyLock`
initialiser now, `Operation::helpers` borrows from `self` instead of being
`'static` so a future run-time node can own its list, and `Warp` and `Framing`
follow `Operation` so there is one shape rather than two.
The one place a descriptor is read per frame is `compose_full`, which takes
`descriptor().id` to prefix each active operation's uniforms, and `dr-ui`
composes on every frame it draws. That is a dozen atomic increments beside a
composition that is already building several kilobytes of WGSL on the same
call; it is noted at the trait method rather than left for a profiler to find.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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dtourolleandClaude Opus 5
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4a2fcb6d22 |
Render a film stock on the GPU, and let it take over the rendering
The stock model landed in dr-film with no way to see it. This is the pipeline node, the two texture bindings it reads, and the end-to-end test that proves the shader agrees with the model. The design point is that a film simulation is not an adjustment. Every other node changes a picture; this one makes it. A stock's characteristic curve does the camera profile's base curve's job -- from measurements rather than from a curve somebody drew -- so running both renders the scene twice: the camera's rendering, and then a film's rendering of that. It looks like neither, and it reads as a colour-management bug with no colour-management bug to find. So `Operation::renders` is new. A node declaring it takes camera RGB and hands back linear sRGB, and the composer emits neither the base curve nor the conversion out of camera space. Both halves move together, and the composer keeps them as one string precisely so that getting half of it right is impossible. The tables are not parameters, for the reason vignetting's coefficients are not: they are measurements. dr-pipeline declares the layout as a plain struct and keeps its no-dependency property; the two crates share no types on purpose. `EditGraph::set_film_tables` offers them to every node rather than to the one that wants them, because knowing which concrete type is which is what the graph is organised not to know. Bindings 4 and 5 follow the masks precedent: declared unconditionally so one bind group layout serves every generated shader, bound to 1x1 placeholders when no stock is loaded. Both are interpolated by hand with textureLoad -- this pipeline binds no sampler, and adding one for two lookups would cost a binding in every shader. Uploads are keyed on content so an unchanged stock does not push half a megabyte across the bus per frame. The end-to-end test earned its place immediately: it found the density lookup being filled z-fastest while a 3D texture upload wants x-fastest, so the red and blue axes were transposed. Green matched exactly, which is what that bug looks like -- a plausible photograph of the wrong colour, and one that every unit test on either side of the seam passes. dr-film now pins the layout in a test that needs no device, and states it where the field is declared. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolle
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d800af049b |
Merge branch 'worktree-agent-acd27f9b2974c67eb' into integration
# Conflicts: # core/dr-gpu/src/adjust.rs # core/dr-pipeline/src/detail.rs # core/dr-pipeline/src/ops/mod.rs |
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dtourolle
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5852e14a5c |
Merge branch 'worktree-agent-a75c901968abfa183' into integration
# Conflicts: # core/dr-gpu/src/adjust.rs # core/dr-pipeline/ops/README.md # core/dr-pipeline/src/lib.rs # core/dr-pipeline/src/ops/mod.rs # ui/dr-ui/src/develop.rs |
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dtourolle
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97d4bd9061 |
WIP: clarity and texture
Checkpoint committed by the coordinator, not by the authoring agent: the session hit its API limit mid-task and left this work uncommitted. Committed so it survives, NOT because it is finished - expect failing tests and half-applied changes. The agent resumes from here. |
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dtourolle
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b4e55b47c1 |
WIP: noise reduction
Checkpoint committed by the coordinator, not by the authoring agent: the session hit its API limit mid-task and left this work uncommitted. Committed so it survives, NOT because it is finished - expect failing tests and half-applied changes. The agent resumes from here. |
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dtourolle
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8ea427de3c |
WIP: capture sharpening
Checkpoint committed by the coordinator, not by the authoring agent: the session hit its API limit mid-task and left this work uncommitted. Committed so it survives, NOT because it is finished - expect failing tests and half-applied changes. The agent resumes from here. |
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dtourolleandClaude Opus 5
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7c57f490fe |
Declare a develop operation in YAML, and generate the rest
An operation was, in the overwhelming majority of cases, four facts: what its parameters are, what uniforms they compute, what WGSL those uniforms drive, and where it sits in the chain. Written in Rust those four facts arrived wrapped in ninety lines of trait implementation — a match on parameter id to a struct field, another match back, an is_active comparing each field to its default, a Vec<Uniform> built by hand. All mechanical, and each one a place to make a silent mistake: a param() arm returning the wrong field reads perfectly and breaks the sidecar round-trip. So the four facts are the file now. core/dr-pipeline/ops/<id>.yaml is a node, build.rs compiles it into the same Operation impl as before, and the result lands in OUT_DIR — the same reasoning as style.yaml -> theme.slint, including why it does not land beside the sources it would look exactly like. Nothing downstream can tell a declared node from a hand-written one: same &'static OpDescriptor, same fused-shader composition, same sidecar. Nine nodes moved: exposure, white_balance, contrast, highlights_shadows, blacks_whites, brilliance, vibrance, saturation, and the shared WGSL helper registry. Their prose came with them, and so did their tests — set/expect/expect_active/expect_wgsl in the declaration compile to real #[test]s, so a node file carries its own proof rather than leaving it behind in a file that no longer exists. Two stayed in Rust and say so with `rust:`. The tone curve's neutral is a relationship between five interpolated points rather than a set of values; the colour mixer generates thirty-six faceted parameters from twelve computed hue bands. A schema stretched to cover either would be a worse language than Rust aimed at one caller. They still declare their position here, because the chain's *order* is the one thing a reader comes to this directory to learn, and an order written half in YAML and half in Rust would be worse than either alone. default_chain() is generated from it. Uniforms are derived by a small expression language — exp2(exposure), blacks / 100 * 0.02 — compiled to Rust rather than interpreted, so an unknown name or a wrong arity is a build error naming the file and the key and the arithmetic costs nothing at runtime. The build script refuses a duplicate order, a filename disagreeing with its id, a default outside its own range, a test value the graph would clamp before the node saw it, a helper that does not define the function it names, and a declared node colliding with a file in src/ops. Verified by adding a scratch node and removing it again: one file, no other edit, and it joined the chain at its declared order with its test running. 237 tests pass in dr-pipeline, clippy and fmt clean. .yaml joins the traceability tool's scanned suffixes, because a node's Rust now lives in OUT_DIR where a tag could never be linked from the report. Coverage 47.7% -> 48.3%. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolle
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f630a3ff81 |
Wire the launch screen into the app
The app now opens on the login screen when there is nothing else to show
— no local paths and no configured library — and goes straight to the
images otherwise. Making someone click past a login they already
completed is pure friction.
launch.slint imported by app.slint, replacing the window rather
than overlaying it: there is no library to look at
until an account is configured
launch_ui.rs the Slint wiring, kept out of lib.rs so the launch
flow can change without touching the develop window
Login runs on a worker thread and posts results back through a channel,
since Slint's event loop is single-threaded and a 20-minute browser wait
cannot block it. The system browser is opened via xdg-open, never an
embedded webview (FR-NC-1).
Sign-out deletes the local credential even if server-side revocation
fails: a network error must not leave a usable secret on the machine.
Format tick-boxes persist on each toggle, so a selection survives a
crash before the library is opened.
Two things deliberately incomplete rather than faked:
- "Choose folder" lists the account's folders and reports them, but
there is no picker widget yet, so selection still happens via the
connect example.
- "Open library" logs the request. Opening a remote library needs the
scan-and-cache path, which belongs with the catalog work in flight.
Earlier I broke the other in-flight dr-ui work by calling
slint_build::compile twice, which replaces the generated module. The
correct wiring is an import inside app.slint, which is what this does.
30 dr-ui tests passing; both launch paths verified by running the app.
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dtourolle
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09e3043f4c |
Add secure credential storage, sessions, and a launch screen
Login now persists properly rather than through the JSON file the test
harness was using.
dr-plat SecretStore trait plus a Secret Service backend.
Verified against the live GNOME Keyring: store,
retrieve, delete, confirm-gone all round-trip.
Session/SessionStore splits credentials from settings — the app
password goes to the keyring (FR-NC-2), while
server, login, chosen root and format selection are
ordinary config. A test asserts the credential never
appears in the config file.
LaunchModel the launch-screen state machine, testable without a
display server: sign in, approve in browser, choose
folder, tick formats, sign out.
launch.slint the screen itself, in its own file.
Absence of a secrets daemon is an explicit degraded mode, not a silent
fallback to plaintext — the screen says sign-in will not persist rather
than letting the user find out next launch. Android's Keystore backend
fails loudly for the same reason: a no-op store would look like it
worked and then lose the credential.
Two bugs caught by tests rather than by running it:
- fail() after busy() signed the user out, because busy() had already
discarded the session. A failed *scan* would have logged you out.
Busy now carries the session.
- normalise_server upgrades http:// to https:// rather than accepting
it. NFR-SEC-3 requires TLS, and silently sending a credential in the
clear is not a decision to make on the user's behalf.
launch.slint is not yet wired into app.slint. Calling slint_build::compile
twice replaces the generated module rather than adding to it, which broke
the other in-flight work on dr-ui; I reverted that immediately. Wiring it
needs an import inside app.slint, which is that work's file to change.
419 tests passing across ten crates.
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dtourolle
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c8bb08e661 |
Add folder scan with format selection; validate A3 on a real library
Library setup as the user described it: pick a folder, choose which RAW
types to look for, scan recursively.
dr-types::FormatFilter the tick-box selection, seeing through VFS
placeholder suffixes so a dehydrated CR2 still
matches as a CR2
dr-sync::scan recursive walk, Depth:1 per directory, pruning
unchanged subtrees where the backend propagates
directory ETags
Verified against nextcloud.tourolle.paris (34.0.2) on a real library:
browse root 32 entries, 98ms
scan PhotosRaw 17,185 RAW files in 334 directories, 34.1s
(7,836 CR2 + 9,349 DNG)
range read 262KB of a 21.5MB DNG in 119ms — 1.22% of the file,
and enough to read "Canon EOS 6D | ISO 100"
That last line is assumption A3 validated on real data. Cataloguing this
library by whole-file fetch would move roughly 370GB; the range path
moves a few MB.
Pruning is capability-gated rather than assumed: with per-entry ETags a
probe costs a request and proves nothing about children, so it is skipped
entirely. A test asserts zero probes in that case.
Still unresolved: /core/preview returns 400 for every parameter
combination tried, including on a JPEG the server reports as having a
preview. Not a request-shape bug — it fails identically bare. Recorded
rather than worked around; ARCH §6.7 already treats server previews as
opportunistic, so nothing depends on it.
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dtourolleandClaude Opus 5
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78e3e6b846 |
Add the develop pipeline: demosaic and seven raw adjustments
Decode through display, on the GPU: black/white normalisation, Bayer demosaic, camera colour transform, and the first seven adjustment operations — white balance, exposure, highlights/shadows, blacks/whites, brilliance, vibrance, saturation. Composable shaders. Each operation contributes a WGSL fragment rather than owning a pass, and dr-pipeline fuses the *active* ones into a single compute shader. One texture read and one write per frame regardless of how many adjustments are in play, while the operations stay independent in Rust — adding one is a new file, with no central shader to edit. An operation at neutral settings contributes no code, no uniform and no branch. Uniforms are prefixed per operation so two may both declare `amount`; helpers dedupe by name from a single source of truth. Pipelines cache on a structure hash covering the op-set and its order but not the values, so dragging a slider uploads uniforms and reuses the compiled pipeline. Measured on a 24 MP CR2: 0.60 ms re-render, one pipeline compiled across ten slider positions. The UI is generated, not written. EditGraph::capabilities() reports parameters with their kinds, ranges, defaults and current values; the panel builds one control per entry chosen by ParamKind. No file in ui/ names an operation, and dr-pipeline has no wgpu dependency, so codegen is testable without a device (ARCH §6.5a). Three defects found against real files, each silent: - rawler 0.7.2's `xyz_to_cam` is all zeros — deprecated and no longer populated. The live matrices are in `color_matrix`, keyed by illuminant. Reading the old field yields no colour transform at all. - `cam_to_xyz_normalized()` returns all NaN on any Bayer sensor: it divides each of four rows by its own sum, and the unused fourth (emerald) row sums to zero. Inverting the 3x3 ourselves avoids it. `wb_coeffs[3]` is NaN for the same reason and is normalised at decode. - As-shot white balance reached the uniform block but no shader read it, so the first render of a real CR2 came out violently green. Green photosites collect roughly twice the signal of red and blue. Now applied unconditionally before any operation, with tests on ordering. Demosaic is Malvar-He-Cutler rather than bilinear: gradient-corrected interpolation at one 5x5 neighbourhood per pixel, where bilinear leaves visible zippering on any high-contrast edge at 1:1. Two of the four packed CFA constants were wrong on the first attempt, so all four layouts are asserted to reconstruct the same colour. Crop origins at odd coordinates re-phase the pattern; without that, red and blue swap. X-Trans reports GpuError::UnsupportedCfa rather than approximating with the Bayer path, which would look like a corrupt file. 206 tests, including GPU tests proving every operation and the full seven-operation chain generate compilable WGSL. Known gaps: the display path still reads back to the CPU each frame, which ARCH §6.1 forbids and AC-8 asserts against — it is gated behind the `readback` feature and waits on spike S1 wiring Slint's texture import. Curve shapes are a first draft and want tuning against real photographs. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |