D19 changed how every raw photograph renders, so every picture was
stale; all forty are recorded again from this tree. Beside the ones
already in the page there is now one for Tone Mapping: an alpine frame
whose clouds sit near white, its White Point raised to bring them back
and lowered for a brighter picture, its Contrast raised, then Before.
The panorama film unticks the first frame and ticks it back, so the
Frames list and the re-solve show; it no longer films minutes of
"Reading the frames", cutting from the first seconds of the job to the
alignment. The manual's presets menu opens beside the rail, not beside
the photograph.
