353382c07fd71e2f2908783eb5868e2b272f753a
105
Commits
| Author | SHA1 | Message | Date | |
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  dtourolleandClaude Opus 5
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8ab9440190 |
Put the repair tool on the photograph
A third chip beside Crop and Local, and the mode strip's own comment predicted the shape: a mode that arms a gesture on the canvas and scopes the column. Click a mark to cover it, drag the disc to move the repair, drag the source circle to say where the patch comes from, Delete to remove it. The source starts two and a half radii towards the middle of the frame, which is FR-DEV-8's automatic placement in its cheap form — dust sits on skies and skies are smooth, so it is usually right and always one drag from fixed. Two things are drawn deliberately. The circles are the size the repairs actually are, because whether a disc covers a speck is the whole judgement being made and a fixed-size dot would say nothing about it; the reach around them is padded to a touch target so a spot on a dust mark can still be picked up on a phone. And only the selected repair shows its source: a dusty sky carries a dozen, and two dozen circles with nothing saying which belongs to which is less information rather than more. The panel edits what is stored while the canvas draws what is mapped, and the two are pushed separately for that reason — a slider deriving its value from the drawn radius would move differently at different zoom levels. It is also the one panel built from SliderRow rather than a live track: a repair has no OpId to coalesce a drag under, so a row that fires once per gesture is what keeps undo one step per decision. Verified as far as this environment allows: the strip renders and the column re-scopes, photographed under XWayland. Synthetic clicks do not reach this application, so the gestures are as-written rather than as-felt, and docs/spot-removal.md says so. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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2ac069a6b3 |
Index the library's faces, and group them into people
Wires dr-face to dr-catalog: a background sweep that reads the proxy the grid already built, detects, aligns, embeds and stores, then a clustering pass that turns those embeddings into suggested people. Detection runs on the Large thumbnail tier and nowhere else. That is what makes the feature affordable -- a browsed library has already paid for its proxies, so face indexing adds no RAW decode that was not already happening -- and it is why an image whose proxy is missing is skipped rather than fetched: requesting one here would put face indexing on the network path FR-CULL-8 keeps it off. The sweep keeps no cursor. It asks the catalog what is missing, so it resumes after process death with no repeated work beyond the in-flight image, and cancelling is dropping the receiver. recluster writes only the suggested half. Confirmed faces go in as anchors and come back untouched, and a cluster of one stays nameless -- naming every stray face would fill the People view with noise the user then has to dismiss. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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3b5952769b |
Emit floats an f32 can hold, and drop the format! that formats nothing
CI runs cargo fmt --check and clippy -D warnings, and this branch had never been through either. Both would have failed it. The bulk was the generated colour tables: eight significant figures where an f32 carries about 7.2, so the eighth is noise that rounds away at compile time and clippy's excessive_precision says so 109 times over. Fixed in the generator rather than only in the file, so it stays fixed -- and the file is trimmed in place rather than re-derived, because regenerating it needs a colour-science stack that has nothing to do with the defect. The format! in the composer is mine too, from extracting the rendering tail: the braces in it were escaped because the text used to live inside a larger template, and once extracted the escapes are noise and the call formats nothing. Also here, and clearly not mine: an unused import and a shadowed binding in dr-gpu, and an unused import in a test. They are pre-existing -- clippy has been failing on master before this branch existed, on lints like is_multiple_of that arrived with a toolchain rather than with anyone's code. Fixed because CI cannot go green around them, and called out because a merge commit is a bad place to quietly edit someone else's crate. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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6d18517d28 |
Ship every stock that exists, black and white included
Three profiles was what the first cut needed to prove the model. This is the rest of the open data: 23 camera stocks and 9 papers, which is all of spektrafilm. Black and white was the gap, and it turned out not to be a gap in the data -- it was a gap in where I looked. Upstream's `main` has 28 colour profiles and nothing monochrome; `dev` has three more, and they are Tri-X, Double-X and the 2302 print film they go onto. So the answer to "do we have B&W" was yes all along, and it needed the dev branch rather than a fortnight digitising Ilford's datasheet graphs by eye. Those three are pinned to `dev` per stock; the colour stocks stay on the released branch. A monochrome profile is single-channel -- one emulsion, not three -- and spreading that one layer across all three is exact rather than an approximation: three layers with identical sensitivity and identical curves respond identically, which is what one layer does. The dye is the trap. The renderer *sums* the three layers' contributions, so replicating it unchanged renders every frame three times too dense -- neutrally, and therefore plausibly. A third each reconstructs the single emulsion, and two tests hold both halves: that the densities stay equal, and that they sum to one emulsion and not three. Double-X and 2302 ship five curves apiece, measured at five development times -- 4 to 12 minutes for Double-X. That is push and pull processing as measured data. The standard 6.5 minutes is what ships; the rest is in the upstream file waiting for a control to ask for it. Two stocks are `support: film` and are nevertheless what a negative is printed *onto*: the cine projection films 2383 and 2393, which the Vision3 stocks print to. Filtering the picker on support alone offered a projection stock as something to load in a camera, so it filters on stage, with a test saying so. The picker had to change shape twice over. Chips were right for three stocks and off the edge of a 280px column at twenty-four, and the column that replaced them was a thousand pixels standing between the photographer and every slider below. It is a disclosure now: one row carrying the answer, opened to change it, closed again on choosing. That is the opposite of the argument this panel used to take the lids off its sliders, and deliberately so -- an instrument you compare wants to be visible, and a list you consult once wants to be out of the way. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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baa8957e80 |
Let a photographer choose the film, and remember which one
The stock model rendered correctly and nothing could ask for it. This is the picker, and the sidecar key that makes the choice outlive the session. How the choice persists was the open question, and the answer was already written down twice in sidecar.rs: `rating` is a top-level key "because a rating is not an edit", and `masks` are one "because a layer is not a scalar". A stock is that kind of thing -- a choice of material, not a number a slider moves -- so it is a top-level key too. It stores the **id**, not an index. Stocks are files that users add, so an index would mean installing a profile silently changed which film every existing photograph had been developed on. A name this build has no profile for still round-trips untouched, because the alternative is that syncing to an older phone quietly un-develops the picture. Only the names travel. Turning one back into tables needs the profile database, which dr-pipeline deliberately does not link, so `Version::apply` clears the film and the session re-bakes -- after the parameters, because the bake reads the film's own exposure sliders and the print balance is solved against them. That is also why moving those sliders rebuilds the lookup where no other control in the panel does: an enlarger's filtration depends on how the negative was exposed. The panel keeps its rule. It still names no operation and still generates every control from a declared parameter kind; the stock gets a bespoke control beside those, exactly as the mask stack does, and for the same reason. The film's exposure and print exposure arrive as ordinary generated sliders. Two defaults worth stating. Picking a colour negative prints it, because an unprinted one is an orange strip and offering that as the first thing somebody sees after choosing Portra reads as a bug rather than as a choice -- the toggle is there for anyone who wants the scan. And a paste carries no film: a preset is a parameter map, and a stock is not a parameter, so pasting one would paste a choice the clipboard never took. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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54f9cb54fb |
Take the whole run a shift-click names, not the part that happens to be loaded
Shift-clicking two photographs selected only the cells between them that were in the loaded window. The grid is a window of a hundred or so over a library of twenty thousand, and `apply_press` resolved the range against that window — `ids[lo_row..=hi_row]`, clamped to what was there. Everything else in the run had no id anywhere in the UI, so it was silently dropped. The user cannot see that: the selection count is off screen along with the photographs, and the gesture only announces itself when the drop files a dozen images instead of two hundred. The two ends are *ordinals*, and only the catalog knows what lies between them. `read_ids_span` asks it, through the same predicates, the same rating filter and the same ordering the window itself is read with — an ordinal names a photograph only relative to an ordering, so a run taken through any other one is a run through a different library. That ordering is now a constant, `GRID_ORDER`, shared by the window, the trash's own order beside it, and the run: capture time first, with the file name breaking ties and nothing more. A card written by two cameras interleaves names that have nothing to do with each other, and what "everything between these two" means to a photographer is a stretch of an afternoon. The query is reached through a closure handed to `CollectionsController` at wiring time rather than a catalog handle, because the scope and the filter that bound the run belong to the grid's controller. `apply_press` stays a pure function of what it is given, which is what keeps the selection rules testable with no library open — and the tests pass a run that reads a plain slice. Where there is nothing to ask, the loaded window is still used: a poorer answer than the catalog's and a far better one than a gesture that appears to do nothing. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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fa4ad6e2d6 |
Drag the date range on the axis it is chosen from
The range could be turned on with a finger and not aimed with one. Its two ends were typed as `YYYY-MM-DD` into 108px fields behind a soft keyboard, to name days already drawn on the axis a thumb away; and the chip that seeds them takes its span from the timeline's zoom and pan, which are a wheel and a middle button. A touch screen has neither, so on Android the filter was a switch with no aim. The band is now on the timeline. Two ends with grips, dragged along the bars, released to filter — the histogram was already how a period is found, and this makes it how a period is stated. Both ends snap to whole days, which is what the typed fields mean, what `show_range` reads back out, and a floor under a range dragged shut. The fields stay for what dragging cannot do: name an exact day, and say in words what the range is. For that to work the axis had to stop following the range. Redrawn to the band, it moved the ground under the very handles doing the narrowing, and there was nothing outside the range left to widen back into. While there: a fixed number of equal bins instead of calendar buckets. Between one calendar unit and the next the bar count is free to wander by a factor of twelve, so zooming in halved it two steps out of three — the same picture drawn wider until it jumped back to fine. Equal bins also include the empty ones, so a bar's position on the track and the date under it are finally the same quantity; before, a library with gaps drew a February six months wide and the marker, the band and a click all pointed somewhere else. The count is a setting, 32 or 64, because the right answer is a question about the screen. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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a8969c149e |
Move the instrumentation off the header and into About
The render backend, the layout class and the frame rate sat permanently in a 44px strip that also carries the only way out of develop, the undo pair, the panel toggle and the export button. They cost about 200 logical pixels, and a `HorizontalLayout` given less width than its children's minimums does not shrink them — it runs off the end. There was already a breakpoint hiding them below 820px, which is why a tablet in portrait (768) looked fine and landscape (1200) did not: above the breakpoint the readouts came back and pushed the header off the right-hand edge. A breakpoint that hides a problem at one size and not another is a workaround, and this removes the reason for it rather than moving it. They are diagnostics — read once when something looks wrong, and then not again — so they are in Settings under ABOUT, beside the version, which is where someone goes when they have a bug to report rather than a photograph to edit. The version is there for the same reason and comes from `CARGO_PKG_VERSION`, so the line cannot disagree with the binary showing it. The frame rate keeps its warning hue. It is the number that says whether the zero-copy display path is holding up, which is the assumption the whole display design rests on, and that is worth colour wherever it is shown. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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e25f0ad2c6 |
Let the launcher find an icon for the window
The icon was already embedded and had been all along: `app.slint` sets it and `build.rs` compiles it into the binary with `EmbedFiles`. That is not what a Wayland compositor looks at. It ignores a client-set icon entirely, matches the surface's `app_id` against installed `.desktop` files, and takes the icon from the one whose basename agrees. Nothing set an app id and no desktop entry existed, so GNOME had nothing to resolve and drew the placeholder. Both halves are needed and neither substitutes for the other: the embedded icon is what X11 and the window itself use, and the desktop entry is what the overview, the dash and alt-tab use. The app id, the `.desktop` basename and the installed icon's filename are one string in three places — `paris.tourolle.darkroom`, the same reverse-DNS name the Android manifest already uses, because it is one application. Change one without the others and the icon disappears again with nothing logged, so each file says so where the string appears. The PKGBUILD builds from the checkout rather than a release tarball, so `makepkg -si` installs what is being worked on. Install verified by inspection of the built package: binary, desktop entry, and the icon under hicolor/256x256 by the name the entry asks for. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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d04087af83 |
Import into the library, which is on the server
There was a local destination, defaulting to ~/Pictures, and an "upload" switch that could be turned off. That was wrong twice over. DarkRoom's library *is* a folder on a Nextcloud server (FR-NC-6) — there is no local library — so a user-chosen local destination built a second pile of photographs that no view in the application ever lists, and made "where did my import go" a question with two answers. An import now has exactly one destination and the page asks nothing about it. With no account there is nowhere to go at all, so Import is refused rather than quietly filling a folder. What lands on the device is a staging copy in a directory the app owns, the same shape `export` uses for its outbox and for the reason its module docs give: staging first is the only path, not a fallback for being offline. The bytes have to reach disk before the network — streaming a card straight to the server would let a move-import erase a card against an in-flight upload, and would make importing impossible with no connection (FR-NC-10). A staged file is removed once the server confirms it; one that is not confirmed stays queued, and the next import drains it. And the rule that was stated but never enforced: `retirable` was reported and `dr_ingest::retire` was never called by anything, so a move-import silently behaved as a copy. The card is now emptied by the worker, of exactly those photographs the *server* has confirmed — not those merely written here, because the staging copy is removed moments later and anything unconfirmed would then exist nowhere at all. FR-NC-7b said "copied locally first ... then queued for upload", which is a staging area; it has been rewritten to say so in terms that do not also permit what was built. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolle
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56dd3187f1 |
Merge integration into wip/ingest
Second pass, against the detail-stage and thumbnail work that has landed since the first. Resolved and verified here rather than in the shared merge worktree, so what goes back is a fast-forward. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> # Conflicts: # docs/traceability.md |
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dtourolleandClaude Opus 5
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28325af448 |
Make the thumbnails while the originals are still in hand
An import read every byte of every original, uploaded them, and then left the grid to fetch a preview range back out of each one over the network — for files that had been on this machine minutes earlier. The pixels are now made from the bytes already in memory, on the fast path FR-CAT-3 names: locate the camera's own embedded JPEG, decode a few hundred KB, downscale, orient. Never a demosaic. A file with no usable preview yields none, which is not an error and simply leaves the grid to fetch one later. The filing waits for the upload, and only the filing. The shard store is keyed by `oc:fileid` (FR-NC-5) and that does not exist until the server has the file — so the thumbnail is made from the local copy and held until an id can be attached to it. One listing per folder supplies every id at once, rather than a PROPFIND per photograph over a link that may be mobile data. Best-effort throughout: a thumbnail that cannot be filed costs the grid one preview fetch later, and failing an import over it would be the wrong trade. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolle
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0d9910efc6 | Merge branch 'worktree-agent-a89309a856c8f4947' into integration | ||
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dtourolleandClaude Opus 5
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13d003b89d |
Let the curve widget plot whichever curve is asked for
An operation with four curves and a panel that draws one plot needs a way to say which. The panel finds out the way it finds out everything else: the points are faceted with the subject they act on, consecutive parameters sharing a subject are one curve, and a widget spanning several of them gets a selector over their names. Nothing in ui/ contains the word "red", and an operation that grows a fifth curve arrives with a fifth chip. The names ride on the panel rather than on the curve's row, because a Slint model is compared by identity: a fresh list built on every parameter event would make the row look changed every time, and rewriting a row rebuilds the element holding the drag in progress. That is the hazard the in-place point update already exists to avoid. Which curve is on show is interface state, not an edit. It changes no pixel, so it takes no history step, reaches no sidecar, and redraws nothing — the photograph on screen is already right. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolle
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1526c957cf | wip: ingest | ||
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dtourolle
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735683b849 | wip: ingest | ||
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dtourolle
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5bcd0e0269 |
Merge branch 'worktree-agent-a22a049c461818dbe' into integration
# Conflicts: # core/dr-pipeline/tests/mask_sidecar.rs |
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dtourolleandClaude Opus 5
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96a7b405c2 |
Say which photograph the sliders are pointed at
Selecting a mask layer silently re-points about thirty controls at that layer's chain. Same panel, same order, same sliders, different meaning — and the only thing that said so was a sentence in the panel above, which a photographer reaching for the exposure slider has no reason to read. An exposure change lands on the whole frame when it was meant for a face, or the reverse; both are silent, and both are discovered later. `ui-navigation.md` §1.1 calls it the dangerous one and it is: the others in that document cost time, this one costs work. The remedy is the classic one for a modal fault — make the mode visible — and the application already had the pattern. Crop arms a canvas interaction, draws an overlay, gives the column one job and is left by the control that entered it. Local masking is the same animal built as a peer panel, and that is what created the ambiguity. So `crop-mode` stops being a bare boolean and becomes one value of a three-state mode, which is the point: two modes could both be on before, and now that is not a state the interface can be in rather than one it is tested against. **One strip, not two.** The mode control was going to sit beside the group strip that filters the adjustments, which is two controls above one column answering the same question — what am I working on. They are one control now, `Crop · Local │ All · Light · Colour`, which is the shape Lightroom Mobile's bottom strip has for the same reason. The two halves are different kinds of state and are drawn differently: a mode is a chip that fills with the accent when it is on, a group is a word with a rule under it. That difference is what lets both be read at once, which they routinely are — picking Light while a mask is selected filters *that layer's* chain and does not leave the mode. Dropping the scope on a group press would be the same fault coming back from the other end, and would make Light mean two things depending on where it was pressed. The strip stays pinned above the develop column rather than moving to the top of the canvas as the document proposed. The half that filters the column belongs to the column, and the photograph is the subject. The canvas keeps one button, which now names the mode it leaves rather than saying "Done" — that was unambiguous with one mode and would not be with two — because the column can be closed on a narrow window and no mode may be inescapable. Entering a mode is a side effect, so Rust owns it rather than the strip writing the property: crop drops the zoom, local turns the overlay on, and leaving clears the selection. That last one is the fix. The "Overlay" and "Select" toggles are gone because they armed things that are simply what the mode *is* — a mode that has to be switched on separately is one you can enter and have do nothing. Escape and the Android back gesture join `back_step` as one `LeaveMode` rather than a second exit concept, and the mode is left before the zoom is: it was entered later, and it is the bigger step back. The heading is where the scope goes. Not a caption beside the panel, the heading *of* the panel that changed — `ADJUST` becomes the layer's name, the same string the selected row in the stack shows. That is the difference between describing a hazard and removing it. **Handles on the photograph.** A linear or radial mask could be created and then not moved, so a radial sat at the centre of the frame at its default size for ever. Three faults stood in the way of drawing one. The first is that a gradient did not render at all until the model had run. The rasteriser was built on the way out of `segment` and the array's size was read *off* the segmentation, so a gradient added to an unsegmented photograph produced nothing — silently, in the same way exports and thumbnails once did: the shader still emits the layer's block and the empty placeholder multiplies it by zero. The proxy size is a property of the photograph. Both are derived from it now, and deliberately at the same size rather than by coincidence, because a subject's distance field is sampled against that array. The second is hit-testing. A handle is drawn in output coordinates and stored in source ones, and between them lie the crop, the zoom, the pan, the straightening and the turns. `Framing::source_at` is `wgsl_prologue` evaluated on the CPU, kept in that file beside it so that keeping the two in step is one file's problem — a handle mapped through anything less drifts off the mask the moment the view moves, which is exactly what masks are rasterised in source space to avoid. The third is that a drag is a displacement, not a destination. Each handle answers to the movement of the pointer since the press, applied to where the mask was when the press landed. Snapping the handle to the pointer instead jerks it by up to half a touch target on the first press, and the target is finger-sized because a tablet has no hover to reveal a control and no modifier to qualify it. A ramp gets three handles — centre, width, angle. An ellipse gets three too: centre and one per semi-axis, the major one carrying the direction as well as the length, because where an axis is put says both. It had a fourth, and it is gone: standing off the shape by a fixed distance, the rotation arm began outside the photograph at the size a new radial is created at, so the first thing anyone saw was a control they could not reach without first shrinking the mask. Two faults here were found by looking at the screen rather than at the source, both of the kind that cannot be found any other way. A `1px` rule with a size and no position is *centred* by Slint, so the seam between the photograph and the column was a hairline down the middle of the panel, through the histogram and every slider under it — twice, once in `app.slint` and once in `AdjustPanel`. And handing Slint a fresh model for the handles on every pointer event made the repeater rebuild its items, taking the `TouchArea` holding the gesture with them: the handle jumped once and then went dead under a finger that was still down. `develop.rs` carries the same warning about the parameter rows, where it broke slider drags; the model is rewritten in place now. The tests worth having are the ones about ambiguity and about the map. That the same row reads the frame's value, then the layer's, then the frame's again is §1.1 in one assertion. That dragging a handle onto another gradient's matching handle *produces* that gradient closes the loop between the two directions of the framing map, through a view that is cropped, zoomed, panned, straightened and quarter-turned at once — a one-legged map is invisible when the framing is neutral, because then both legs are the identity. Not done here: the histogram still reports the whole frame while the sliders edit a layer. That disagreement is real and is N3's, which this unblocks. The strip has room for a Brush entry beside Crop and Local when the painted masks land in the core, and it needs nothing here but the canvas interaction. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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c0e1179936 |
Find the subjects without stopping the window
"Find subjects" took the UI thread for two thirds of a second on a 22 MP frame — a proxy render, a readback and a YOLO pass through `ort` — and for that time the interface was simply gone. The panel apologised for it rather than hiding it: a "Looking…" label, and a 16 ms `single_shot` so the label reached the screen before the freeze began, with a comment saying the obvious fix needed the develop session restructured and was not being taken. The obstacle was never `Send`. `DevelopSession` is `Send` — the device, the source texture and the passes all are. What cannot go to a worker is the `Rc<RefCell<Option<DevelopSession>>>` that every callback in the window reaches through, and the window has to keep reaching through it while the work runs. Handing the session over would freeze the interface exactly as thoroughly as blocking on it did. So the work takes a copy of what it needs instead. A `SegmentationJob` is the device, the demosaiced source behind an `Arc`, and the name of the session that asked. Taking one is two `Arc` bumps; running one is 495 ms on this desktop; none of it touches the session, and there is deliberately no `&mut DevelopSession` in scope for a caller to hold across it. The proxy render travels with it rather than staying behind — a `GpuContext` and a texture handle are both `Send`, and the model was never the only expensive half. So does building the mask rasteriser, which is a shader compile: adopting the result was costing 23 ms, a dropped frame on the one redraw the user is waiting for, and the rasteriser is needed exactly when the subjects arrive and never before. What is left on the UI thread is a microsecond. The answer comes back through a channel a `slint::Timer` polls, which is the shape `apply_when_ready` already uses for a sidecar fetch. **A result can outlive the photograph it describes.** Two thirds of a second is long enough to press the button, think better of it and swipe to the next frame — and the result landing then would fill the panel with subjects that are not in the picture, drawing outlines around a dog two photographs back. Nothing downstream can tell: the masks rasterise and the overlay draws either way. So every session is minted with an id, a job carries the id it was taken from, and `delivery` compares the two before anything is applied. An id rather than a counter beside the session slot, because that slot is written from four places in `lib.rs` and the fifth would be the one that forgot. A discard touches nothing on the way out. `segmenting` belongs to whichever photograph is open now, which may well have a run of its own going, and clearing it would re-enable a button that is correctly insensitive. One run at a time, and abandonment is what stops that being a trap. A job left over from a photograph the user has left is displaced rather than waited for — otherwise the next frame's "Find subjects" would do nothing for the length of a run nobody wants, which is the wait this exists to remove. `ort` offers no way into the inference, so abandoning is checked at the seams there are: before the job starts, and between the readback and the model. Abandoned early it costs nothing, abandoned mid-inference it costs the run it was already committed to, and either way the answer is dropped at the channel. `DevelopSession::segment` survives as a test-only convenience. Left public it is precisely the shape that put two thirds of a second on the UI thread in the first place, and the next caller would reach for it. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolle
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924a837389 |
Group the panel by what operations say they are about
A strip of groups over the adjust panel — Light, Colour, Detail — derived from the attributes the operations declare. `adjust.slint` names none of them: the strings arrive resolved and the panel only draws them, so a new operation joins the right group by saying what it is and this file does not change (FR-DEV-3a). A group nothing carries is not offered, so a tab never opens onto nothing. Geometry is left out because its one operation prefers an on-canvas widget and is skipped by the row builder — a Geometry tab would be empty while `GeometryPanel` holds the real controls. The strip appears only when there is more than one group to choose between; a single tab is a control with one option. The selected group is underlined rather than filled. The accent means *modified* everywhere else in this interface, and spending it on "which tab" would blunt the one signal the panel has. **The trap, and it nearly bit again.** `op_index` on a row counts over every capability, not over the ones a filter kept — it is how a row routes back to the core. Renumbering it while filtering would make a slider drive a different operation, which looks like a rendering fault rather than a routing one. `rows_filtered` keeps `enumerate` over the full list and only `group_head` is a position within the emitted rows; a test moves a value through a filtered row and checks it lands where it was asked to. Six tests, including that a nonsense index falls back to showing everything rather than to showing nothing. |
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dtourolle
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e7dbdeb21f |
Keep the overlay on the photograph when the view moves
The overlay is a source-space picture; the canvas beside it shows whatever the crop, the zoom and the pan selected out of that same space. Drawn whole it stayed frame-sized while the photograph moved underneath, so zooming in left a map of the whole picture stretched over a detail of it. It now reports the visible rectangle as a clip, which the compositor applies for nothing. Resampling on the CPU instead would mean rebuilding a megapixel image on every frame of a drag, and putting it on the GPU would add a second texture to keep in step with the view. Pushed from the render path rather than the panel's sync: a pan changes no mask and no row, so nothing else needs to run, and rebuilding the row models on every frame of a drag would be waste. Straightening is handled by rotating the image. A quarter turn or a flip permutes the axes and a clip rectangle cannot say that — noted where it happens rather than left to be discovered. The proper fix is to run the overlay through the same shader prologue the photograph goes through, which is the right answer and a larger one than this. Four tests, and the one that matters asserts the clip *narrows* when zoomed — which is precisely what it failed to do. |
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dtourolle
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9b4f0815e5 |
Show the regions, click one, and adjust it
The local panel sits above the adjust panel because it decides what those sliders act on; below it, a photographer would set an exposure and only then discover which scope it landed in. Selecting a layer re-scopes the existing controls to that layer's chain — there is no second set of sliders, and there must not be, or every operation added to `ops/` would need a local twin. The overlay is drawn over the canvas rather than blended into the render, because it is a diagnostic and not an edit: it must not reach the histogram, an export, or the texture handed to the compositor. Nearest- neighbour always — the map's values are *names*, so smoothing between region 4 and region 9 invents a colour belonging to neither and softens exactly the edge the overlay exists to show. Picking gets its own touch area above the pan handler. Panning wants press-drag-release and picking wants a click; interleaving them in one handler is how a drag ends up selecting a region the user was scrolling past. Shift is tracked as window state because a TouchArea's click carries no modifiers. Three states a layer can be in are worth distinguishing, and each has a different remedy: stale needs re-segmenting, "no adjustment yet" needs a slider moved, and the ordinary case needs nothing said. A bare selection renders nothing and looks identical to a broken mask, which is the first thing a new user will hit. Known rough edge, commented where it happens: segmentation blocks the UI thread for about half a second. Moving it to a worker needs the develop session — GPU resources behind a RefCell shared with every callback — to be reachable from another thread, which is a restructuring rather than a change to the call. The button says "Finding regions…" first so the stall is announced rather than looking like a hang. |
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dtourolle
|
5ecb35864f |
Put the region map behind the sliders that were already there
A mask layer holds a real develop chain, so the develop panel can edit one with no new controls: select a layer and the same sliders read and write its chain instead of the graph's. An operation declared in `ops/` tomorrow becomes locally adjustable by existing, which is the payoff for making a layer a chain rather than a handful of special-cased parameters. `segmentation.rs` joins the two arms into the one thing the view needs. The model reads the image through a neutral graph rather than the edited one, so a segmentation survives an exposure change instead of being invalidated by every slider. Arm B failing is not fatal: a missing or unreadable model leaves a working watershed map, because refusing to segment at all would trade a working feature for a strict one. The overlay colours groups by a golden-angle walk over hue. Deterministic rather than random, so a region keeps its colour across a level change and the eye can track it; boundaries drawn black over the fill, because two adjacent groups landing on near hues read as one region and telling them apart is the whole reason to look at it. Clicking the photograph creates the layer if none is selected — that is how a local adjustment begins, and making the user press "add layer" first would be a step with no decision in it. Shift-click extends, and clicking a region already selected removes it, so one gesture both adds and corrects. `segment-readback` is a new dr-gpu feature and not a loosening of `readback`. The region-graph transfer is once per image on a worker; the one AC-8 forbids is per frame in the render loop. Sharing a switch would have forced a build wanting local masking to unlock the other. F3 still stands and the feature name says so. |
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dtourolleandClaude Opus 5
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c9c5c43aa1 |
Carry the library across when its home moves
The previous commit moved durable data out of Android's cache directory, and on its own that would have been an upgrade that quietly discarded work. The app looks in the new location, finds nothing, and rescans a library of tens of thousands of images over the network — while the old copy, including every offline rating and edit that had not yet synced, sits in a directory the system is free to delete. So the account's directory is moved once at startup, before anything opens a store. A rename rather than a copy: both are inside the app's own data on one filesystem, so it is atomic and cannot half-finish. An existing destination wins and the move is skipped — that covers a second run and a fresh install, and in neither case may this overwrite live data. A failed move is logged, not fatal. The cost is a rescan, which is recoverable; refusing to start is not. Two tests, against ordinary directories rather than the platform's idea of a cache: one puts an unsynced sidecar in the old location and asserts it is readable in the new one afterwards, the other pins that live data is never overwritten. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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44f0a4971b |
Show the folder picker on the platform that needs it most, and upload at once
Two faults, both of my own making, reported from the tablet as "I cannot select a location" and "it does not upload". **The picker button was gated on `target-selected == 1`.** That index was Remote's position while both targets were offered. Making the target list platform-aware narrowed Android's to Remote alone, so Remote became index 0 and the button disappeared — on the one platform where the picker is the *only* way to set a destination, since a device folder is not reachable there at all. It is gated on a boolean derived from the target now. An index into a list whose length varies is not a fact about the target, and writing it as one is what made a correct change break the thing it was meant to fix. **A queued export waited for a sync pass.** Staging first is deliberate — an export is finished on disk the moment it is written, and offline is then just a longer queue — but nothing drained the outbox until the next sync, so "Queued for Exports" sat unchanged and read, fairly, as an upload that never happened. A finished batch that wrote anything now drains immediately. The sync-pass drain stays: the first makes an upload feel immediate, the second is what eventually delivers the exports made in a tunnel. Committed without the parallel session's in-flight collection work, which is mid-save and does not compile; verified by stashing it and building this tree alone. 281 dr-ui tests pass, clippy clean. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
|
a8b28136a6 |
Merge the batch export, and settle the seven-branch merge
Resolves the last of the parallel work. Two conflicts worth recording, because both were semantic rather than textual: `render_for_export` gained a colour space on master while the batch branch was rewriting the single-image export path around it. Kept both: the batch request supersedes the synchronous path, and the space still has to be chosen at render time because the conversion happens in the shader before the clip to 0..1. `render_open_frame` takes it as an argument rather than reaching for a controller it does not hold. The map-wait moved into `readback::await_mapping` on one branch while another was editing the constant it used, so `READBACK_POLL_LIMIT` survived the merge with no callers. Removed rather than left for clippy to find later. 1164 tests pass, clippy clean, fmt clean. Traceability 53.0% -> 54.3%. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolle
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cfff6a3302 |
Merge branch 'zero-copy-display'
# Conflicts: # core/dr-gpu/src/adjust.rs # ui/dr-ui/src/develop.rs |
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dtourolle
|
9fc8721fa8 |
Merge branch 'histogram'
# Conflicts: # ui/dr-ui/src/lib.rs |
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dtourolleandClaude Opus 5
|
7d3c8c521f |
Export a whole selection, on a thread that is not the interface's
The export button rendered, resampled and encoded a 24 MP frame on the UI
thread and the window was dead for all of it. That was written down as a known
compromise, on the grounds that a batch is what makes the wait intolerable
rather than merely noticeable. This is the batch, so the compromise comes due.
The grid's selection now exports (FR-EXP-7). A worker thread takes a clone of
the `GpuContext` — an `Arc` pair over a device and a queue — and opens each
photograph for itself: fetch, sidecar, decode, demosaic, render at full size,
resample, sharpen, encode, write. Nothing of that touches the interface, which
keeps drawing throughout, and the progress goes where every other background
job's does: one row in the activity register, with a count and a bar.
Why the worker does not borrow the session it could have had. A
`DevelopSession` owns the `AdjustPass` the canvas renders from, so handing it
to a worker would stop the develop view drawing for the length of the batch —
the same freeze, moved. Opening a session per image instead costs a
`Demosaicer` and an `AdjustPass` each time round, and the pipeline cache is
per-pass so the composed shader is recompiled per image rather than once for
the run. Against a full-resolution decode, render and encode that is a few
percent, and it keeps this file out of the pipeline `develop` owns. A reusable
export pass is the obvious next economy if a profile ever says so.
The open image is the exception, and it is why the develop button is not simply
a one-image batch. Its edit lives in the interface's session and may not have
reached a sidecar yet, so a worker that re-opened the file would export the
saved version rather than the one on screen. That frame is therefore rendered
by the caller and handed over as `Source::Rendered`; everything after the
render — the Lanczos reduction, the encode, the write, which is the larger half
of the wait and all of its variance — still leaves the UI thread. So the
develop export is no longer synchronous, but it is not fully off-thread either,
and the doc comment says so rather than claiming otherwise.
Cancellation (NFR-ARCH-3) is an `AtomicBool` read between stages, and the
export button becomes the cancel button while a run is live — a batch that
could only be stopped by not touching the selection would be a trap. Waits on
another worker use `recv_timeout` rather than `recv`, so a cancelled batch
sitting on a forty-megabyte download gives up within 100 ms instead of when the
transfer finishes. The honest bound is worse than that: a frame already in
render has no interior stopping point, so the worst case is one image. Closing
that needs the render itself to become interruptible, which is NFR-ARCH-2's
scheduler and not a finer poll here.
Failures are per image and typed (NFR-ARCH-4). One unreadable body, one folder
that cannot be written, one server that went away — each is a message on the
channel, a line in the log, and a count in the summary, and the batch carries
on. A run with any failure keeps its row until it is cleared, because that is
the row somebody came to the list to find; a cancelled run does not, because
they asked for it.
Two collisions that look alike and are not. `CollisionPolicy` is the user's
answer to "a file of this name was already there", and Overwrite is a fine
answer to that. It is not an answer to "the frame I exported four seconds ago
was also called this" — two folders in a library each holding an IMG_0001 is
ordinary — so a name the run has already issued is always stepped past whatever
the policy says about the folder. Both halves are held by tests.
Supporting changes, each smaller than it sounds. `open_session` comes out of
`load_bytes` so the worker shares the JPEG-versus-RAW routing rather than
carrying a copy that would drift; the half that builds a `slint::Image` stays
behind, where it belongs. `LibraryController::selected_image_paths` answers
from the catalog rather than from the loaded window, because selection is by id
and survives a scrub — a selection made before scrolling routinely names
photographs no row holds. `cache_context_for` takes an id for the same reason,
so a batch reads the originals cache instead of re-downloading three hundred
files. `format_date` is shared so `{date}` and the timeline agree about what
day a photograph was taken.
Left undone, deliberately: the batch is sequential, where FR-EXP-7 asks for all
available cores. Four full-resolution frames in flight is tens of megabytes
each and a straightforward way to exhaust a tablet, and the GPU is shared with
the interface in any case. Also undone: exporting with a chosen preset rather
than the current export settings — that is FR-EXP-5's machinery, which does not
exist yet.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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dtourolleandClaude Opus 5
|
0233df4bf2 |
See what the highlights are doing: a live histogram (FR-DSP-7)
Exposure, blacks and whites were set by eye. Nothing said a highlight had blown — the canvas shows white where a channel is at 250 and white where it is at 255, and the difference is the whole question. **Counted on the GPU, not on the readback.** There is a full frame sitting in CPU memory on every canvas update right now — `AdjustPass::read_output`, the bridge spike S1 removes — and walking it would have been thirty lines and no shader. FR-DSP-7 states the mechanism and not just the feature: "these derive from a GPU-side reduction into a small buffer. Per-frame CPU readback of image data is prohibited." A histogram founded on the bridge would be correct today and deleted by S1, and would meanwhile be the reason the bridge could not go. What crosses the bus here is 4104 bytes whatever the image size. The reduction tallies into workgroup memory first and merges once per workgroup. A photograph is not noise: a clear sky puts tens of thousands of adjacent pixels in one bin, and contending for that single global atomic serialises the dispatch. **On the settled frame only.** `render_now` already knows whether a gesture is still moving — `draft` is the flag `redraw` derives from `was_coalesced` — so the dispatch and its transfer happen once when the slider stops rather than on each of the forty frames a drag emits. Nothing is lost: a histogram flickering past under a finger is not a reading anyone takes. FR-DSP-7 requires exactly this, that it not extend the FR-DSP-3 frame budget. Luma is weighted in 8.8 fixed point — 54, 183, 19, summing to 256 exactly — rather than in floats. Not thrift: it makes the shader's arithmetic reproducible bit for bit, which is what lets the test below be an `assert_eq` against a CPU count rather than a tolerance. ARCH §6.13's line about integer state, applied where it happens to also be free. **What the numbers were checked against.** A flat frame must put all 4096 pixels in one bin and one only. A 256-wide ramp must occupy every level with exactly the same count, which is what catches an off-by-one in the quantisation — a `floor` where a rounding was needed shifts the whole photograph one bin left and looks like nothing at all. And a 101x37 frame of seeded pseudo-random pixels — deliberately not a multiple of the 16x16 workgroup, so the edge tiles run off the image — is compared slot for slot against a second, obvious CPU implementation. Exact equality, no tolerance. The CPU version is a deliberate reimplementation rather than shared code: the bugs worth catching here are ones shared code would commit identically on both sides. Above that, the presentation arithmetic is unit-tested headless, because it is where a wrong answer is invisible. A histogram of the wrong shape looks exactly as plausible as one of the right shape. So: 64 columns because it divides 256 and an uneven fold draws an even ramp as a comb; the peak excludes the end columns, or a night scene scaled against its own black spike is a flat line with no information in it; heights are clamped into the plot; and "0%" is kept distinct from "<0.1%" and from "—", since an indicator reading "clipped" over a figure reading "none" is a panel contradicting itself. Clipping counts a *pixel* with any channel at an extreme, not a channel. Any, because a blown red has no gradation left in it however much green and blue still hold — and it is the saturated highlight, the sunset and the red jersey, that clips first and recovers worst. Per pixel, because counting channels can report 200% of a frame clipped, and a percentage above 100 is a readout nobody trusts again. Two affordances for it, which NFR-A11Y-3 asks for: a bar standing at the end of the plot the tones are piling against, and a figure saying how much. Either alone reads. The panel sits directly under the capture metadata and above every control, because it is what the controls are judged against. It is hand-built rather than generated, and ARCH §4.3a is untroubled: a histogram is not an operation — no parameters, changes nothing, answers a question rather than asking one — and nothing in it reads a parameter out of a descriptor. Three plot colours and a neutral luma trace join the palette. That is the swatch's exception rather than a second one: a per-channel histogram has to say which channel, and no achromatic treatment distinguishes red from blue, so the hue is data exactly as the image beside it is. Held well back from full strength for the reason the theme preamble gives. The bounded, non-parking map wait moves out of `AdjustPass` into `readback::await_mapping`, shared with the histogram's transfer. Thirty lines of load-bearing reasoning about frozen interfaces and lost devices, and two copies of it would have drifted. The histogram describes the frame on the canvas, so it is in the output colour space FR-DSP-7 asks for, and when zoomed it describes the visible region — a photographer inspecting a highlight at 4x is asking about that highlight. A device that cannot build the reduction loses the histogram and keeps the photograph. Still to do for FR-DSP-7: the pixel colour readout under the cursor. 324 tests pass, clippy and fmt clean. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
|
cf8f5b632f |
Show the develop frame itself, instead of a photocopy of it
The oldest open item in the project (ARCH §6.1, spike S1, AC-8). Every frame
in develop was read off the GPU into a `SharedPixelBuffer` and handed back to
Slint to upload again: ~7 ms at 4K against a 0.28 ms compute pass, 96% of the
frame spent carrying pixels to the CPU and back so they could be drawn where
they already were.
Slint 1.17 will adopt a `wgpu::Texture` directly, and the whole of what that
needs is arrangement rather than code.
**One device, made before the window.** A texture belongs to the device that
allocated it, so the compute passes and the compositor cannot each open their
own. `GpuContext::new_shared` opens one and hands back the instance and
adapter alongside it; `dr_ui::shared_gpu` gives all four to
`BackendSelector::require_wgpu_29(WGPUConfiguration::Manual { .. })`. That
call has to come before the first window, because creating one selects a
backend for you — which is why the GPU is now opened at the top of `run`
rather than two hundred lines down beside the other controllers.
dr-gpu still names no UI type. It hands out raw wgpu and does not ask who is
compositing (ARCH §6.5a).
**Vulkan only on the shared path**, where headless keeps its GL fallback.
wgpu's GL backend reaches its display through EGL at instance creation, and
before a window exists there is no display handle to give it — so a GL
instance cannot later produce the window surface Slint needs from it. A
machine with no Vulkan gets no shared device and browses without develop,
which is the same degradation as no adapter at all.
**`renderer-femtovg` becomes `renderer-femtovg-wgpu`.** The old one is FemtoVG
over OpenGL and cannot be handed a wgpu texture at all. It is not kept
alongside as a fallback: FemtoVG-over-GL has no branch for an imported
texture, falls through to "render this image into a buffer", gets nothing, and
draws nothing — a blank canvas with no error, which is worse than the failure
it would be papering over. The consequence is stated plainly in the manifest:
the desktop app now needs a working wgpu adapter to open a window.
**Two output textures, not one, and this is the part that is not obvious.**
Slint repaints when the image property *changes*, and it decides that with
`PartialEq` — which for two images over the same `wgpu::Texture` says
"unchanged". A pass that reused a single target would have rendered every
slider move correctly on the GPU and shown none of them: right, and invisible.
`AdjustPass` alternates between two targets, so consecutive frames are
genuinely different values. It also settles the read-while-write question that
one queue was already answering.
`RENDER_ATTACHMENT` is added to both render targets. Neither pass uses it;
Slint rejects an imported texture without it, on the reasoning that a
compositor handed a texture may need to draw into it.
**`AdjustPass::read_output` is deleted rather than gated.** It and
`export_pixels` were the same transfer under two names, and the comments
explaining why they were separate are the point of the whole criterion:
reading pixels back to *display* them is the defect, reading them back to
*encode a file* is the only way a file is made. The display twin is now gone
outright, which is stronger than a feature flag — it cannot be turned back on.
`export_pixels` is untouched and still ungated. The `readback` feature comes
off dr-ui, darkroom-desktop and darkroom-android; it stays in dr-gpu, where it
still gates `RenderTarget::read_pixels` and the segmentation field readback.
`examples/develop` moves to `export_pixels`, which is honest — it writes a
PPM — and so no longer needs the feature.
Four tests, each named for what it protects and each of which fails without a
screen if the property it guards breaks:
- the adjust target satisfies every condition Slint's import checks, asserted
in the crate that owns the descriptor, because a descriptor that drifts
fails at runtime on a real display and nothing else would notice;
- consecutive renders are different textures, and the third is the first
again, so the alternation is a rotation and not an allocation per frame;
- the develop canvas has no CPU pixel buffer and does have a wgpu texture —
AC-8 itself, in the terms Slint uses;
- consecutive frames compare unequal as `slint::Image`, which is the property
the repaint actually depends on.
The zoom test's readback moves into the test module. It has to: there is no
library function that copies a displayed frame to the CPU any more, and that
is the point — the round-trip now exists in the test binary and nowhere a
shipping build can reach.
**What is not proven.** No GUI was run. What is verified is that the texture
satisfies the import contract, that the import succeeds, that the canvas is a
texture rather than a buffer, and that consecutive frames are distinguishable.
What is unverified is everything that needs a display: that Slint's FemtoVG
wgpu renderer adopts the Manual configuration on a real surface, that the
picture appears the right way up and the right colour, and the frame timing
that motivated the whole exercise. Android is untouched by testing — the
android backend routes a WGPU29 request to Skia, whose wgpu surface does
handle imported textures, but that is read from the source, not observed.
56 dr-gpu tests and 255 dr-ui tests pass, clippy clean under `-D warnings`,
fmt clean.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
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dtourolleandClaude Opus 5
|
4b36ca66aa |
Render an export into the colour space its file will claim
The colour-managed export branch left one call site deliberately unfixed, and this is it. `render_for_export` composed with the default sRGB shader, so a Display P3 export failed with an accurate error rather than producing a mislabelled file — the right way to leave a half-finished path, and no way to leave it. The space is chosen at render time because that is the only time it can be: the conversion happens in the shader, before the clip to 0..1, so by the time pixels reach an encoder they are in exactly one space and the only honest thing left is to label them. `Frame::in_space` carries which, and a mismatch between what was rendered and what was asked for stays a typed error. Also regenerates the traceability matrix over the four merged branches. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolle
|
8e330a24e9 | Merge branch 'undo-redo' | ||
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dtourolleandClaude Opus 5
|
8ea92545df |
Stop the export folder forgetting itself, and let Android reach one
Three faults, compounding into an export that could not be made to work on a tablet at all and a destination that appeared to reset on its own. **Switching target destroyed the destination.** One field held both a filesystem path and a remote folder, so changing the target had to clear it — `/home/x/Exports` carried to the server would have offered to create a folder called `home` at the library root. The consequence was that merely looking at the other option threw away the destination already chosen, which reads, correctly, as a setting that will not stick. There are two fields now. Each target remembers where it was pointed and switching is free; `active_destination` picks between them so no caller can reach for the wrong one. **The library root read as "unset".** The picker opens at the root, so confirming it where it opens stored an empty string — indistinguishable from "ask each time" and looking exactly like the picker had done nothing. Empty now means the library root for a server destination, which is a real folder and the one the photographs are already in; it means "ask" only for a device folder, where no path is worth assuming. The page labels it so. **Android defaulted to a target it cannot use.** A device folder there means the Storage Access Framework, which provides no filesystem path (ARCH §6.9) and is not implemented — so the default target could never succeed however the destination was filled in. The export button said "no export folder is set", the settings page offered no way to choose one, and the only way out was to guess that the other target was the working one. The device target is now absent from `ExportTarget::available()` on Android and the default there is the server, which needs no platform work at all. A settings file carrying an unreachable target — copied from a desktop, say — is corrected on read rather than left to fail at the last step. Seven tests, each named for the fault it prevents returning. The compatibility one matters most: a file written before `remote_destination` existed keeps its device path and gains an empty remote one. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
|
7f524d2fd0 |
Give a mis-drag a way back
Develop edits now save themselves to a sidecar the moment you leave the image, so until this there was no way to undo one — the mistake was persisted and the only recourse was to remember the old number. The history is a stack of snapshots, because the edit graph is already plain data: `Preset::capture` reduces it to what differs from default and `Preset::apply` puts it back, so undo is those two calls and nothing else. A command object per action, with an inverse beside it, would have been a second thing every operation had to register — and operations are declared in YAML precisely so that a new one needs no code written for it. A snapshot cannot fall behind them. The interesting part is coalescing. A slider drag emits an event per frame and must be one step, not forty. Nothing in the interface reports a gesture boundary — the same wall the render coalescing hit, and it is answered the same way rather than by threading a "finger is down" out of every slider, curve point and crop handle. What stands in for the boundary is the control plus recency: changes to the same control within 700 ms amend one step. Which control is "the same" is asked of the graph, not listed: an operation whose declared presentation claims a parameter is one where a single gesture moves several — a curve point carries an x and a y — so those coalesce as one widget. Nothing in the history names the tone curve. The compromise, and it is a real one: a control let go of and picked up again within the window is one step rather than two. Buying the other answer costs a gesture-boundary signal on every control, which is more surface than the difference is worth. The stack is bounded at 64 states for NFR-RES-1 — a develop session stays open for hours. Sixty-four rather than a byte cap: what is being bounded is steps a photographer would want back, and a byte cap would give the elaborate edit the shallowest history, which is exactly backwards. The session owns its history and every mutator records into it, so the callbacks in `lib.rs` cannot change the edit and forget to — with a dozen generic callbacks that would have been one press of undo away from wrong every time a control was added. Opening a photograph makes its stored edit the floor rather than a step: it is not work done in this sitting, and an undo reaching behind it would discard a previous session's edit and then save that on the way out. Not yet done, from FR-DEV-5: history is per-session and in memory, and there are no named snapshots. What mattered was that a saved mis-drag had no way back at all. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
|
cb1d2be240 |
Choose the export folder by walking the server, not by typing it
The destination for a Nextcloud export was a text field. Nobody recalls the exact spelling of a path three levels down, and getting it wrong does not fail — `create_dir` makes whatever was typed, so a misremembered folder becomes a new one at the root and the exports are somewhere nobody looks. So it is picked the way the library root is picked, using the same `FolderBrowser` model the launch screen drives: up, into, and "use this folder", confirming the folder currently *shown* rather than one selected in the list. Same rule in both places, so the phrase means one thing. The model is shared; the worker is not. `settings_ui::spawn_folder_list` is a near-twin of the launch screen's, because that one reaches into the `LaunchController` for its session and reports onto the launch screen's error line, while this one is handed credentials and writes to the settings page. Factoring them together needs a function taking both controllers or a trait implemented twice to abstract two call sites — more machinery than the twenty lines it saves. What matters is shared already: navigation behaves identically because both drive the same model. The callbacks are wired in `lib.rs` rather than in `settings_ui::wire`, because listing a remote folder needs credentials and the settings page holds no session on purpose — it is reachable before a library is opened and must not depend on one existing. With no account the picker says to sign in first, rather than showing an empty list that reads as a server with no folders. Details that are decisions rather than accidents: the picker opens at the library root rather than at whatever half-typed path is in the field, which would list nothing and look broken. The listing area is a fixed 180px, since a folder with sixty children would otherwise push the rest of the settings page off the bottom. "Up" is disabled at the root rather than hidden, so the row does not jump as the user navigates. A failed listing leaves the picker open on the folder it was showing — where the user had got to is not something to discard over a dropped request. And the chosen folder saves immediately like every other setting on a page that has no Save button. The poll timer lives on the controller for the reason `LaunchController` keeps its own there: a `slint::Timer` stops when dropped, so one local to the function that starts it would be collected before the listing arrived. Carries in-flight work from a parallel session — a segmentation pass in dr-gpu, a sidecar cache, and the develop panel's continuing changes. 1020 tests pass, fmt clean. One clippy warning remains and is not mine: `sidecar_cache::dir` is unused while that work is in progress. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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e00c99b864 |
Let a photograph leave: an export button, and a cache to leave from
dr-export could turn a frame into bytes and nothing could ask it to. This is the button, and the place the bytes go. **Everything is staged first.** An export bound for the server is written to a local outbox and uploaded afterwards; offline is not a special case, it is the same path with a drain that finds the server absent. Doing it the other way — upload directly, stage only on failure — makes the failure path the one that is rarely exercised and always broken, and a network drop mid-batch leaves some exports existing and some not with nothing recording which. Staged first, an export is finished the moment it is written and the upload is a promise kept later. The outbox sits beside the catalog rather than under the cache. dr_catalog's cache already draws that line: passive entries are a convenience and go under LRU, pinned ones are a promise and never do. An export awaiting upload is a promise — the user was told it succeeded — and sweeping it for disk would destroy the only copy. Bytes are written before the destination record, so a kill between the two leaves an orphan the drain ignores rather than a record pointing at nothing. The status line says "Queued for Exports/2026", never "Exported to Nextcloud", until it has actually landed. There is a test asserting that wording, because the tempting shorter sentence is a claim the app cannot keep. The drain runs on the sync pass, before the shards: a thumbnail shard can be rebuilt from the originals and the catalog is an index, but a queued export exists nowhere else. `DevelopSession::render_for_export` renders the framed size rather than reusing the frame on screen, which is deliberately viewport-sized (FR-DSP-1) — encoding that would hand the user a soft, screen-sized file with nothing to say anything had been lost (FR-EXP-9). One compromise, recorded rather than hidden: the export runs synchronously on the UI thread, so the window is unresponsive for the few hundred milliseconds a full-resolution render and encode takes. Moving a DevelopSession and its GPU pass to a worker is a larger change than one button earns, and it is batch export that makes the wait intolerable rather than merely noticeable. Still missing: the Nextcloud folder *picker*. The destination is typed into Settings for now. `FolderBrowser` in launch.rs is already the reusable model for it — it browses a remote tree and nothing about it is specific to choosing a library root — but wiring it into the settings page needs a listing worker and browser UI there, which is its own piece of work. Carries in-flight work from a parallel session — presets, the develop copy and paste, and the node schema's `presentation` and `enum` support. One misplaced callback in settings_ui.rs is moved from `render` to `wire`: registered in `render` it borrowed a `&SettingsController` into a 'static closure and would not compile, and that file's own docs say render pushes properties while wire connects callbacks. 992 tests pass, clippy and fmt clean. Traceability 48.3% -> 51.0%. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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65e6a96a65 |
Say what the application is doing, in one bar and one list
Every background job reported into a window property of its own — library-thumbs-done, library-pin-total, library-syncing — which only the grid ever read. A pin download that outlived the view it was started from drew nothing at all once the user opened an image, and there was no answer anywhere to "what is this busy with", because the answer was spread across eight properties nothing collected. They report to one register now (ui/dr-ui/src/activity.rs). It publishes an aggregate, which draws a three-pixel bar across the top of the shell in every view, and a row per job, which the settings page lists: scans, thumbnail batches, pin and open downloads, sidecar uploads, the sync and the trash. Failures stay on the list until they are cleared; routine successes do not, or a scroll would bury them. The handle removes a still-running job when it drops, so a worker that dies mid-transfer takes its row with it rather than leaving the bar sweeping for the rest of the session. Also carries in-flight work from a parallel session — the drawn icon set and the dr-pipeline ops split. dr-pipeline's build script does not compile at this commit; ui/dr-ui does, with clippy clean and its tests passing. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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489465faf0 |
Show the photograph the way it was taken
Nothing read EXIF orientation, so every frame from a body held sideways lay on its side — in the grid, in develop, and in the read-only preview. The tag is honoured as part of *reading the file*, at the same standing as a RAW's masked-photosite crop, never as an edit. It lives as a baseline on Framing rather than as a starting value for quarter_turns, which is what keeps four things true: a sideways file opens unmodified, reset returns it to upright rather than to the sensor's scan order, its sidecar stays empty, and the rotate button still moves the image 90° whatever the file underneath it says. Framing::effective composes the baseline with the user's own turns through the group law rather than by adding turns and OR-ing flags. The naive version gets one case wrong — an odd baseline turn plus a user mirror — and gets it wrong quietly, because the result is still a plausible orientation. The composition collapses to a single permutation, so obeying the tag costs nothing per pixel. dr_decode::orientation is a header-only IFD walk, separate from metadata() for the reason the entry points are separate at all: the grid asks once per cell and must not build a rawler decoder to get one tag. CR3 and RAF fall back to the full read, being neither TIFF nor JPEG. Written down as FR-DEV-3h. Known gap: thumbnails cached before this stay sideways. The store is keyed by file and size, and its shards sync — invalidating them would have every client re-download 25 MB a shard, which is not this commit's call to make. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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94a2686dcb |
Fit the interface to the system bars, the finger and the back key
Four faults that only show on a device, and one that was hiding on the desktop too. The system bars. Target SDK 36 forces edge-to-edge, so the window spans the display and the develop status strip was drawn underneath the clock and the wifi icons. Slint already computes the inset from Android's OnApplyWindowInsetsListener and exposes it as Window.safe-area-insets; nothing read it. The four views now sit inside a shell placed within the safe area. Every inset is zero on the desktop, so that layout does not move. Sliders under a finger. A Flickable steals any gesture that drifts more than 8 logical pixels along its scrolling axis within half a second of the press, and it steals it by cancelling the child. ParamSlider's axis test correctly declined to claim vertical drags, but nothing told the Flickable to stand down once a drag was claimed — so an adjustment would start moving and then be taken away mid-motion. A mouse holds a horizontal line closely enough to stay under 8px; a finger does not, which is why these worked on the desktop and not on the tablet. The claim now sets `interactive: false` for the rest of the gesture. The tone curve had the same fault and worse: its points are dragged vertically, which is the Flickable's own axis, so every drag was stolen — on the desktop as well. The back gesture. Nothing handled it, so back closed the application from anywhere in it. Android delivers it as Key.Back to the focused item and bubbles it up the ancestors, which is the second reason the shell wraps the views rather than sitting beside them. The order is innermost first: settings, then crop, then zoom, then develop to the grid, then a collection scope. Answering false at the top of the stack leaves Android to close the activity, as it does for every other application there. Escape does the same on a keyboard. back_step is a pure function over a flat NavState so the ordering can be tested without a backend: which of two states is left first is the whole of the feature, and it is the part that is easy to get subtly wrong when spelled out in nested ifs over live properties. Develop's canvas now takes focus on show. Without it the arrow keys did nothing until the canvas was clicked, and Key.Back had no focus item to bubble from. Panels that close. The collections sidebar and the develop column are collapsible from the grid header and the status strip. The layout class now supplies only the default: a panel closed to see more of a photograph stays closed while the window keeps its shape, and the choice is dropped when the class changes, because rotating a tablet asks a different question from the one answered in landscape. IMAGE became a Section, being the only group in the column that could not be put away and the one whose content is read first and needed least. Pinch to zoom on the develop canvas, anchored on the midpoint between the fingers (FR-UI-4). The wheel is the desktop's answer and there is no wheel on a tablet. The develop status strip was 28px against the 44px headers on the library and settings pages either side of it — the one screen where a way out has to be found was the one drawn smallest. All three now agree. Verified with cargo test -p dr-ui (192 passing, 6 new), clippy at -D warnings, and an arm64-v8a release build packaged to an APK. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolle
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4d78041d1d | Many imorovments | ||
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dtourolleandClaude Opus 5
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fa12afed18 |
Keep originals on this device, by pin and by use
Fills in `image_cache`, which the previous commit's "On this device" filter read but nothing wrote. Also carries in-flight work that shared these files: the Android TLS root store, the settings page, and a regenerated traceability report. # Two populations, deliberately separate An original is kept here for one of two reasons, and conflating them produces the exact failure the feature exists to prevent. **Pinned** originals were asked for. Pinning a collection before a trip is a promise, so pinned rows are never evicted and never counted against the budget — a cap that could silently delete a pinned trip would make pinning worthless, because it could not be relied on without checking. **Passively cached** originals are a side effect of working: develop already downloads the whole file, so keeping it costs no bandwidth and saves the entire transfer next time. This population is what the budget bounds, evicted least-recently-used, because it otherwise grows until a day of culling fills a disk. Sharing one budget would let a large pin starve the passive cache, or let browsing evict a pin. They are separate. # What was built `dr_catalog::cache` owns the bookkeeping — held tier, size, last use, pinned — and writes the bytes; deciding to download stays with the caller, which is what keeps a crate with no network out of the network's business. Files are written to a temporary and renamed, so a dropped connection cannot leave a truncated file recorded as a complete original. They are named by image id, not filename: `Photos/IMG_0001.CR2` and `Trips/IMG_0001.CR2` are different photographs, and a flat cache keyed on the name would serve one for the other. `spawn_full_fetch` became read-through. A hit is a disk read; a miss stores what it downloads and enforces the budget. A cache that cannot be opened is a miss, not a failure to open the photograph. Pinning writes intent — `tier_desired` — without downloading, so the button responds immediately, and `spawn_pin_fetch` fills it in sequentially afterwards. Sequential because these are tens of megabytes each: the lanes that make the thumbnail sweep fast buy little against one connection's bandwidth and cost a great deal of memory. A pin interrupted by a lost connection resumes from where it stopped. Schema v5 adds `pinned` and `path`. `pinned` is a column rather than something inferred from `pinned_by_rule`, which is ON DELETE SET NULL and so cannot answer for an image whose rule was deleted. A v4 catalog migrates in place; existing rows default to unpinned, the safe direction. The budget and "keep opened originals" come from the settings page rather than a constant, and are applied at startup rather than only on change — a cache capped at 2 GB last session would otherwise spend this one filling to the default. Turning off keeping leaves what is already cached readable: those bytes are paid for, and refusing them would re-download images sitting right there, including pinned ones. Also removes a doubled `#[test]` introduced in the previous commit. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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cd75e5a4c6 |
Run the library from local data when the server is unreachable
Also carries in-flight work that shared these files: the zoom structure-key fix in the adjust pipeline, nearest-neighbour filtering past 1:1, the timeline scrub marker correction, the 423-Locked retry in the metadata sweep, and the thumbnail size-class migration. # Offline mode (FR-CAT-9) The app previously assumed the server was reachable and treated its absence as a series of unrelated per-operation failures. A launch without a connection produced an empty grid, even with a complete catalog on disk and every thumbnail already in the shards. Reachability is now inferred from traffic the app was already making, rather than probed for. `RemoteError::indicates_offline` draws the line that makes this possible: a dead connection is offline, a 403 or a 500 is not — the server answered, so blanking the library over one forbidden file would be a worse error than the one being reported. `Reachability` turns those outcomes into a state, so a library browsing happily never issues a probe at all. Going offline takes one failure, because the user is already experiencing it. Coming back requires evidence — a completed scan or a fetched thumbnail — with a capped exponential backoff behind the manual retry, so twelve sweep lanes failing together do not schedule twelve immediate probes. What keeps working: the catalog opens even when the scan that normally provides it failed, so the grid fills from the last successful scan. Thumbnails come from the shards. Rating, flagging and collecting are catalog writes that never touched the network. What stops is opening an original that was never stored locally, and it now says so in those words instead of reporting "network error: connection refused" over a photograph. Work that is pure network is refused rather than left to fail slowly: the metadata sweep, derived sync, and sidecar writes. The sweep would otherwise spend a timeout per image across the whole library while the progress bar implied something was happening. Deferring sidecars is a real gap rather than a hidden one — a rating made offline reaches its sidecar only when that image is judged again while connected — and it is recorded as such at the call site. # The "On this device" filter A chip beside the rating filters, narrowing the grid to images whose original is held locally. It composes with the rating terms rather than replacing them, so "five-star frames I can actually edit on this train" is one filter. The predicate is SQL, like the rating terms and for the same reason: the count in the header has to agree with the cells drawn. It reads `image_cache.tier_actual`, which nothing writes yet — the next commit fills it. Until then the chip honestly reports zero. `Tier` gains an explicit on-disk encoding. The variants are ordered by generosity and the derived `Ord` invites reordering them, which would silently reinterpret every cached row; the round-trip test is what holds the two in agreement. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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d49b4b41de |
Add thumbnail size classes and grid zoom; fix the scrub ordinal
The grid now zooms, which needs thumbnails at two resolutions rather than one, and exposed a scrub that landed in the wrong place. **Two thumbnail size classes.** `ThumbSize::Grid` (256px, ~10 KB) and `Large` (1024px, ~45 KB), with the class part of the store key so both coexist. Storing everything large would take the reference library from ~200 MB to ~860 MB, and shards sync, so that is transfer cost on every device rather than only disk. A store written before the class existed migrates in place: its entries are all grid-sized, which is what the column defaults to, so nothing already fetched is discarded. `forget` now drops every size for an image. Reading a single row left the other class's bytes on the shard's tally for good, sealing it early on space nothing occupied. **Grid zoom.** Ctrl+wheel and pinch resize cells between 90px and 420px in geometric steps, so the gesture feels the same at either end where a fixed pixel step would be imperceptible at 400px and violent at 90px. Crossing 256px switches to the large class, so a zoomed cell is sharp rather than upscaled. Columns and window capacity already derived from cell size, so the grid reflows for free. **The scrub landed about half a library too high.** It counted only dated images while the grid shows all of them — 10,733 dated against 19,841 rows — and ignored `shadowed_by`. Verified against the live catalog: the old formula gave 10,887, the new one 10,732, the true grid position 10,732. The scrub's count and the grid's window must use identical predicates and ordering; a test now fails if they diverge. **Timeline gestures are continuous.** Scrub and pan were quantised to whole buckets, so a slow drag did nothing until it crossed a boundary and then jumped a month. Both work in fractions of the visible span now, and pinch-to-zoom arrives for tablet, where there is no wheel to reach the axis with. The pinch accumulator was wrong on first writing: it took at most one step per update, so an 8x spread — three doublings — yielded one zoom level. `log2().trunc()` now extracts every whole doubling and carries the remainder. The original test asserted the wrong number and defended it in a comment, which is worth remembering: a test can entrench a bug as readily as catch one. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolle
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75ce3846c3 |
Render draft frames while a gesture is still moving
The adjust pass and the readback both scale with pixel count, so a drag paid full viewport cost on every frame it managed to produce. Halving each edge while the gesture is moving is roughly a quarter of the work. Detecting the gesture needed no new plumbing. No control reports a drag boundary, and threading one out of every slider, curve point and crop handle would be a lot of surface for what is a rendering concern. The coalescing flag already carries the answer: a request that arrives while a render is queued can only come from a control that moved again. A click, a reset or a resize never coalesces, so those still render sharp the first time and never show a draft frame. A settle render restores full resolution 120 ms after the last change — above the interval between events within a drag, so an ordinary gesture never trips it mid-motion, and well under the point where waiting for the sharp frame would be noticeable. Only one settle is ever queued. The softness is therefore visible only while the image is moving too fast to study. dr-ui tests pass. |
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dtourolle
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31dd86d8c0 |
Coalesce develop renders instead of rendering per input event
Every slider, curve-point and crop-handle drag ran a full render straight from its `moved` handler. A render ends in a blocking GPU readback, so that stall sat directly on the input path: touch events arrive far faster than a render completes, the queue backed up, and positions reached the handlers several samples stale — the jumpy dragging. The worse consequence was gestures being lost outright. When events go unconsumed for long enough Android reclaims the stream and hands it to the view underneath, so a drag stopped mid-gesture never received `up`, only `cancel` — which every handler here treats as "abort the drag". `redraw` no longer renders. It marks the canvas dirty and posts one render onto the event loop, coalescing any further requests that arrive while it is pending, and re-checks the flag afterwards so a value that moved during the render is not left on a stale frame. Handlers now return immediately, which is what keeps the gesture consumed. A zero-delay `Timer` rather than `invoke_from_event_loop`: the latter requires `Send` and this state is deliberately `Rc` on the UI thread. All existing `redraw` call sites are unchanged — the signature is the same and coalescing is internal. |
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dtourolle
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8ad5c86ff9 |
Add the library, collections, and trash views; theme from style.yaml
The UI gains the views the catalog work was building toward: a windowed
library grid with ratings and flags, the collection tree with drag-to-add,
and trash with restore. derived_sync pushes thumbnail shards and the catalog
snapshot to the server's derived folder.
Tokens now have one source of truth. build.rs reads style.yaml and generates
theme.slint into OUT_DIR, which answers every existing
`import { Theme } from "theme.slint"` unchanged, because Slint resolves
imports against the importing file's directory first and the include paths
after. Generating into OUT_DIR rather than beside the hand-written Slint is
the point: a generated file sitting in ui/ looks exactly like the files
around it that are meant to be edited, and an edit to it would survive until
the next touch of style.yaml — a bug that hides for weeks. build.rs fails
loudly if a stale ui/theme.slint exists, which would otherwise shadow the
generated one silently and make every palette change vanish with no error.
The palette moves to near-neutral dark with achromatic signalling, so the
accent means "modified" or "active" rather than "heading". Shared components
land in widgets.slint: a token that binds several values into one concept is
a component, not a row in a YAML file.
Adds an optional live-style feature that makes the tokens in-out so they can
be written at startup — a feature rather than the default because it stops
the properties being constant-folded.
serde_norway is the YAML crate: serde_yaml and serde_yml are both deprecated,
and its mappings preserve insertion order, which is what lets the generated
Slint keep the token ordering the author chose.
Assisted-by: LLM
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dtourolle
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2ca1716a29 |
Make "Choose folder" an actual folder picker
It previously fetched the folder list and threw it away into a status line — a button that looked like it worked and did not. Now it opens a browsable picker: click a folder to descend, ".." to go back, "Use this folder" to select, "Cancel" to leave the root unchanged. Descends one level per click because that is what the backend supports: Depth: infinity is frequently disabled server-side and prohibitively expensive where it is not (ARCH §8.4). The chosen root persists immediately on confirm, so it survives a crash before the library is opened. Confirming at the account root is allowed — a user may legitimately keep everything at the top level — and cancelling leaves any previous selection untouched, which a test asserts. Verified against nextcloud.tourolle.paris at both depths: 30 folders at the root, 21 year-folders inside PhotosRaw. 19 launch tests, 38 in dr-ui. |
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dtourolle
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f630a3ff81 |
Wire the launch screen into the app
The app now opens on the login screen when there is nothing else to show
— no local paths and no configured library — and goes straight to the
images otherwise. Making someone click past a login they already
completed is pure friction.
launch.slint imported by app.slint, replacing the window rather
than overlaying it: there is no library to look at
until an account is configured
launch_ui.rs the Slint wiring, kept out of lib.rs so the launch
flow can change without touching the develop window
Login runs on a worker thread and posts results back through a channel,
since Slint's event loop is single-threaded and a 20-minute browser wait
cannot block it. The system browser is opened via xdg-open, never an
embedded webview (FR-NC-1).
Sign-out deletes the local credential even if server-side revocation
fails: a network error must not leave a usable secret on the machine.
Format tick-boxes persist on each toggle, so a selection survives a
crash before the library is opened.
Two things deliberately incomplete rather than faked:
- "Choose folder" lists the account's folders and reports them, but
there is no picker widget yet, so selection still happens via the
connect example.
- "Open library" logs the request. Opening a remote library needs the
scan-and-cache path, which belongs with the catalog work in flight.
Earlier I broke the other in-flight dr-ui work by calling
slint_build::compile twice, which replaces the generated module. The
correct wiring is an import inside app.slint, which is what this does.
30 dr-ui tests passing; both launch paths verified by running the app.
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dtourolle
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09e3043f4c |
Add secure credential storage, sessions, and a launch screen
Login now persists properly rather than through the JSON file the test
harness was using.
dr-plat SecretStore trait plus a Secret Service backend.
Verified against the live GNOME Keyring: store,
retrieve, delete, confirm-gone all round-trip.
Session/SessionStore splits credentials from settings — the app
password goes to the keyring (FR-NC-2), while
server, login, chosen root and format selection are
ordinary config. A test asserts the credential never
appears in the config file.
LaunchModel the launch-screen state machine, testable without a
display server: sign in, approve in browser, choose
folder, tick formats, sign out.
launch.slint the screen itself, in its own file.
Absence of a secrets daemon is an explicit degraded mode, not a silent
fallback to plaintext — the screen says sign-in will not persist rather
than letting the user find out next launch. Android's Keystore backend
fails loudly for the same reason: a no-op store would look like it
worked and then lose the credential.
Two bugs caught by tests rather than by running it:
- fail() after busy() signed the user out, because busy() had already
discarded the session. A failed *scan* would have logged you out.
Busy now carries the session.
- normalise_server upgrades http:// to https:// rather than accepting
it. NFR-SEC-3 requires TLS, and silently sending a credential in the
clear is not a decision to make on the user's behalf.
launch.slint is not yet wired into app.slint. Calling slint_build::compile
twice replaces the generated module rather than adding to it, which broke
the other in-flight work on dr-ui; I reverted that immediately. Wiring it
needs an import inside app.slint, which is that work's file to change.
419 tests passing across ten crates.
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