D19 changed how every raw photograph renders, so every picture was
stale; all forty are recorded again from this tree. Beside the ones
already in the page there is now one for Tone Mapping: an alpine frame
whose clouds sit near white, its White Point raised to bring them back
and lowered for a brighter picture, its Contrast raised, then Before.
The panorama film unticks the first frame and ticks it back, so the
Frames list and the re-solve show; it no longer films minutes of
"Reading the frames", cutting from the first seconds of the job to the
alignment. The manual's presets menu opens beside the rail, not beside
the photograph.
Every scene, recorded from this commit's desktop build. Since the last
recording (0.17.0) contrast flattens toward grey, a mask layer's
settings apply as offsets, and the film's settings are per-pixel, which
touch the develop, film, local and preset pictures; `--changed` could
not be trusted after the rebases, so nothing was left out.
Checked frame by frame: the film list still reaches Ilford HP5 Plus by
wheel, drag, scrollbar and keys (film_reach), and each picture shows
what its caption says. Settings shows version 0.18.1, the build's own
until the release commit bumps it.
The manual described the review (7c9a4ee) without a picture, because the
demo library holds no duplicates. The new duplicates scene makes two:
it copies two New York frames into a bck folder beside their own,
restarts the app so the scan finds them, waits for the sidebar row the
sweep's dating brings (54aee50), opens the review from it, presses
Check and takes the page. It deletes the copies and restarts on the
library as it was; record.sh's snapshot restore would remove them too.
It is registered last, so no other scene sees the copies.
The picture shows both groups proved the same file, the camera-named
copy outside bck marked Stays, and "Move 2 copies to trash" ready.
dtourolle
