dtourolle
a7b090cf36
The six starter presets were copied into the photographer's own library on a first run and were theirs from then on. That cannot grow into a real collection: a copy is frozen at the release that wrote it, so an improved preset reaches nobody who had the old one, and re-seeding would overwrite a preset someone had tuned. `dr_pipeline::bundled` now holds the shipped presets as `.drpl` files compiled into the binary, in sections — Essentials (the former six) and three sections of film presets, one per measured stock in dr-film, printed on the paper its profile names — and never writes them to the user's file. Every shipped preset is a look (`Reach::Named`), so applying one keeps the corrections a photograph already has. A name links a photographer's copy to a shipped preset. Saving over a shipped name makes their version the one that name applies; it is listed in the shipped section, marked as changed, and deleting it reverts to the shipped one. Renaming it makes it one of their own and the shipped preset reappears. Keyed on the name because that is what the photographer sees and chooses by. Copies an older first run seeded are forgotten on load where they are still exactly as seeded — otherwise all six would list as changed and stay frozen at their old values. A tuned one is kept and now overrides. The sheet lists "Yours" first, then each shipped section, with headings. Shipped rows apply and nothing else; a changed row offers Revert where the photographer's own offer Delete. A dr-ui test checks every shipped film names a stock this build can bake, on that stock's own paper, because dr-pipeline does not link the profile database. The film presets name stocks by id; the measurements behind them are spektrafilm's (CC BY-SA 4.0), attributed in each file as in dr-film.
67 lines
1.7 KiB
Plaintext
67 lines
1.7 KiB
Plaintext
drpl 1
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# Colour film: each preset is one measured stock, developed and — for a
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# negative — printed on the paper its profile names, with every other
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# control left where it was. The stock is the look; a grade on top is the
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# photographer's to add.
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#
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# The measurements are spektrafilm's (Andrea Volpato, CC BY-SA 4.0), as
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# converted in core/dr-film/profiles. A preset names a stock by id, so
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# these lines are that attribution's reach: nothing of the data is here.
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[preset Fujifilm C200]
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film = fujifilm_c200
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film_print = fujifilm_crystal_archive_typeii
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[preset Fujifilm Pro 400H]
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film = fujifilm_pro_400h
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film_print = fujifilm_crystal_archive_typeii
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[preset Fujifilm Provia 100F]
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film = fujifilm_provia_100f
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[preset Fujifilm Velvia 100]
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film = fujifilm_velvia_100
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[preset Fujifilm X-Tra 400]
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film = fujifilm_xtra_400
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film_print = fujifilm_crystal_archive_typeii
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[preset Kodak Ektachrome 100]
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film = kodak_ektachrome_100
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[preset Kodak Ektar 100]
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film = kodak_ektar_100
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film_print = kodak_portra_endura
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[preset Kodak Gold 200]
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film = kodak_gold_200
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film_print = kodak_portra_endura
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[preset Kodak Kodachrome 64]
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film = kodak_kodachrome_64
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[preset Kodak Portra 160]
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film = kodak_portra_160
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film_print = kodak_portra_endura
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[preset Kodak Portra 400]
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film = kodak_portra_400
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film_print = kodak_portra_endura
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[preset Kodak Portra 800]
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film = kodak_portra_800
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film_print = kodak_portra_endura
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[preset Kodak Portra 800 pushed one stop]
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film = kodak_portra_800_push1
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film_print = kodak_portra_endura
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[preset Kodak Portra 800 pushed two stops]
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film = kodak_portra_800_push2
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film_print = kodak_portra_endura
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[preset Kodak Ultramax 400]
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film = kodak_ultramax_400
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film_print = kodak_portra_endura
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