The feature shipped tagged against DR-160, which a parallel session had
claimed for picture-in-picture in the meantime. Renumbered to DR-162
across the Rust and frontend TRACES comments (the PiP tags in
VideoPlayer.svelte, pictureInPicture.ts and nativeVideo.ts keep DR-160)
and regenerated bindings.ts.
Adds the requirement rows the tags point at: UR-074 for the user need, and
DR-162 covering why the cap has to reach the PlaybackInfo negotiation and
not only the transcode URL, why the ceiling is process-wide, and why the
Settings default persists while the in-player override does not. Notes
that this gives UR-070 its resume-at-the-same-point mechanism while the
server-offered rendition list that requirement also asks for stays
proposed. UT-156/157 record what the tests pin.
docs/specs/streaming-bitrate-cap.md carries the layer assignment — the
step definitions, the video/audio split, the resolution pairing and the
reload decision are all Rust; the frontend holds a serde token and the
labels it was handed.
TRACES: UR-074 | DR-162 | UT-156, UT-157
Video streams were opened at a fixed allowance nobody could change:
MaxStreamingBitrate=20000000/VideoBitrate=18000000 on the HLS transcode
URL, 20 Mbps in the PlaybackInfo negotiation, and a 999999999 device
profile that let the server direct-play a source of any size. On a
metered or slow connection there was no way to spend less.
StreamingQuality is a ladder of bandwidth ceilings — Original, 20/10/8/
4/2/1 Mbps and 720 kbps — where a step bundles the total ceiling, the
audio share of it and the resolution that budget can carry. Those
numbers are Jellyfin encoding vocabulary, so they live in Rust and the
frontend only names a variant; labels and details come back over IPC
from player_get_streaming_qualities, the same arrangement as the EQ
presets.
The cap has to reach the *negotiation*, not just the transcode URL:
max_static_bitrate in the device profile is what makes the server refuse
to direct-play a file fatter than the cap, and without it a 30 Mbps
remux is handed over untouched and every URL parameter downstream is
moot. So it is applied at all four places that decide bandwidth — the
HLS URL builder, PlaybackInfo, the Live TV stream, and the
background-audio handoff (which takes the lower of the cap and its own
384 kbps). Video bitrate is the total minus the audio share so the two
together honour the ceiling rather than overshooting it.
The ceiling is process-wide rather than a repository field: it is a
preference about this device's connection, must survive a repository
rebuilt on re-login, and every URL builder plus the negotiation have to
agree on it or the cap leaks. Same shape as INCLUDE_CATALOG_BROWSE.
Two ways in. Settings holds the durable default, persisted to
app_settings and restored at startup — unlike the rest of VideoSettings,
because a limit set for a metered connection that silently reverts to
uncapped on the next launch spends the user's data with no changed
setting to see. The in-player menu is the "this film, this connection"
override: a cap is a property of the stream the server is producing, so
it cannot apply to one already in flight — player_set_stream_quality
re-opens the stream at the new quality and resumes at the current
position, reloading the native backend itself and handing HTML5 a URL
for the same reloadSource primitive the audio-track switch uses.
Tests pin the URL parameters at a capped and an uncapped step, the
handoff taking the lower of the two, the ladder's internal consistency
(video + audio == cap, resolution descending with bitrate) and the
persisted token's round trip. The ceiling is process-wide, so the tests
that depend on it serialise on a guard that restores the default.
TRACES: UR-074 | DR-160 | UT-156, UT-157
Adds a 10-band graphic equalizer to AudioSettings (enabled flag +
per-band dB gains, normalised to 10 entries and clamped to range).
Presets return gain curves; the settings page gains EQ UI. libmpv
applies the filter on Linux (Android parity pending). Old persisted
settings without EQ fields load as disabled + flat.
Also includes the requirements/traceability/ux-flows doc updates for
this feature and the home long-press routing (UR-058/DR-087).
TRACES: UR-027 | IR-020, DR-030 | UT-079, UT-080, UT-081, UT-082
Hand video playback off to a native audio-only stream when the app is
backgrounded or locked, with no on-device video decode (UR-040). Adds
player_enter/exit_background_audio commands, an audio-only stream URL
for video items across the repository layer, and the frontend handoff
state machine wired into VideoPlayer. Includes accompanying
repository/offline/player refactoring and regenerates the traceability
matrix.
- Add #[specta::specta] to all 201 #[tauri::command] functions.
- Derive specta::Type on all IPC DTOs (repository/types, settings, player/storage/
download command DTOs, player enums, jellyfin SessionInfo/NowPlayingItem/PlayState,
ThumbnailCacheStats, DownloadInfo, CacheConfig, etc.).
- Replace tauri::generate_handler! with a tauri_specta::Builder + collect_commands!
in lib.rs (exports bindings.ts in debug builds).
Two contract changes required by specta constraints (frontend migration follows):
- specta caps command arity at 10 args: download_item_and_start / download_item /
download_video now take a single request struct (params bundled, body unchanged
via destructuring).
- specta can't parse split serde rename_all: SessionInfo/NowPlayingItem/PlayState
switched to rename_all = "PascalCase" (Jellyfin deserialization preserved; these
now serialize PascalCase to the frontend).
cargo check --lib is clean (0 errors). Frontend migration to bindings.ts is the next step.
dtourolle