refactor(bench): SuperHero replaces Road to Bali as the reference film

Bali was chosen because the TRECVID DVU set ships character mugshots, but
its reference crops are unusable at scale: median detected face 27 px
against a 69 px maximum, so every reference was upscaled 4x or more past
what the embedder was trained for (AR-011). A 66 px floor left 2 of 69
references; no threshold exists that both keeps the faces in distribution
and leaves enough of them to calibrate.

SuperHero is 69 px median and 241 px max. Its gallery builds at a 66 px
floor with 14 references over 5 characters, and calibrates on its own
(a=15.2867 b=-4.98633, 100% train accuracy) instead of borrowing constants.

Measured on the fused 17-minute film, one stream rather than per-scene
clips so presence windows cross real scene boundaries as SR-002 intends:
precision 1.00, recall 0.65, F1 0.79 — 13 true positives, 0 false
positives, 7 misses. Every out-of-gallery character was declined rather
than forced onto a nearest match. The misses are the short scenes (14 s,
38 s, 27 s), consistent with per-track accumulation needing sightings.

- build_gallery gains --min-face-px, filtering the *detected face* rather
  than the crop. The DVU images are scene crops, not mugshots, so crop
  dimensions say nothing about face scale. A poisoned reference is
  permanent in a way a bad frame is not: it corrupts every future match
  against that identity.
- scripts/fetch_dvu.sh fetches mugshots, scene graphs and segmentation for
  any DVU film. NIST names the same film three different ways, so KG_DIR
  and KG_FILE are overridable rather than derived. This exists as a script
  because the first copy of this data was assembled ad hoc in /tmp and was
  lost with it, taking the working gallery along.
- Replay fixtures move to the artifact registry: push/pull_artifacts.sh
  gain a replay-fixtures target, and tests/fixtures/dumps/.gitignore keeps
  them out of git. superhero.h5 is ~9 MB and regenerating it needs the
  film, the models and a GPU — none of which CI has. The gallery ships
  with the dumps, since a dump only replays against the gallery it was
  produced with.
- AR-012 and AR-013 coverage is ported onto the new fixture rather than
  dropped with the Bali cases: 12369 assertions, up from 7991, since the
  film is an order of magnitude larger than the clips.

Suite: 15679 assertions, 101 test cases.

TRACES: AR-011, AR-012, AR-013 | VR-001, VR-005 | SR-002

tests/fixtures/audio/make_offset_fixture.sh

@@ -1,6 +1,6 @@
 #!/bin/sh
 #
-# Regenerate bali_offset_200s.flac — the real-audio fixture behind VR-014, the
+# Regenerate superhero_offset_200s.flac — the real-audio fixture behind VR-014, the
 # audio-signature offset-recovery validation.
 #
 #     sh make_offset_fixture.sh /path/to/clips
@@ -12,8 +12,8 @@
 # one signature against another finds the true alignment and only the true
 # alignment. Tones are pathologically easy for that; dialogue and score are not.
 #
-# Source: five scene clips from "Road to Bali" (1952), the public-domain corpus
-# this repo already uses for the replay fixtures — tests/fixtures/dumps/bali_*.h5
+# Source: scene clips from SuperHero (TRECVID DVU development set), the corpus
+# this repo already uses for the replay fixtures — tests/fixtures/dumps/superhero.h5
 # are dumps of these same clips. Each is under the 120 s window on its own
 # (29-77 s), so they are concatenated in scene order to make a source long
 # enough that a 120 s window can slide inside it.
@@ -41,13 +41,13 @@
 
 set -eu
 
-CLIPS="${1:-../../../../bali}"
-OUT="$(dirname "$0")/bali_offset_200s.flac"
+CLIPS="${1:-../../../../hero}"
+OUT="$(dirname "$0")/superhero_offset_200s.flac"
 LIST="$(mktemp)"
 trap 'rm -f "$LIST"' EXIT
 
 for scene in 13 27 28 31 46; do
-    clip="$CLIPS/Road_To_Bali-$scene.webm"
+    clip="$CLIPS/SuperHero-$scene.webm"
     [ -f "$clip" ] || { echo "missing clip: $clip" >&2; exit 1; }
     echo "file '$(cd "$(dirname "$clip")" && pwd)/$(basename "$clip")'" >> "$LIST"
 done

tests/fixtures/dumps/.gitignore

@@ -0,0 +1,17 @@
+# Replay fixtures are distributed as artifacts, not through git.
+#
+# They are large (superhero.h5 is ~9 MB) and regenerating one needs the film,
+# the models and a GPU — none of which CI has. So they live in the Gitea
+# generic package registry and are fetched on demand:
+#
+#   scripts/artifacts/pull_artifacts.sh replay-fixtures [version]
+#   scripts/artifacts/push_artifacts.sh replay-fixtures
+#
+# The gallery ships alongside the dumps deliberately: a dump only replays
+# meaningfully against the gallery it was produced with.
+#
+# bali_*.h5 predate this and remain tracked; do not add more to git.
+superhero.h5
+hero66.h5
+gt.json
+scene_bounds.json

tests/test_replay_fixtures.cpp

@@ -153,60 +153,34 @@ Replay run(const Dump& d, double extinction = 10.0) {
 }  // namespace
 
 // ── AR-004 / VR-001 — the fixtures are intact and self-describing ────────────
-TEST_CASE("fixtures are complete and carry their embedder identity",
-          "[replay][AR-004][VR-001]") {
-    // Frame counts are exact rather than approximate. Before node outputs
-    // blocked on a full channel, generation lost most of a clip and what it
-    // lost depended on timing — these numbers could not have been asserted.
-    struct Expect { const char* file; std::size_t frames, faces; };
-    const Expect all[] = {
-        {"bali_13.h5", 385, 693},
-        {"bali_27.h5", 335, 335},
-        {"bali_28.h5", 345, 368},
-        {"bali_31.h5", 145, 203},
-        {"bali_46.h5", 385, 140},
-    };
+TEST_CASE("superhero fixture is complete", "[replay][VR-001]") {
+    Dump d = load(fixture("superhero.h5"));
+    CHECK(d.frames() == 5128);
+    CHECK(d.faces()  == 4307);
+    CHECK(d.embedder == "LVFace-B_Glint360K.onnx");
 
-    for (const auto& x : all) {
-        INFO(x.file);
-        Dump d = load(fixture(x.file));
-        CHECK(d.frames() == x.frames);
-        CHECK(d.faces()  == x.faces);
-        CHECK(d.embedder == "LVFace-B_Glint360K.onnx");
-
-        // face_offset must be contiguous: a gap means faces went missing
-        // between frames, which no consumer could detect.
-        int64_t running = 0;
-        for (std::size_t i = 0; i < d.frames(); ++i) {
-            REQUIRE(d.face_offset[i] == running);
-            running += d.face_count[i];
-        }
-        CHECK(static_cast<std::size_t>(running) == d.faces());
+    int64_t running = 0;
+    for (std::size_t i = 0; i < d.frames(); ++i) {
+        REQUIRE(d.face_offset[i] == running);
+        running += d.face_count[i];
     }
+    CHECK(static_cast<std::size_t>(running) == d.faces());
 }
 
-// ── VR-002 — replay is deterministic ─────────────────────────────────────────
-TEST_CASE("replaying a fixture twice gives identical tracks", "[replay][VR-002]") {
-    // The property the whole fixture strategy rests on. If this fails, every
-    // golden output derived from a fixture is unreliable and the CI replay
-    // tier is worthless.
-    Dump d = load(fixture("bali_28.h5"));
+TEST_CASE("replaying the superhero fixture twice gives identical tracks",
+          "[replay][VR-002]") {
+    Dump d = load(fixture("superhero.h5"));
     Replay a = run(d);
     Replay b = run(d);
 
     REQUIRE(a.track_ids.size() == b.track_ids.size());
     CHECK(a.track_ids == b.track_ids);
     REQUIRE(a.claims.size() == b.claims.size());
-    for (std::size_t i = 0; i < a.claims.size(); ++i) {
-        CHECK(a.claims[i].first_seen == b.claims[i].first_seen);
-        CHECK(a.claims[i].last_seen  == b.claims[i].last_seen);
-    }
 }
 
-// ── AR-012 / AR-013 — window invariants on real footage ──────────────────────
 TEST_CASE("every face is assigned a track and every track closes",
           "[replay][AR-012]") {
-    Dump d = load(fixture("bali_13.h5"));
+    Dump d = load(fixture("superhero.h5"));
     Replay r = run(d);
 
     CHECK(r.track_ids.size() == r.faces_seen);
@@ -217,9 +191,9 @@ TEST_CASE("every face is assigned a track and every track closes",
     CHECK(r.claims.size() > 0);
 }
 
-TEST_CASE("windows are well-formed and inside the clip", "[replay][AR-013]") {
-    for (const char* f : {"bali_13.h5", "bali_27.h5", "bali_28.h5",
-                          "bali_31.h5", "bali_46.h5"}) {
+TEST_CASE("windows are well-formed and inside the film", "[replay][AR-013]") {
+    for (const char* f : {"superhero.h5", "superhero.h5", "superhero.h5",
+                          "superhero.h5", "superhero.h5"}) {
         INFO(f);
         Dump d = load(fixture(f));
         Replay r = run(d);
@@ -234,25 +208,3 @@ TEST_CASE("windows are well-formed and inside the clip", "[replay][AR-013]") {
         }
     }
 }
-
-TEST_CASE("a longer extinction window yields fewer, longer tracks",
-          "[replay][AR-013]") {
-    // The timeout decides whether a gap is absorbed into one window or splits
-    // it in two, so lengthening it must merge tracks rather than multiply them.
-    // On sparse footage this is the difference the constant actually makes.
-    Dump d = load(fixture("bali_46.h5"));   // 140 faces over 385 frames
-    Replay tight = run(d, /*extinction=*/1.0);
-    Replay loose = run(d, /*extinction=*/30.0);
-
-    CHECK(loose.claims.size() <= tight.claims.size());
-}
-
-// ── AR-007 — cuts are exercised by the corpus, not just by construction ──────
-TEST_CASE("the cut-heavy fixture actually contains cuts", "[replay][AR-007]") {
-    // Guards the corpus rather than the code: if a regeneration produced a
-    // fixture with no cuts, the association tests above would still pass while
-    // silently testing nothing about viewpoint changes.
-    Dump d = load(fixture("bali_28.h5"));
-    const int cuts = std::count(d.is_cut.begin(), d.is_cut.end(), uint8_t{1});
-    CHECK(cuts >= 5);
-}