1141172b0400885e3f6232846141b3e7a70b8a7c
3
Commits
| Author | SHA1 | Message | Date | |
|---|---|---|---|---|
 dtourolle
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d98dc2855a |
refactor(bench): SuperHero replaces Road to Bali as the reference film
Bali was chosen because the TRECVID DVU set ships character mugshots, but its reference crops are unusable at scale: median detected face 27 px against a 69 px maximum, so every reference was upscaled 4x or more past what the embedder was trained for (AR-011). A 66 px floor left 2 of 69 references; no threshold exists that both keeps the faces in distribution and leaves enough of them to calibrate. SuperHero is 69 px median and 241 px max. Its gallery builds at a 66 px floor with 14 references over 5 characters, and calibrates on its own (a=15.2867 b=-4.98633, 100% train accuracy) instead of borrowing constants. Measured on the fused 17-minute film, one stream rather than per-scene clips so presence windows cross real scene boundaries as SR-002 intends: precision 1.00, recall 0.65, F1 0.79 — 13 true positives, 0 false positives, 7 misses. Every out-of-gallery character was declined rather than forced onto a nearest match. The misses are the short scenes (14 s, 38 s, 27 s), consistent with per-track accumulation needing sightings. - build_gallery gains --min-face-px, filtering the *detected face* rather than the crop. The DVU images are scene crops, not mugshots, so crop dimensions say nothing about face scale. A poisoned reference is permanent in a way a bad frame is not: it corrupts every future match against that identity. - scripts/fetch_dvu.sh fetches mugshots, scene graphs and segmentation for any DVU film. NIST names the same film three different ways, so KG_DIR and KG_FILE are overridable rather than derived. This exists as a script because the first copy of this data was assembled ad hoc in /tmp and was lost with it, taking the working gallery along. - Replay fixtures move to the artifact registry: push/pull_artifacts.sh gain a replay-fixtures target, and tests/fixtures/dumps/.gitignore keeps them out of git. superhero.h5 is ~9 MB and regenerating it needs the film, the models and a GPU — none of which CI has. The gallery ships with the dumps, since a dump only replays against the gallery it was produced with. - AR-012 and AR-013 coverage is ported onto the new fixture rather than dropped with the Bali cases: 12369 assertions, up from 7991, since the film is an order of magnitude larger than the clips. Suite: 15679 assertions, 101 test cases. TRACES: AR-011, AR-012, AR-013 | VR-001, VR-005 | SR-002 |
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 dtourolleandClaude Opus 5
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b4318f8d9e |
fix: belief accumulates across frames (lazy-OR), not once
A track recognised on 318 of 385 frames was owned on none, so the truth file named nobody while the matcher was accepting almost continuously. The correlation discount was an annihilator rather than an attenuator. Weight was 1 - P(same view), so once a track had one stored view every later frame of that same face scored ~0.01 and the belief stopped moving. One observation just over the accept threshold is logit(0.78) ~ 1.27, under the ownership bar — hence recognised always, owned never. Two changes, in the order they were found. Correlated evidence is now attenuated by effective sample size, n_eff = n / (1 + (n-1)·rho), each frame contributing the marginal gain. That has the right shape at both ends: uncorrelated evidence accumulates linearly, and a held pose converges on 1/rho rather than growing without bound. A constant floor was tried first and rejected — it grows linearly forever, so a long shot could out-argue genuinely varied evidence purely by lasting longer. Combination is now weighted lazy-OR: P = 1 - (1-P_old)·(1-p)^w, stored as log(1-P) so the update is additive and precision stays where it matters as P approaches 1. Each frame is new evidence that this track is that actor, and the belief is the probability that at least one sighting was right. It converges faster than summing log-odds at the same effective count — 2.98 vs 2.53 after two observations at p=0.78 — which is what a real clip needs. Note that summing log-odds was already a correct sequential Bayesian update: the matcher fits with prior 0.5, so logit(p) IS the per-frame log-likelihood ratio and the running sum carries the prior forward. It was not wrong, it was slow. What blocked ownership was the discount, not the combination rule. Also fixes a real correctness bug: the observation count lived on the discounter, which is shared by every track, so tracks pooled into one effective sample and each was discounted by how many others happened to be on screen. It is now a per-track parameter. The registry's frame scope holds its lock for its lifetime and the mutex is not recursive, so calling observe() inside a scope self-deadlocks. The pipeline never does — separate nodes — but the test did, and hung rather than failing. Documented at the call site. Verified end to end: the same clip that produced zero actors now identifies Bing Crosby and Dorothy Lamour with belief 0.97. Suite: 96 cases, 6142 assertions. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> TRACES: AR-025 | SR-002 |
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dtourolleandClaude Opus 5
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45ef7c1916 |
Add the v1 audio signature to the pipeline (IR-004, IR-005, IR-007, IR-008)
Implements the content-derived spectral-peak signature from JRay-public-server/SPEC.md §3 so a truth file is self-identifying: 120 s window centred on the media midpoint, mono at 11025 Hz, 4096/1024 Hann STFT, 32 log-spaced bins over 300-3000 Hz, one byte per frame (5-bit peak band + 2-bit energy class), base64, `v1:` prefix. Audio decode is a second stream from the FFmpeg libraries the pipeline already links for video; libswresample is added to the existing ffmpeg_libs interface target. The FFT is written out rather than pulled from a library for the same reason the plugin vendors one: the output has to be bit-identical across two languages, so a dependency whose version could change the numerics is a liability. The server spec fixes the geometry but not enough to reproduce a byte stream — Hann periodicity, band aggregation, the energy-class definition, tie-breaking and the base64 alphabet are all unconstrained by it. Those are pinned in audio_signature.hpp and mirrored in the golden fixture, so the plugin can be implemented from the fixture alone. IR-005: tests/fixtures/audio/ carries a deterministic 120 s tone (FLAC — lossless, so identical PCM to the WAV make_fixture.py emits, and 3.5x smaller in git) plus the signature it must produce, the decoded-PCM checksum and the full parameter contract. That directory is the artefact shared with the plugin repo; the PCM checksum is separate from the signature so a codec-level difference is distinguishable from a DSP one. IR-007: media under 120 s emits no signature. Same for a file with no audio stream or one that will not open — UR-9 is an enhancement and must never be able to break a fetch. Verified against an independent Python reference implementation: same bytes. All 32 bands and all 4 energy classes appear in the golden vector, and the window-centring test wraps the fixture in 90 s of silence either side and requires the golden value back. Not wired into the truth-file output yet — that is the schema_version bump under IR-002/IR-003 and is deliberately out of scope here. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |