Bali was chosen because the TRECVID DVU set ships character mugshots, but
its reference crops are unusable at scale: median detected face 27 px
against a 69 px maximum, so every reference was upscaled 4x or more past
what the embedder was trained for (AR-011). A 66 px floor left 2 of 69
references; no threshold exists that both keeps the faces in distribution
and leaves enough of them to calibrate.
SuperHero is 69 px median and 241 px max. Its gallery builds at a 66 px
floor with 14 references over 5 characters, and calibrates on its own
(a=15.2867 b=-4.98633, 100% train accuracy) instead of borrowing constants.
Measured on the fused 17-minute film, one stream rather than per-scene
clips so presence windows cross real scene boundaries as SR-002 intends:
precision 1.00, recall 0.65, F1 0.79 — 13 true positives, 0 false
positives, 7 misses. Every out-of-gallery character was declined rather
than forced onto a nearest match. The misses are the short scenes (14 s,
38 s, 27 s), consistent with per-track accumulation needing sightings.
- build_gallery gains --min-face-px, filtering the *detected face* rather
than the crop. The DVU images are scene crops, not mugshots, so crop
dimensions say nothing about face scale. A poisoned reference is
permanent in a way a bad frame is not: it corrupts every future match
against that identity.
- scripts/fetch_dvu.sh fetches mugshots, scene graphs and segmentation for
any DVU film. NIST names the same film three different ways, so KG_DIR
and KG_FILE are overridable rather than derived. This exists as a script
because the first copy of this data was assembled ad hoc in /tmp and was
lost with it, taking the working gallery along.
- Replay fixtures move to the artifact registry: push/pull_artifacts.sh
gain a replay-fixtures target, and tests/fixtures/dumps/.gitignore keeps
them out of git. superhero.h5 is ~9 MB and regenerating it needs the
film, the models and a GPU — none of which CI has. The gallery ships
with the dumps, since a dump only replays against the gallery it was
produced with.
- AR-012 and AR-013 coverage is ported onto the new fixture rather than
dropped with the Bali cases: 12369 assertions, up from 7991, since the
film is an order of magnitude larger than the clips.
Suite: 15679 assertions, 101 test cases.
TRACES: AR-011, AR-012, AR-013 | VR-001, VR-005 | SR-002
Five HDF5 embedding dumps from bali/ — Road to Bali (1952) — 3.6 MB total,
generated at 5 fps with a 32 px minimum face. CI never calls a model, so
inference happens on a GPU host and CI replays these as data; everything
downstream of embedding is cheap CPU maths.
Public domain is the reason this corpus rather than a convenient one: derived
fixtures can be committed, where anything cut from a copyrighted title could not
live in the repository at all.
The set covers distinct behaviours rather than being five of the same thing:
bali_28 has 9 cuts, so it exercises shot/reverse-shot association (AR-007);
bali_46 is sparse at 140 faces over 385 frames, so it exercises gaps and
extinction (AR-013); bali_13 is the busiest at 4 faces per frame; bali_31 is
short at 29s. All five recorded zero drops.
Both pinned parameters are consequences of measurements, not defaults: 5 fps
because 1 fps over a 77s clip is 77 frames, too thin for an extinction window
measured in tens of seconds; 32 px because that is the VR-005 floor, and the
corpus is 480x360 so a stricter value would reject most of what is there.
make_fixtures.sh regenerates them. Reproducibility is the requirement — a
fixture whose provenance is unknown is worse than none, because it will be
trusted. These are byte-reproducible only because of AR-004: before node
outputs blocked rather than dropped, the same command produced different dumps
run to run.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
TRACES: VR-001 | PR-002
dtourolle
