A track recognised on 318 of 385 frames was owned on none, so the truth file
named nobody while the matcher was accepting almost continuously.
The correlation discount was an annihilator rather than an attenuator. Weight
was 1 - P(same view), so once a track had one stored view every later frame of
that same face scored ~0.01 and the belief stopped moving. One observation just
over the accept threshold is logit(0.78) ~ 1.27, under the ownership bar — hence
recognised always, owned never.
Two changes, in the order they were found.
Correlated evidence is now attenuated by effective sample size,
n_eff = n / (1 + (n-1)·rho), each frame contributing the marginal gain. That has
the right shape at both ends: uncorrelated evidence accumulates linearly, and a
held pose converges on 1/rho rather than growing without bound. A constant floor
was tried first and rejected — it grows linearly forever, so a long shot could
out-argue genuinely varied evidence purely by lasting longer.
Combination is now weighted lazy-OR: P = 1 - (1-P_old)·(1-p)^w, stored as
log(1-P) so the update is additive and precision stays where it matters as P
approaches 1. Each frame is new evidence that this track is that actor, and the
belief is the probability that at least one sighting was right. It converges
faster than summing log-odds at the same effective count — 2.98 vs 2.53 after
two observations at p=0.78 — which is what a real clip needs.
Note that summing log-odds was already a correct sequential Bayesian update:
the matcher fits with prior 0.5, so logit(p) IS the per-frame log-likelihood
ratio and the running sum carries the prior forward. It was not wrong, it was
slow. What blocked ownership was the discount, not the combination rule.
Also fixes a real correctness bug: the observation count lived on the
discounter, which is shared by every track, so tracks pooled into one effective
sample and each was discounted by how many others happened to be on screen. It
is now a per-track parameter.
The registry's frame scope holds its lock for its lifetime and the mutex is not
recursive, so calling observe() inside a scope self-deadlocks. The pipeline
never does — separate nodes — but the test did, and hung rather than failing.
Documented at the call site.
Verified end to end: the same clip that produced zero actors now identifies
Bing Crosby and Dorothy Lamour with belief 0.97.
Suite: 96 cases, 6142 assertions.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
TRACES: AR-025 | SR-002
Five HDF5 embedding dumps from bali/ — Road to Bali (1952) — 3.6 MB total,
generated at 5 fps with a 32 px minimum face. CI never calls a model, so
inference happens on a GPU host and CI replays these as data; everything
downstream of embedding is cheap CPU maths.
Public domain is the reason this corpus rather than a convenient one: derived
fixtures can be committed, where anything cut from a copyrighted title could not
live in the repository at all.
The set covers distinct behaviours rather than being five of the same thing:
bali_28 has 9 cuts, so it exercises shot/reverse-shot association (AR-007);
bali_46 is sparse at 140 faces over 385 frames, so it exercises gaps and
extinction (AR-013); bali_13 is the busiest at 4 faces per frame; bali_31 is
short at 29s. All five recorded zero drops.
Both pinned parameters are consequences of measurements, not defaults: 5 fps
because 1 fps over a 77s clip is 77 frames, too thin for an extinction window
measured in tens of seconds; 32 px because that is the VR-005 floor, and the
corpus is 480x360 so a stricter value would reject most of what is there.
make_fixtures.sh regenerates them. Reproducibility is the requirement — a
fixture whose provenance is unknown is worse than none, because it will be
trusted. These are byte-reproducible only because of AR-004: before node
outputs blocked rather than dropped, the same command produced different dumps
run to run.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
TRACES: VR-001 | PR-002
Implements the content-derived spectral-peak signature from
JRay-public-server/SPEC.md §3 so a truth file is self-identifying: 120 s
window centred on the media midpoint, mono at 11025 Hz, 4096/1024 Hann
STFT, 32 log-spaced bins over 300-3000 Hz, one byte per frame (5-bit peak
band + 2-bit energy class), base64, `v1:` prefix.
Audio decode is a second stream from the FFmpeg libraries the pipeline
already links for video; libswresample is added to the existing
ffmpeg_libs interface target. The FFT is written out rather than pulled
from a library for the same reason the plugin vendors one: the output has
to be bit-identical across two languages, so a dependency whose version
could change the numerics is a liability.
The server spec fixes the geometry but not enough to reproduce a byte
stream — Hann periodicity, band aggregation, the energy-class definition,
tie-breaking and the base64 alphabet are all unconstrained by it. Those
are pinned in audio_signature.hpp and mirrored in the golden fixture, so
the plugin can be implemented from the fixture alone.
IR-005: tests/fixtures/audio/ carries a deterministic 120 s tone (FLAC —
lossless, so identical PCM to the WAV make_fixture.py emits, and 3.5x
smaller in git) plus the signature it must produce, the decoded-PCM
checksum and the full parameter contract. That directory is the artefact
shared with the plugin repo; the PCM checksum is separate from the
signature so a codec-level difference is distinguishable from a DSP one.
IR-007: media under 120 s emits no signature. Same for a file with no
audio stream or one that will not open — UR-9 is an enhancement and must
never be able to break a fetch.
Verified against an independent Python reference implementation: same
bytes. All 32 bands and all 4 energy classes appear in the golden vector,
and the window-centring test wraps the fixture in 90 s of silence either
side and requires the golden value back.
Not wired into the truth-file output yet — that is the schema_version
bump under IR-002/IR-003 and is deliberately out of scope here.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
dtourolleandClaude Opus 5