Commit Graph
19 Commits
Author SHA1 Message Date
dtourolleandClaude Opus 5 e9aea3fc41 feat: tracker owns no state; association is frame-dependent and calibrated
Three requirements land together because they cannot be separated. The
cross-cut revival branch was the only user of cut_revive_sim, so retiring that
raw cosine forces the pool collapse, and collapsing the pool removes the only
caller of the constant. Splitting them would have produced an intermediate
commit whose only purpose was to be split.

AR-008 — FaceTrackerFunc no longer keeps its own tracks_/inactive_ maps; it
holds a shared_ptr<TrackRegistry> and operates on it directly. Two parallel
copies of track state could disagree, and every divergence would surface as a
wrong presence window with nothing to indicate it. There is now ONE candidate
pool: last_seen alone says whether IoU is meaningful. The park/revive path is
deleted outright — matching a dormant track is ordinary inter-frame
association, and continuity falls out of the embedding comparison the tracker
already did rather than being a mechanism of its own.

AR-007 — track_alpha becomes the base weight for ordinary frames only.
Association drops to embedding-only when position carries no information:
on is_cut or is_scene_boundary, because the viewpoint changed, and for a
dormant track, because time has passed since its box was last valid. The second
case matters as much as the first and had no equivalent before.

AR-024 — association cost is a calibrated probability, never a raw cosine. The
tracker takes the calibration belonging to the active embedder, the same
function object EvidenceDiscounter uses. track_max_embed_dist becomes
track_assoc_min_prob, which means the same thing for every model, gallery and
face size, where a bare cosine threshold did not.

Retired: track_max_embed_dist, cut_revive_sim, cut_inactive_max_frames, and
track_max_frames_missing — the last superseded by the registry's extinction
window. That one is worth naming: a frame count silently changed meaning with
sample_fps, so the same configuration behaved differently at 1 fps and 5 fps.
Extinction is in seconds and lives in one place.

Tests rewritten rather than deleted. The old cases asserted revival by raw
cosine; the same behaviours are now asserted through the registry — a face lost
across a cut and re-associated is the SAME track, one unbroken window, and a
face returning past the extinction window is not. Added the case AR-007 exists
for: two people swap screen positions across a cut while keeping their faces,
and identity must follow the embedding rather than the box.

Suite: 80 cases, 3250 assertions.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>

TRACES: AR-007, AR-008, AR-024 | SR-002
2026-07-31 09:58:27 +02:00
dtourolleandClaude Opus 5 843852e19c feat: registry owns correlation discounting (AR-024, AR-025)
Moves two responsibilities inside the registry that callers should never have
been trusted with.

AR-025 — per-frame evidence is discounted for correlation by the registry
itself, via EvidenceDiscounter. Log-odds accumulation is only valid for
independent observations, and consecutive frames of one track are anything but:
near-identical pose, lighting and expression. Accumulated naively, thirty frames
of the same face at the same angle drive the posterior to certainty on what is
effectively one measurement.

Each observation is weighted by how much it adds — a view already contributed
counts for ~nothing, a genuinely new pose counts in full. This reuses the
novelty judgement gallery expansion already makes rather than inventing a second
one. The discounter is a separate class the registry holds, so it stays testable
and swappable, but it is a constructor argument rather than an option: there is
no correct way to accumulate without it.

AR-024 — observe() takes a calibrated probability and converts to log-odds
internally. A caller can no longer hand it a raw cosine, which would have been
silently wrong rather than obviously so. Retiring the remaining raw-cosine
constants in the tracker is still open.

DeadTrack now reports effective_obs alongside observations: the raw count and
the evidence that actually counted. A large gap between them is a track the
camera stared at, and worth seeing.

Three tests, one of which is the point: two tracks given the same number of
observations at the same posterior, one repeating a single view and one seeing
eight distinct ones, must not end up equally confident. Without discounting they
would be identical.

Fixed a test that asserted a belief swap on tied evidence. A tie leaves
ownership where it is — a challenger must out-accumulate the incumbent, since
one contrary observation is noise. The original test passed only because it fed
raw log-odds directly.

Suite: 78 cases, 3245 assertions. Coverage 20/63 to 22/63.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>

TRACES: AR-024, AR-025 | SR-002
2026-07-31 09:15:44 +02:00
dtourolleandClaude Opus 5 f0c7126f80 feat: TrackRegistry — presence follows track extent
The spine of the redesign. Presence is now the extent of a track an actor owns,
[first_seen, last_seen], rather than the subset of frames in which recognition
happened to succeed. An actor recognised only at the end of a long track is
present for all of it, which is what the scene-scoped ground truth actually
records.

AR-013 — `last_seen` as an optional carries the entire liveness state: unset
means on screen, set means went off at that timestamp and still revivable,
reaped means emitted and erased. No missing-frame counter, no expired flag. It
subsumes the tracker's existing two-pool split, so there is no separate revival
path — matching a dormant track is ordinary inter-frame association.

The asymmetry is the point: interior gaps are claimed, the trailing cool-down is
not. A face lost and re-associated within the timeout never closed its track, so
the gap is presence — someone briefly occluded has not left the scene. But a
track that dies ends at its last sighting, never at the death time. That is
precisely the over-claim the retired extinction_sec keep-alive produced, where
presence ran on into the closing credits.

AR-014 — a belief swap A→B closes the track and opens a successor at the swap
frame. Not a correction: two non-twins both clearing the threshold on one face
is not realistic, whereas a track_id carried across a viewpoint change onto a
different person is. Treating it as a swap-and-continue would emit one window
blending two people; treating it as a boundary yields two that are each right.

AR-015 — two live tracks owned by one actor means at least one is wrong, since a
person cannot be in two places at once. A reverse index catches it on the update
that causes it rather than by scanning. This makes identity a third cut
detector, independent of the histogram and TransNetV2 and firing where those
failed.

AR-016 — flush() closes tracks still live at EOF. Without it a film ending
mid-shot silently drops its closing cast, which presents as a recognition miss
rather than a bookkeeping bug.

Reaping hands the dead track to the aggregator and erases it, so the registry
holds only live tracks and its size is bounded by concurrent on-screen faces
rather than growing with the film.

Locking: a frame's association pass is atomic as a unit via FrameScope, since
per-call locking would let another thread observe a half-updated frame.
owner() reads tally and verdict under one lock — separately, a track could be
both unowned and owned within a single promotion decision. A vote for an
already-reaped track is dropped and counted, because a nonzero count means the
timeout is shorter than the matcher's lag.

11 unit tests, driven directly against the registry with no network and no
fixture — the awkward cases are constructed rather than hunted for. Suite: 75
cases, 3236 assertions. Coverage 14/63 to 20/63.

Not yet wired into FaceTrackerFunc; that is AR-007/AR-008.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>

TRACES: AR-012, AR-013, AR-014, AR-015, AR-016, AR-017 | SR-002
2026-07-31 09:08:39 +02:00
dtourolleandClaude Opus 5 b35d49c772 docs: tag the implemented core with its requirement IDs
Adds TRACES tags to code that already satisfies a Done requirement, so coverage
reflects what exists rather than starting from zero:

AR-001 face detection, AR-005 ArcFace alignment, AR-023 calibration fit,
DP-001/DP-002 the single analysis core behind the CLI, IR-001 truth-file
emission, IR-006 the Jellyfin round trip, GR-001/GR-002 gallery build and
incremental merge, VR-001 the embedding dump, VR-002 replay through the real
nodes, VR-003 per-second scoring.

Only Done requirements are tagged. A tag on Planned work would inflate coverage
with fiction that looks plausible — the same failure family as a gate that
cannot fail, and harder to spot.

GR-005 (gallery never leaves the instance) stays untagged deliberately: it is a
prohibition satisfied by the absence of an egress path, so there is no unit that
decides it. Same shape as PR-005 in the system spec, which has no software row
for the same reason. A goal held only by prohibitions cannot be verified by
pointing at code.

Coverage 5/63 to 14/63. The three VR tags are reported as tagged-but-unexecuted
and excluded from the numerator, since their tier cannot run on the CI host —
tagging deliberately cannot raise the number on its own.

Suite still 64 cases, 3199 assertions.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>

TRACES: AR-001, AR-005, AR-023, DP-001, DP-002, IR-001, IR-006, GR-001, GR-002, VR-001, VR-002, VR-003
2026-07-30 21:20:27 +02:00
dtourolleandClaude Opus 5 908d166173 feat: bind galleries to the embedder that built them
GR-004 — a gallery built with one embedding model is meaningless with another.
Cosine similarities across models are garbage but look entirely plausible, so
this fails silently and expensively; every measurement taken against a
mismatched pair would have been quietly wrong.

The stamp is the model basename plus a SHA-256 of its bytes, with embed_dim as
a cheap extra guard. The hash decides and the name explains, because neither
works alone: a name is a promise rather than a fact — models get re-exported in
place under an unchanged filename, which is exactly the case where the weights
differ and nothing else does — while a bare hash mismatch tells an operator
nothing actionable.

Mismatch is fatal in every mode with no bypass. Unstamped only warns, because
unstamped is unknown rather than known-bad, and an error firing on every legacy
gallery trains people to reach for the bypass reflexively. scripts/stamp_gallery.py
binds an existing gallery in place with no re-embedding, so the warning is a
migration step rather than a permanent state; --require-gallery-stamp promotes
it to an error once a site has migrated.

Two gaps found that would have defeated the requirement outright:

- Embedding dumps carried no stamp, so a replay — which has no live embedder —
  had nothing to check the gallery against. Dumps now carry embedder_model and
  embedder_sha256 as root attributes. Additive; schema_version stays 1. This is
  the same gap the dump audit identified independently.
- --merge produced one file holding two embedding spaces, which no later check
  can untangle. Merge paths now verify before writing.

The stamp also survives identity_matcher's calibration write-back, which would
otherwise have stripped it on the first analysis run — the check would have
worked exactly once.

Conflicts resolved additively: both branches appended a source to sae_gallery
and to the test target, and both edited the GR-004 register row.

Merged suite: 64 cases, 3199 assertions, passing on CPU with no GPU.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>

TRACES: GR-004, VR-001 | SR-001
2026-07-30 19:04:07 +02:00
Claude 7db40f430d GR-004: bind galleries to the embedder that built them
A gallery is only valid for the embedder that produced its vectors. Cosine
similarities across models are meaningless but *look* plausible, so the mistake
is silent and every measurement taken afterwards is suspect. Stamp the embedder
identity into the gallery at build; verify it at every load.

The stamp is the model file's basename plus the SHA-256 of its bytes (plus
embed_dim). The hash decides, the name explains. A name alone is a promise
rather than a fact — models get re-exported and overwritten in place under an
unchanged filename, which is exactly the case where the weights differ and
nothing else does. A hash alone is correct but unactionable in an error message.
SHA-256 is derived from the artefact, needs no registry kept current, and costs
~0.1s for a 250MB ONNX, memoised per process.

Mismatch is a hard error in every mode, with no bypass, naming both sides.

Unstamped legacy galleries warn loudly and proceed: unknown is not known-bad,
and hard-failing every pre-existing gallery would turn the check into something
people disable rather than trust. --require-gallery-stamp (or
SAE_REQUIRE_GALLERY_STAMP=1, which propagates to subprocesses) promotes that to
a hard error — the mode measurement work should run in. scripts/stamp_gallery.py
re-binds an existing gallery with no re-embedding, so "warn" is a cheap state to
leave rather than a permanent one.

Embedding dumps carry the same stamp: a replay has no live embedder, so the dump
is the embedder as far as the gallery is concerned. Derived galleries inherit
their source's stamp; --merge and the JSON gallery merge check before writing,
since one file holding two embedding spaces cannot be untangled afterwards.

Verified in: scene_analyze, scene_preview, the sae_kpn matcher binding,
replay.py, optimize.py (once per film at startup, before the first evaluation),
movienet_eval.py and both merge paths.

Stamp logic lives in src/gallery/embedder_stamp.{hpp,cpp} and its Python twin
scripts/sae_stamp.py, kept dependency-light so replay subprocesses do not pay
sae_gallery's requests/Pillow import to ask whether two models match.

Tests: 12 new cases in test_gallery_store.cpp covering the comparison logic,
both round trips, and the SHA-256 vectors that guarantee the C++ and hashlib
stamps agree. No ONNX or GPU required.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-07-30 18:35:46 +02:00
dtourolleandClaude Opus 5 45ef7c1916 Add the v1 audio signature to the pipeline (IR-004, IR-005, IR-007, IR-008)
Implements the content-derived spectral-peak signature from
JRay-public-server/SPEC.md §3 so a truth file is self-identifying: 120 s
window centred on the media midpoint, mono at 11025 Hz, 4096/1024 Hann
STFT, 32 log-spaced bins over 300-3000 Hz, one byte per frame (5-bit peak
band + 2-bit energy class), base64, `v1:` prefix.

Audio decode is a second stream from the FFmpeg libraries the pipeline
already links for video; libswresample is added to the existing
ffmpeg_libs interface target. The FFT is written out rather than pulled
from a library for the same reason the plugin vendors one: the output has
to be bit-identical across two languages, so a dependency whose version
could change the numerics is a liability.

The server spec fixes the geometry but not enough to reproduce a byte
stream — Hann periodicity, band aggregation, the energy-class definition,
tie-breaking and the base64 alphabet are all unconstrained by it. Those
are pinned in audio_signature.hpp and mirrored in the golden fixture, so
the plugin can be implemented from the fixture alone.

IR-005: tests/fixtures/audio/ carries a deterministic 120 s tone (FLAC —
lossless, so identical PCM to the WAV make_fixture.py emits, and 3.5x
smaller in git) plus the signature it must produce, the decoded-PCM
checksum and the full parameter contract. That directory is the artefact
shared with the plugin repo; the PCM checksum is separate from the
signature so a codec-level difference is distinguishable from a DSP one.

IR-007: media under 120 s emits no signature. Same for a file with no
audio stream or one that will not open — UR-9 is an enhancement and must
never be able to break a fetch.

Verified against an independent Python reference implementation: same
bytes. All 32 bands and all 4 energy classes appear in the golden vector,
and the window-centring test wraps the fixture in 90 s of silence either
side and requires the golden value back.

Not wired into the truth-file output yet — that is the schema_version
bump under IR-002/IR-003 and is deliberately out of scope here.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-07-30 18:25:37 +02:00
dtourolleandClaude Opus 5 458116f118 fix(trt): drop explicit shapes for static TransNetV2; gallery over-fetch + dedup
trtexec rejects --minShapes/--optShapes/--maxShapes for a fully static model
("Static model does not take explicit shapes"). TransNetV2's input is fixed at
1x100x27x48x3, so the shape comes from the model itself.

Gallery build now over-fetches TMDB/Wikidata candidates by a configurable
factor: near-duplicate stills (the same photo at different crops or
resolutions) are discarded after embedding, so downloading exactly
images_per_actor left actors short of that many *distinct* embeddings.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-07-30 17:32:08 +02:00
dtourolle 5d2f673a81 build: support OpenCV 5 and TensorRT 10
OpenCV: distros (Arch/CachyOS) now ship OpenCV 5 as default. The config
package rejects a 5.x install when find_package requests 4, so probe for 5
first and fall back to 4. All components used here (core, imgproc, imgcodecs,
videoio, dnn, objdetect, highgui) exist in both.

TensorRT: nvinfer1::Dims5 was removed in TRT 10 (Dims2..Dims4 remain in
NvInferLegacyDims.h). Build the TransNetV2 rank-5 input shape via the generic
nvinfer1::Dims, which is valid on both 8.x and 10.x.
2026-07-30 13:07:42 +02:00
dtourolle 26139ffe8a feat(engine): add Python replay bindings, gallery pose-expansion, scene detection, embedding dumps
New C++ sources:
- kpn_bindings.cpp (sae_kpn): assembles the real face_tracker/identity_matcher/
  scene_tracker nodes inside a Python-driven KPN network via nanobind, for
  offline threshold-sweep replay against dumped embeddings (scripts/optimizer/).
- track_gallery.hpp: per-film gallery expansion — promotes a confidently-
  identified track's novel-pose reference views into an in-memory annex so
  later frames/tracks of that actor at similar poses are recognised, without
  touching the baked gallery.
- dump_embeddings.cpp: standalone exe that runs detect→embed only (no gallery,
  no matching) and dumps per-frame face embeddings + metadata to HDF5, so a
  parameter sweep can replay the expensive half once and vary tracking/matching
  config freely downstream.
- scene_detector.hpp / scene_detector_node.hpp: TransNetV2-based shot-boundary
  detection, opt-in alongside the always-on histogram cut detector.
- camera_position_change_detector_node.hpp, embedding_dump_node.hpp: supporting
  nodes for the above.
2026-07-19 19:05:05 +02:00
dtourolle 41a277bc19 feat(engine): HDF5-native galleries with embedded calibration; TensorRT backends; scene detection
Gallery format switches from JSON to HDF5 exclusively (JSON read-only kept for
back-compat): save_gallery always writes HDF5, and the fitted Platt-sigmoid
calibration (a, b, valid, hash) is now embedded directly in the gallery file
instead of a sidecar .calib_cache.json — identity_matcher reads it from the
loaded gallery and writes back only when the embeddings actually changed
(hash mismatch), skipping the O(n^2) refit otherwise.

Also includes: TensorRT inference backend support (ort_backend.cpp,
trt_backend.cpp), gemm_backend improvements, TransNetV2-based scene-boundary
detection wired through frame_source/face_tracker/main, and CMake build
target updates for the new sources.

Bumps the KPN submodule to feature/persistent-pipeline-reuse (push_blocking
backpressure, node_ptr/node_stats introspection, ObjectVariantNodeWrapper for
stateful functors) — needed by the optimizer's sae_kpn Python bindings.
2026-07-19 19:04:03 +02:00
dtourolle 96b1c22194 feat(cameo): detect recognised actors not credited in a title
Add two cameo hunters that flag actors recognised in a title but absent from
its cast:
  - cameo_jellyfin.py — pure-Jellyfin cast-membership check (no id cross-walk)
  - cameo_hunt.py     — TMDB filmography check (actor's combined_credits)

run_from_jellyfin.py now stamps the analysed title's Jellyfin item GUID into
the output JSON as top-level 'jellyfin_item_id' (scene_analyze can't know it),
which cameo_jellyfin.py uses to look up the cast in Jellyfin's own id space.
Document that field in the result-sink output schema header.
2026-07-04 20:39:35 +02:00
dtourolle 3700c763dd tune: raise default anneal_sec from 2s to 10s
Merge actor windows separated by up to 10s into one epoch, reducing scene
fragmentation from brief detection dropouts.
2026-07-04 18:55:53 +02:00
dtourolle 66298026e2 feat(pipeline): detect node crashes and tally dropped frames
Register a KPN event handler in both scene_analyze and scene_preview:
  - Overflow events accumulate per-node dropped-frame counts, printed on exit.
  - A Closed event from any node other than result_sink at EOF means a stage
    died; trip an atomic so the main loop bails out instead of hanging on
    'done' forever, and exit non-zero.

Bumps external/KPN to the commit that exposes set_event_handler / NodeEvent.
2026-07-04 18:55:47 +02:00
dtourolle 0ee131a692 Add AMD support via ort alternative to trt 2026-06-28 11:50:05 +02:00
dtourolle a3ba53ddf7 improved performance 2026-06-13 22:44:44 +02:00
dtourolle fc16d4a0e1 improved jellyfin support 2026-06-12 20:57:33 +02:00
dtourolle a1d6759abc faster calibration curve generation
jellyfin intergration
2026-06-12 17:54:23 +02:00
dtourolle d753062c6c Initial commit: scene-actor-extraction pipeline
Source (KPN++ pipeline nodes, ArcFace embedders, SCRFD/YuNet detectors,
gallery builder), build scripts, and eval artifacts.

- external/KPN as a git submodule (gitea.tourolle.paris/dtourolle/KPN)
- ONNX models tracked via Git LFS (models/*.onnx)
- generated outputs, TensorRT engines, reference repos, and media ignored
2026-06-12 15:29:01 +02:00