12812452e8f90ead6e587b39ca87a425294dd625
269
Commits
| Author | SHA1 | Message | Date | |
|---|---|---|---|---|
  dtourolleandClaude Opus 5
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df90dd95a2 |
Merge: a histogram that reads the sensor, beside the one that reads the frame
FR-CULL-3's other two bullets. What existed was a display histogram tagged FR-DSP-7, counting AdjustPass's 8-bit output with r == 255 clipping counters -- it says a highlight is gone precisely where this requirement needs it to say the highlight is recoverable. The new reduction runs over the demosaiced scene-linear texture on a stops-below-saturation axis: camera-native, unbalanced, unmatrixed, uncurved, normalised by the sensor's own black and white levels, so 1.0 is saturation by construction. Four series, and the fourth is the brightest channel rather than luma, because a weighted sum of unbalanced values is a number about nothing. Cached per photograph, not per frame: nothing downstream of the demosaic can move a count. Both readings are legitimate and answer different questions, so the panel offers a choice rather than replacing one with the other. ARCH 5.5 is amended to match. It specified a pre-demosaic reduction; retaining the CFA samples costs 48 MB at 24 MP and 120 MB at 60 MP resident on every photograph opened, whether or not anyone looks at the histogram, on the platform ARCH 6.2 exists for. The spec now records two reductions, why the more complete one was not worth its cost, and what the cheaper one cannot answer: it counts pixels not photosites, it cannot see above white, and it is measured after the CFA pattern is gone. Verified: clippy -D warnings clean, 98 dr-gpu tests, 556 dr-ui tests. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolle
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da3b1487f9 |
Merge: drain the job queue that nothing was draining
FR-PLAT-AND-4's Rust half, and FR-PLAT-AND-3's resumability with it. The queue's claim_next, complete, fail and recover_orphaned had no callers outside their own tests, so the jobs table accumulated rows nothing ever ran. It also fixes a claim that was not safe across two connections: the deferred transaction took a read lock for the SELECT and only tried to upgrade at the UPDATE, so in WAL the second worker got SQLITE_BUSY_SNAPSHOT, which a busy handler cannot retry away. It never double-claimed, but the loser errored. Now one UPDATE ... RETURNING. No handler is wired, deliberately. The only enqueue site reachable in the shipping app produces remote thumbnail jobs already served by the async grid worker, and inventing a second network path blind is not worth a requirement reading as covered on the strength of plumbing. Verified: clippy -D warnings clean, 376 dr-catalog and 548 dr-ui tests, 18 runner tests including four-thread contention and crash recovery. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> # Conflicts: # docs/traceability.md # ui/dr-ui/src/library.rs # ui/dr-ui/src/settings_ui.rs |
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dtourolle
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4b6c110816 |
Count the sensor's own numbers, so a cull can see headroom the render hides
FR-CULL-3's remaining two bullets. What existed was a *display* histogram tagged FR-DSP-7: it binds AdjustPass's Rgba8Unorm output, recovers an 8-bit code value, and counts clipping as `r == 255`. Its own documentation says a clipped bin means "a highlight that is actually gone rather than one the transform might still recover", which is the opposite of what a culling decision needs. FR-CULL-3 asks for the histogram of the sensor data, on the explicit grounds that a rendered image "systematically lies about what is recoverable in the raw", and a readout that measures the render cannot answer that however it is presented. So this is a second instrument beside the first rather than a setting on it. Both are true; they are true about different things; the panel offers both behind a chip row and the words travel with the numbers, because a raw saturation figure drawn under a heading saying Highlights would be mislabelled exactly where the difference matters. **What is reduced over, and what it cost to decide.** ARCH §5.5 specified the pre-demosaic CFA samples. This reduces over the demosaiced scene-linear texture instead, and §5.5 is amended to record the choice rather than let the specification and the code disagree in silence. The texture is camera-native — unbalanced, unmatrixed, uncurved — and normalised by the sensor's own black and white levels, so 1.0 is saturation by construction and the distribution below it is the headroom question with no calibration to carry. Retaining the CFA samples would mean keeping the packed u32 buffer Demosaicer::run currently drops: 48 MB at 24 MP, 120 MB at 60 MP, resident per open photograph whether or not anyone looks at the histogram, on a platform §6.2 exists because memory is scarce on. Three things it therefore cannot say, written into the module docs and into §5.5 rather than left to be discovered: it counts pixels not photosites, so a saturated site drags its interpolated neighbours up and per-channel clipping is smeared by about a demosaic kernel; it cannot see above white, because demosaic.wgsl clamps each photosite at 1.0 for its own good reasons (a Canon 6D reads to 16383 against a declared 15070) so "at saturation" and "a stop past it" share a bin; and it is measured after the CFA pattern is gone, so it can name which colour clipped in the reconstructed image but not which photosite went first. The axis is stops below saturation, 16 bins per stop over 256 bins — the same bin count the display reduction uses, so the fold into drawable columns is shared and a divergence between the two plots would have to be deliberate. A linear axis spends half its width on the top stop, which is why nobody has ever drawn a useful linear raw histogram. The fourth series is the brightest channel rather than luma: these values are unbalanced, so any weighted sum of them is a number about nothing, and the brightest channel is the one that saturates first and so the one the headroom question is actually about. It is a property of the file and not of the render, which has two consequences. It is computed once per photograph and cached — nothing downstream of the demosaic can move a count in it — so a cull does not pay the display histogram's per-frame cost three thousand times. And it describes the whole frame rather than the visible region, deliberately opposite to DevelopSession::histogram: a crop changes what is on screen and changes nothing about what the sensor recorded. Tags are on the reduction, the type, its constructor and the presentation arithmetic, each of which has a test that fails if the behaviour goes. The Slint panel and the push from lib.rs keep their reasoning as prose: nothing asserts them, and a tag would claim coverage the assertions are not making. |
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dtourolleandClaude Opus 5
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846a249156 |
Drain the queue that nothing has ever drained
`jobs` has been a complete durable work queue since the catalog was written, and nothing has ever taken a job out of it. `claim_next`, `complete`, `fail` and `recover_orphaned` had no callers outside their own tests; `enqueue` had three. So the table grew one row per photograph and kept it forever, and FR-PLAT-AND-3's resumability was a property of code that never ran. `runner` is the missing half. It owns no thread, no clock and no policy, and that is the whole design: on Android the process does not decide when background work may run. WorkManager does, subject to Doze, battery saver and FR-NC-6's network constraints, and it revokes permission mid-job by calling onStopped(). So the runner exposes `run_one` — claim, run, record — and `drain`, which repeats it against a budget, a deadline and a cancellation flag the host owns. A `Worker.doWork()` with ten minutes calls drain with a deadline; a desktop idle pass calls it with none. That is the seam the Android service plugs into, and it needs no Android to test. Handlers are supplied from above, because the catalog knows what needs doing and nothing about how: a thumbnail needs a decoder and a fetch needs a network stack, neither of which belongs under core/dr-catalog. A runner claims only kinds some handler declares, so a queue holding work this device cannot do is left alone rather than failed five times. Four outcomes, and only two of them are the job's fault. Done deletes the row; Retry backs off; Abandon gives up now, for a failure no retry can fix; Interrupted releases the claim with its attempt refunded and ends the drain, because the host stopped rather than the job — five backgroundings in a row must not mark good work as failed. Process death is the fifth and cannot report itself, which is what `recover` is for. Recovery is called from `show_catalog_now`, which is the one place a catalog is opened for a session and already returns early if one is open. It has to be exactly once and before any worker starts: there is no owner column, so a second pass while a worker held a claim would take it away. The attempt a dead claim consumed is deliberately kept — a job that takes the process down with it is indistinguishable from one that fails, and the attempt counter is the only evidence that survives a death. The tests cover claiming under contention twice over: sequentially across two connections, and with four threads on four connections against one catalog on disk, asserting every job ran exactly once. Plus completion, backoff, giving up, abandoning, interruption, budget, deadline, cancellation, and a job orphaned by a simulated crash being reclaimed and run once rather than lost or repeated. Not wired to a handler yet, and deliberately not: the only enqueue site the app actually reaches is the remote scan's, whose thumbnails are already served by the async grid worker, and `walk`'s two sites are reachable only from the scan_local example. Inventing a handler to make the plumbing look used is how a requirement comes to read as covered by code that does not implement it. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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7418b040da |
Refuse a scan whose root has gone, instead of reporting it empty
FR-PLAT-AND-2, and a silent failure on both platforms. `dr_sync::scan` stepped over a NotFound or PermissionDenied the way it does for a child that vanished mid-walk -- correct for a child, wrong for the root, where it ended the walk, returned Ok with nothing in it, and reported a successful scan of a library that was no longer there. A lost root is now its own error. The images under it are marked Availability::Offline per FR-CAT-9 and no catalog row is deleted; `library::persist` clears the mark per file as each one is listed again, so a root that comes back needs no repair step. Partly satisfied rather than closed, and the gap is worth stating. The recovery half is real and reachable on Android today, because `map_status` turns Nextcloud's 403 and 404 into it and Nextcloud is how a phone actually gets a library in this build. The causes the requirement names -- revocation, reinstall, a removed card -- are properties of a persisted tree permission, and there is none: SAF does not exist here, `SourceRef::Document` is constructed only in test modules, and `LocalStorage` rejects the variant outright. When SAF lands it becomes a third producer of this error and nothing above it changes, which is why the discovery belongs in the connector. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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085ab766b3 |
Give memory back in the order the user will miss it least
FR-PLAT-AND-5. Android asks for memory back through onTrimMemory and kills the process if it is not given; until now nothing listened, so the answer was always "no". A tiered registry answers instead: GPU caches first, then proxies, then thumbnails, driven from android_main on MainEvent::LowMemory and MainEvent::Stop. The order is the argument. A backgrounded app has no window to draw and therefore no use for a render pipeline, while its thumbnails are exactly what the user will be looking at half a second after they come back -- so going into the background frees only the GPU tier, and only being measured against death frees everything. Sinks register beside the cache they free and hold weak handles, so the registry cannot keep a controller -- and every decoded portrait in it -- alive past the interface it belonged to. `try_borrow_mut` and skip: a warning can land mid-render, freeing textures under the code drawing with them is worse than missing one, and a warning not acted on is always followed by another. The GPU test is the one that matters: an eviction must change no pixel. A freed intermediate pool whose `colour_key` promise still stands renders an empty texture, and nothing else would have caught it. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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55cb9b5b30 |
Keep the test scene's own arithmetic from overflowing a u64
The first compile this branch ever had. `cargo fmt` reflowed four files and clippy passed at -D warnings untouched, but one test panicked: `the_signature_does_not_change_with_scale`, on "attempt to multiply with overflow". It is the fixture, not the feature. `scene()`'s little LCG multiplied the block's y by the golden-ratio constant with a plain `*` while the term beside it already used `wrapping_mul`, so any scene taller than about 104 pixels overflowed in debug. Only the scale test builds one that large, which is why 345 of 346 passed around it. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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e5db849f04 |
Mark a burst in the grid, and let it be folded away
The counterpart to the grouping: where the signatures come from, and how a group reaches a cell. Signatures are computed from the 256px thumbnails dr-thumbs already holds -- vastly more resolution than a 9x8 reduction can use -- so a library that has been browsed, or that has synced somebody else's shards, has already paid for them and no RAW is decoded for this. The consequence is stated rather than hidden: an image with no thumbnail gets no signature and never joins a burst. That is self-correcting, and it is why the pass runs when the thumbnail sweep finishes rather than on a timer. Nothing happens at import and nothing happens at query time. The mark is drawn as a child of the cell's TouchArea, for the same reason the star strip is: a click on it must not also reach `cell-clicked` and throw the user into develop, and children are hit-tested before the element they sit in. It is never hidden on hover the way the stars are -- a collapsed burst stands in for frames that are not on screen, and something has to say so whether or not a pointer is nearby. Folding changes what the grid's *query* returns rather than what its cells draw, because the grid is a window over an ordered query and the frames a fold hides are mostly not loaded. So the predicate joins VISIBLE in every query that lists or counts cells -- the window, the header's count, the run a shift-click resolves, and the ordinal a scrub lands on -- under the discipline VISIBLE's own comment sets out: present in four places of five is worse than absent, because the counts disagree with the cells and neither looks wrong on its own. There is a test for exactly that. `the_window_read_walks_the_ordering_index` now includes the burst clause. It asserts on the query plan while holding its own copy of the query, so left alone it would have gone on reporting green against a query the grid no longer runs. If the clause costs `images_grid_order` and puts the sort back, that fails here rather than becoming jitter someone measures in six months. The pass keeps its own drain timer in a thread-local instead of taking fields on the library controller, so everything the feature needs to run lives in one file and the screen that starts it holds nothing. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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d0b671d4db |
Put the grouping dials where the regrouping is
The merge probability was `dr_face`'s constant and the smallest group was a bare `< 2` in the clustering pass. Both were tuned on one library — 1,813 faces of one photographer's family — and the quantity they optimise is a property of the population, not of the model. A household at close family resemblance and two thousand strangers at a wedding want different answers, and neither of them is the reference library. The doc comment already conceded the point and pointed at `face_index --tune`; a photographer does not have a terminal. So they are `FaceSettings` now, saved per device beside the cache budgets and edited from the People screen — beside the Regroup button that applies them and the rail that shows what they did, because a value changed three screens away from its effect is one nobody can tune. Moving them is safe by construction, which is why nothing asks for confirmation: a regroup writes only the suggested half, and confirmations, names and ignores enter as anchors and come back unchanged. The smallest-group rule is applied only to groups the system invented — a group the user named or set aside survives it whatever its size, because a display preference does not overrule a judgement. **Withdrawal, without which the setting does nothing visible.** Raising the smallest group stops the pass creating small groups; it does not remove the ones a previous pass made, because those still hold their suggestions, so they are not empty, so the prune leaves them. The pass now releases every unanchored face it did not place before pruning. And a dial you cannot see the effect of is not a dial. "What would this do?" runs the same population through the clusterer without opening a transaction and reports groups, faces grouped and largest group — one row of `--tune`'s table, on the user's own library, on a worker thread. The line leads with the group count because that is the number that says which side of the right setting you are on: it climbs as fragments are gathered into people and falls as separate people start being welded, while the grouped-face count rises straight through both. The preview parks its poll timer in a slot of its own. A preview and a regroup are allowed to be in flight together, and sharing the sweep's single slot would have the second to start drop the first's timer — visible as a Regroup that finished on its worker and never said so. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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e465ff0c80 |
Put the people filter where the filters are
Narrowing the grid to two people at once has worked since people became a selector term, and it was effectively unreachable. The only control that could add a second person lived on the People screen, behind selecting them there, and it appeared only once the grid was already narrowed to somebody — so "photographs with both of them" needed a two-screen round trip the user had to guess at. A filter belongs on the filter bar. A "People" chip there opens a tray of everyone the library knows; tapping a name adds or removes them, and the any/all chip beside it — already there, and already the thing nobody found — now has something to sit next to that explains it. The caption leads the row so a pair of chips means something before either is pressed. The tray is a strip under the bar rather than a popup, the way the develop column's film picker is: the view scrolls as one, so an inline strip is taller content and not a second overlay to dismiss. It scrolls horizontally for the same hard reason the bar above it does — a layout cannot be narrower than its children's minimums, and forty people would otherwise set the minimum width of the whole view. The roster is built on open, not kept in step: indexing and regrouping change who exists, and a list cached at startup would be stale for exactly the user who has just been naming people. Named first, then by how much of them the library holds — the catalog orders by face count alone, which puts a dozen unnamed strangers ahead of the two people the user actually cares about. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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6d5de21fb7 |
Tell a tap on a photograph from a hand going past
A brush across the grid opened whichever photograph was under it. Travel was already answered — the Flickable claims the pointer and the press is cancelled — but a contact that neither travels nor lasts reaches a TouchArea as an ordinary press and release, and it was landing the user in develop. So a finger now has to stay down for `TAP_MIN_MS` before letting go counts as opening anything. That is the floor under a tap where the 450 ms `HOLD_DELAY_MS` is the ceiling: below is a graze, between is a tap, above is a hold that starts a selection. One scale, three gestures. Only a finger is held to it. A mouse click is a discrete decision made by a button and is routinely over in thirty milliseconds, so `cell-pressed` now reports whether a finger did it — the same finger-id convention the pinch arbitration beside it already uses — and the dwell applies to touch alone. A graze still *selects* the cell it landed on, because the press already did that. That is the right failure mode: something visible and reversible rather than a silent nothing, and rather than develop. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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e40f2bfee9 |
Let go of the keyboard when a name is finished
Pressing Enter on a person's name committed it and then kept the field focused, so on a tablet the on-screen keyboard stayed up over the faces the user had pressed Enter to get back to. The name looked accepted and the screen looked stuck. `Field` grows `release-focus()`, the other half of the `take-focus()` it already had, and the Identity screen calls it from `accepted`. A function rather than a property for the reason the existing one gives: focus is an event, and bound to a property it would fight anything else that took it. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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f5edd49b6b |
Let a manual collection be put in the order it is meant to be seen in
`collection_members.position` and `Sort::CollectionPosition` have been in the catalog since collections were, and nothing above dr-catalog has ever written or read either: `collections::set_order` had no callers, and the grid ordered everything by capture time whatever it was scoped to — dr-ui does not construct a `Query` at all, it has its own `GRID_ORDER` constant. So a manual collection was a set with an order nobody could see or change. Three pieces, because it could not be fewer: `grid_order_for` decides the ordering from the scope, and both readers take it from there. That is the load-bearing part. An ordinal only names a photograph relative to an ordering, so the window read and the span read have to agree — a shift-click resolved through a different ORDER BY than the cells were drawn with selects a different run than the one on screen, and the user finds out when the export runs. `read_ids_span` already stated that invariant about `GRID_ORDER`; this widens it to an ordering that depends on the scope. Only a single manual collection has one. A set draws its descendants' images too, and two children's positions are unrelated integers that interleave arbitrarily; a smart collection has no member rows to carry a position at all. Both fall back to capture time and refuse the drop rather than pretending. The drop is on the cell, on whichever half of it the finger landed — the trailing edge is the only way to name the last place in a collection, since there is no cell beyond the last one to drop in front of. `reordered` is pure and the membership is rewritten whole. `set_order` sets the positions it is given and leaves the rest, so a partial write would interleave the moved run with rows nobody touched; and it is read unfiltered, so what the filter is hiding keeps its place relative to what the user can see. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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9d11554c71 |
Make the range gesture visible, and offer the whole grid at once
Touch has had a range gesture for as long as selection mode has: double-tap the far end. It is invisible, it is unreliable on a grid that scrolls under the second tap, and it extends from the anchor *before* the two taps moved it — a rule subtle enough that the code needs two paragraphs to explain it to itself. Nobody who was not told about it has ever used it. "Select to…" is the same operation with state you can see. Press it, the strip stops reporting and says "Tap the last photograph", and the next cell taken is the far end. It reaches Rust as shift on `cell-pressed`, so it lands in `apply_press` as the ctrl+shift it already is, and there is no third selection policy to keep in step with the other two. This is deliberately not the sweep gesture. A drag that paints cells can only reach what is on screen, and the ranges that hurt on a tablet are longer than a screenful — between the two taps here the user may scroll as far as they like, and the run is resolved by the catalog rather than by what happened to be loaded. A sweep is still worth having for short runs; it is not what this should have rested on. "Select all" beside it, asked of the catalog for the same reason: a select-all that quietly meant "the hundred cells that happen to be loaded" is a lie the user cannot see until the export runs. The double-tap stays. It is tested, and an accelerator that costs nothing is worth keeping for whoever has already learnt it. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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d1f3b97245 |
Ask for the collection's name where the keyboard can reach it
"New collection from selection" created the collection under a placeholder name and then opened the rename field in the sidebar tree. On a tablet the sidebar is not on screen. It is instantiated all the same — app.slint collapses it to zero width and `visible: false` rather than using an `if`, because an `if` there is a layout loop Slint panics on — so the rename field was created, its `init` took focus, and Android raised the on-screen keyboard over a box nobody could see. Nothing else on the screen is focusable, so the keyboard had nowhere to go: it stayed, the name could not be typed, and the collection was already written under the name the user did not want. Asked in a sheet instead, on the same card as the filing and keywording sheets, before anything is written. That also fixes what was hiding behind it: an abandoned rename used to leave a "New collection" in the tree, because the collection existed before the name did. `Field` gains `take-focus()` so a sheet whose field is the only thing to do in it can answer the keyboard for the user — a function rather than a property, because focus is an event and a bound property would re-take it on every unrelated re-evaluation. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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b9891e2c04 |
Merge master into tablet-selection
Two real conflicts, both from work that landed either side of the same lines rather than against them. `lib.rs`: the settings controller was hoisted above the People screen's wiring, and Android's thumbnail-tier eviction registered itself at the same point. Independent, so both stay. `library.rs`: manual collection ordering and burst folding each added a clause to the same two queries. The scoped range read now carries both — the folding matters there for one step further on than it does in the grid, because a collapsed burst is one cell, so an ordinal counted over a list still holding every frame names a photograph several places away from the one the user pointed at. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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23c74d7063 |
Put the grouping dials where the regrouping is
The merge probability was `dr_face`'s constant and the smallest group was a bare `< 2` in the clustering pass. Both were tuned on one library — 1,813 faces of one photographer's family — and the quantity they optimise is a property of the population, not of the model. A household at close family resemblance and two thousand strangers at a wedding want different answers, and neither of them is the reference library. The doc comment already conceded the point and pointed at `face_index --tune`; a photographer does not have a terminal. So they are `FaceSettings` now, saved per device beside the cache budgets and edited from the People screen — beside the Regroup button that applies them and the rail that shows what they did, because a value changed three screens away from its effect is one nobody can tune. Moving them is safe by construction, which is why nothing asks for confirmation: a regroup writes only the suggested half, and confirmations, names and ignores enter as anchors and come back unchanged. The smallest-group rule is applied only to groups the system invented — a group the user named or set aside survives it whatever its size, because a display preference does not overrule a judgement. **Withdrawal, without which the setting does nothing visible.** Raising the smallest group stops the pass creating small groups; it does not remove the ones a previous pass made, because those still hold their suggestions, so they are not empty, so the prune leaves them. The pass now releases every unanchored face it did not place before pruning. And a dial you cannot see the effect of is not a dial. "What would this do?" runs the same population through the clusterer without opening a transaction and reports groups, faces grouped and largest group — one row of `--tune`'s table, on the user's own library, on a worker thread. The line leads with the group count because that is the number that says which side of the right setting you are on: it climbs as fragments are gathered into people and falls as separate people start being welded, while the grouped-face count rises straight through both. The preview parks its poll timer in a slot of its own. A preview and a regroup are allowed to be in flight together, and sharing the sweep's single slot would have the second to start drop the first's timer — visible as a Regroup that finished on its worker and never said so. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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a4b9deaf96 |
Put the people filter where the filters are
Narrowing the grid to two people at once has worked since people became a selector term, and it was effectively unreachable. The only control that could add a second person lived on the People screen, behind selecting them there, and it appeared only once the grid was already narrowed to somebody — so "photographs with both of them" needed a two-screen round trip the user had to guess at. A filter belongs on the filter bar. A "People" chip there opens a tray of everyone the library knows; tapping a name adds or removes them, and the any/all chip beside it — already there, and already the thing nobody found — now has something to sit next to that explains it. The caption leads the row so a pair of chips means something before either is pressed. The tray is a strip under the bar rather than a popup, the way the develop column's film picker is: the view scrolls as one, so an inline strip is taller content and not a second overlay to dismiss. It scrolls horizontally for the same hard reason the bar above it does — a layout cannot be narrower than its children's minimums, and forty people would otherwise set the minimum width of the whole view. The roster is built on open, not kept in step: indexing and regrouping change who exists, and a list cached at startup would be stale for exactly the user who has just been naming people. Named first, then by how much of them the library holds — the catalog orders by face count alone, which puts a dozen unnamed strangers ahead of the two people the user actually cares about. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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2403f355d6 |
Tell a tap on a photograph from a hand going past
A brush across the grid opened whichever photograph was under it. Travel was already answered — the Flickable claims the pointer and the press is cancelled — but a contact that neither travels nor lasts reaches a TouchArea as an ordinary press and release, and it was landing the user in develop. So a finger now has to stay down for `TAP_MIN_MS` before letting go counts as opening anything. That is the floor under a tap where the 450 ms `HOLD_DELAY_MS` is the ceiling: below is a graze, between is a tap, above is a hold that starts a selection. One scale, three gestures. Only a finger is held to it. A mouse click is a discrete decision made by a button and is routinely over in thirty milliseconds, so `cell-pressed` now reports whether a finger did it — the same finger-id convention the pinch arbitration beside it already uses — and the dwell applies to touch alone. A graze still *selects* the cell it landed on, because the press already did that. That is the right failure mode: something visible and reversible rather than a silent nothing, and rather than develop. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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bbbc23f376 |
Let go of the keyboard when a name is finished
Pressing Enter on a person's name committed it and then kept the field focused, so on a tablet the on-screen keyboard stayed up over the faces the user had pressed Enter to get back to. The name looked accepted and the screen looked stuck. `Field` grows `release-focus()`, the other half of the `take-focus()` it already had, and the Identity screen calls it from `accepted`. A function rather than a property for the reason the existing one gives: focus is an event, and bound to a property it would fight anything else that took it. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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82d9d077b0 |
Merge: answer Android's memory warnings, and stop reporting a lost root as an empty library
FR-PLAT-AND-5 in full, FR-PLAT-AND-2 in part -- the recovery is built and live for Nextcloud roots, the SAF cause it names does not exist yet. FR-PLAT-AND-4 and FR-PLAT-AND-6 are not here, both blocked behind the same gap: assemble-apk.sh compiles no Java, so the APK cannot carry a Service or a FileProvider. The container has JDK 17 and build-tools 36; the build step is what is missing. Verified: fmt, clippy --workspace --all-targets -D warnings, and 1043 tests across dr-catalog, dr-sync, dr-sync-folder, dr-sync-nextcloud, dr-plat and dr-ui. The aarch64 target was checked before the branch was finished but not after; no device was available. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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75fd5619ca |
Refuse a scan whose root has gone, instead of reporting it empty
FR-PLAT-AND-2, and a silent failure on both platforms. `dr_sync::scan` stepped over a NotFound or PermissionDenied the way it does for a child that vanished mid-walk -- correct for a child, wrong for the root, where it ended the walk, returned Ok with nothing in it, and reported a successful scan of a library that was no longer there. A lost root is now its own error. The images under it are marked Availability::Offline per FR-CAT-9 and no catalog row is deleted; `library::persist` clears the mark per file as each one is listed again, so a root that comes back needs no repair step. Partly satisfied rather than closed, and the gap is worth stating. The recovery half is real and reachable on Android today, because `map_status` turns Nextcloud's 403 and 404 into it and Nextcloud is how a phone actually gets a library in this build. The causes the requirement names -- revocation, reinstall, a removed card -- are properties of a persisted tree permission, and there is none: SAF does not exist here, `SourceRef::Document` is constructed only in test modules, and `LocalStorage` rejects the variant outright. When SAF lands it becomes a third producer of this error and nothing above it changes, which is why the discovery belongs in the connector. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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2b812ebe21 |
Give memory back in the order the user will miss it least
FR-PLAT-AND-5. Android asks for memory back through onTrimMemory and kills the process if it is not given; until now nothing listened, so the answer was always "no". A tiered registry answers instead: GPU caches first, then proxies, then thumbnails, driven from android_main on MainEvent::LowMemory and MainEvent::Stop. The order is the argument. A backgrounded app has no window to draw and therefore no use for a render pipeline, while its thumbnails are exactly what the user will be looking at half a second after they come back -- so going into the background frees only the GPU tier, and only being measured against death frees everything. Sinks register beside the cache they free and hold weak handles, so the registry cannot keep a controller -- and every decoded portrait in it -- alive past the interface it belonged to. `try_borrow_mut` and skip: a warning can land mid-render, freeing textures under the code drawing with them is worse than missing one, and a warning not acted on is always followed by another. The GPU test is the one that matters: an eviction must change no pixel. A freed intermediate pool whose `colour_key` promise still stands renders an empty texture, and nothing else would have caught it. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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6246a2e346 |
Merge: group the frames of one moment, and let a burst fold away
FR-CULL-5. Frames join a burst when they are adjacent in time and look like the frame before them -- both, because time alone groups a whole ceremony and similarity alone groups a studio setup across two days. Adjacent pairs only, chained; there is no all-pairs step and there must never be one. No selection of any kind. The representative is the earliest frame, a fact about the clock rather than a judgement about the photograph, and a newly found burst arrives open, so the pass never takes a row off the screen. Verified: fmt, clippy --workspace --all-targets -D warnings, 346 dr-catalog tests, 511 dr-ui tests. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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fc4157a1e0 |
Keep the test scene's own arithmetic from overflowing a u64
The first compile this branch ever had. `cargo fmt` reflowed four files and clippy passed at -D warnings untouched, but one test panicked: `the_signature_does_not_change_with_scale`, on "attempt to multiply with overflow". It is the fixture, not the feature. `scene()`'s little LCG multiplied the block's y by the golden-ratio constant with a plain `*` while the term beside it already used `wrapping_mul`, so any scene taller than about 104 pixels overflowed in debug. Only the scale test builds one that large, which is why 345 of 346 passed around it. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolle
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91fe6cf300 |
Merge master into partial-preset-scope
🐳 Android image / Build and push (push) Successful in 8s
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Build and test / Desktop (Linux) (push) Failing after 1h17m12s
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# Conflicts: # docs/traceability.md # ui/dr-ui/ui/app.slint |
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dtourolleandClaude Opus 5
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754ab91347 |
Bring a Lightroom library across, and start with something in the list
Two halves of the same complaint: a preset sheet that opens on "No presets yet" is homework, and a photographer with ten years of presets in Lightroom has no way to bring them. `dr-preset-xmp` reads Camera Raw `.xmp`. The mapping turned out to be mostly a rename rather than a conversion, because Adobe and this pipeline already agree: exposure is in stops in both, and contrast, the four recovery controls, clarity, texture, vibrance and saturation are all ±100 in both. That is not imitation, it is the convention raw developers converged on — `highlights_shadows.yaml` cites it in as many words. Only sharpening needed arithmetic, Adobe's 0…150 against our 0…100. The white balance does not come across, and says so rather than guessing. Adobe writes absolute Kelvin for a raw file where ours is a relative nudge from what the camera recorded, so converting needs the *target image's* as-shot white balance — exactly what a preset cannot carry, since the same preset lands on a frame shot at 3200K and one shot at 7000K. A guess would be wrong on most images and invisibly so. A folder is read as readily as a file, nested, because that is the shape an exported preset folder is in and importing ninety files one at a time is asking someone not to bother. `dr_pipeline::starter` is six presets a first run begins with, written against this pipeline in its units and deliberately mild — a starting point, not a caricature. They are seeded when the library *file* does not exist rather than when the library is empty, so deleting all six does not hand them back on the next launch. Both of these name operations, and `ui_names_no_operation` was right to stop them living in `ui/`. That test exists because the failure is silent and cumulative, and it caught exactly what it was written for: a preset called "Punch" is a statement about contrast, clarity and vibrance, and a table mapping Adobe's vocabulary to ours is a statement about the pipeline. Neither is a fact about an interface. So the starter set went into `dr-pipeline`, and the importer into its own crate — between two walls, since `dr-pipeline` depends on nothing on purpose and XMP is real XML not worth hand-rolling. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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36ea53cceb |
Merge: stop a subject's name from setting the width of the develop column
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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3e19628324 |
Stop a subject's name from setting the width of the develop column
The column moved sideways the moment segmentation finished. It takes the widest minimum any panel declares, each panel publishes `layout.preferred-width` as that minimum, and `MaskPanel` gained rows whose width came from the model's output -- so a photograph the user was looking at jumped because a label said "traffic light". `overflow: elide` did not prevent it and was never going to. Eliding is what a `Text` does when it draws; at layout time it still asks for the width of its whole string, and it is the asking that reaches the column. Both the subject rows and the mask entries are bounded, because a mask is itself a segmentation result -- without the second half the column moved when a subject was clicked instead of when one was found. The bound is stated for the reason `ChipGrid` declares its width from its column count rather than from its options ( |
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dtourolle
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4a04496c78 |
Merge: focus peaking, so a frame can be judged without zooming to 100%
FR-CULL-3's peaking half. The raw histogram and raw clipping indicators remain unbuilt -- what exists is a display histogram tagged FR-DSP-7, counting AdjustPass's 8-bit output, which reports a highlight as gone precisely where FR-CULL-3 needs it to report the highlight recoverable. Verified before merge: fmt clean, clippy --workspace --all-targets -D warnings green, 11 focus GPU tests, 79 baseline dr-gpu tests, 511 dr-ui tests. The cfg(target_os = "android") arm is unverified -- the host-target clippy never compiled it. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> # Conflicts: # ui/dr-ui/src/lib.rs # ui/dr-ui/ui/app.slint |
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dtourolleandClaude Opus 5
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2168cdd1c4 |
Mark what is in focus, so a frame can be judged without zooming to 100%
FR-CULL-3's focus peaking. One compute dispatch measures local contrast in WGSL and writes an overlay texture; on desktop it reaches Slint through the same zero-copy wgpu import the canvas uses, so nothing per-pixel touches the CPU on the frame path. With peaking off the cost is zero and structurally so: focus_overlay opens with `let settings = self.peaking?;` before the frame is touched, and clearing drops both overlay textures, so no VRAM is held either. NFR-P14 is met by construction rather than by measurement -- one dispatch, no second render, no pipeline compile after session open, and a test asserting allocations stay at 2 over eight frames. The budget test asserts 50ms at 4K rather than a tight bound, deliberately: a tight bound fails on a loaded machine and gets deleted, which is worse than a loose one that still catches the regression that matters. TD-1 is amended rather than joined by a TD-6: on Android the overlay rides the readback that already exists there, roughly doubling that transfer while peaking is on, and TD-1's own "Done when" removes both because both are the same missing capability. Verified: cargo fmt clean; clippy --workspace --all-targets -D warnings green, which also compiles peaking.slint through dr-ui's build.rs; 11 focus GPU tests and 79 baseline dr-gpu tests pass; 511 dr-ui tests pass. Not verified: the cfg(target_os = "android") arm, which the host-target clippy never compiled. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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115653a262 |
Mark a burst in the grid, and let it be folded away
The counterpart to the grouping: where the signatures come from, and how a group reaches a cell. Signatures are computed from the 256px thumbnails dr-thumbs already holds -- vastly more resolution than a 9x8 reduction can use -- so a library that has been browsed, or that has synced somebody else's shards, has already paid for them and no RAW is decoded for this. The consequence is stated rather than hidden: an image with no thumbnail gets no signature and never joins a burst. That is self-correcting, and it is why the pass runs when the thumbnail sweep finishes rather than on a timer. Nothing happens at import and nothing happens at query time. The mark is drawn as a child of the cell's TouchArea, for the same reason the star strip is: a click on it must not also reach `cell-clicked` and throw the user into develop, and children are hit-tested before the element they sit in. It is never hidden on hover the way the stars are -- a collapsed burst stands in for frames that are not on screen, and something has to say so whether or not a pointer is nearby. Folding changes what the grid's *query* returns rather than what its cells draw, because the grid is a window over an ordered query and the frames a fold hides are mostly not loaded. So the predicate joins VISIBLE in every query that lists or counts cells -- the window, the header's count, the run a shift-click resolves, and the ordinal a scrub lands on -- under the discipline VISIBLE's own comment sets out: present in four places of five is worse than absent, because the counts disagree with the cells and neither looks wrong on its own. There is a test for exactly that. `the_window_read_walks_the_ordering_index` now includes the burst clause. It asserts on the query plan while holding its own copy of the query, so left alone it would have gone on reporting green against a query the grid no longer runs. If the clause costs `images_grid_order` and puts the sort back, that fails here rather than becoming jitter someone measures in six months. The pass keeps its own drain timer in a thread-local instead of taking fields on the library controller, so everything the feature needs to run lives in one file and the screen that starts it holds nothing. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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bb35665bd2 |
Let a paste carry some kinds of edit and not others
FR-DEV-6 asks for presets "covering a subset of the edit graph". What landed with the named presets covered two subsets: everything, and everything but the crop. "Match the colour but not the sharpening" had no way to be said. `Scope` is now a set of `Attribute` — the same six kinds every operation already declares and the develop panel already builds its tabs from. The photographer ticking "tone and colour" is naming the groups they navigate by, and neither this module nor the interface has to name an operation to do it (FR-DEV-3c). The pleasing part is what left. Framing used to be excluded by an explicit test against one operation's id; it is now excluded because Geometry is not in the default set. The special case dissolved into the general rule, and the argument for it — a crop is a decision about *this* photograph, and carrying it across forty destroys forty compositions — is now a statement about a kind of edit rather than about a node. All thirty-three existing preset tests pass unchanged, which is the evidence that the generalisation kept its promises. One decision that is a field rather than a rule, because the two cases genuinely differ. An operation this build cannot classify — from a newer version, arriving over sync — travels under "everything" and "everything but the crop", because those are claims about the whole edit and an unrecognised operation is part of it (FR-NC-8). It does not travel under a hand-picked set, because that is a claim about kinds, and an unknown kind is not one of the kinds that were ticked. The settings page's "Copy crop and rotation" checkbox is gone, replaced by the same chips the preset sheet draws. It asked the right first question — geometry is the kind whose accidental travel destroys work — but it was the only question a boolean could ask. The field stays in `Settings`, read exactly once to seed the new set, so anyone who had ticked it keeps their behaviour. The chips are deliberately not in the develop column. Six of them there would set the width of the whole sidebar, which is the bug `ChipGrid`'s comment records at length. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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ab0ef6a26d |
Say which requirements the code was already satisfying
Thirteen requirements were surveyed as built but untagged. Eight of them were: R3, R6, FR-DEV-1, FR-UI-6, FR-NC-6d, NFR-OPS-3, NFR-PORT-2 and NFR-SEC-3. Each was read against its full text in requirements.md and against the code before the tag was added, because a tag that is wrong is worse than an absent one — it turns a visible gap into an invisible one. The five that were refused, and why, because the reasoning is the part worth keeping: R2 carries "(figure TBD)" in its own acceptance criterion and asks for a stated prefetch margin and cache-hit rate; neither figure exists anywhere in the tree and neither quantity is measured, while TD-2 and TD-3 both describe the thumbnail path falling short of it. R5 asks for three things and the code does one. The display pipeline does run at viewport resolution, but "only visible tiles are computed" and "panning recomputes only newly exposed tiles" need a tile scheduler that does not exist — and frame_budget.rs currently argues for striking tiled computation from the interactive path rather than building it. FR-RAW-2 asks for a trait taking a SourceRef, so that a second decoder can be added without changing callers. What exists is free functions over &[u8]. That meets the requirement's stated *purpose* — the same decoder serves a local file, a SAF document and a byte range, which is exactly why it takes bytes — but there is no trait and no second implementation seam, so the requirement should probably be amended rather than tagged. NFR-ARCH-1 asks for named executors with stated thread counts. architecture.md §7.1 states the table; nothing implements it. Workers are twenty-odd ad-hoc std::thread::spawn sites, each building its own one-worker tokio runtime, with no decode pool, no GPU-submit executor and no I/O pool. The requirement's own text says R4 and NFR-P9 "assert an outcome with no stated means", and that is still true. NFR-SEC-4 is satisfied by absence — there is no telemetry — and absence has no module to tag. A tag would point at nothing. NFR-OPS-3 was the closest call of the eight taken. The store is single, separate from the catalog, survives a catalog rebuild and does not sync between devices; it has no version *field*, deliberately, and settings.rs argues why and names the condition that would need one. The substance is met and the reasoning is recorded where it belongs. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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5a8327824f |
Keep an edit under a name, not just on the clipboard
FR-DEV-6 asks for three things — named presets, copy/paste between images, and batch-apply to a selection. The last two have been here for a while; this is the first. The format is the sidecar's, deliberately. A preset *is* the non-default half of a version, so the lines are the same lines keyed the same way, which makes the two files diffable against each other and lets someone debugging an edit paste a block from one into the other. One file rather than one per preset: a preset per file makes the name a path, and every name then has to survive a filesystem — a `/` becomes a directory, a name differing only in case collides on one platform and not another, and renaming becomes two operations that can half-fail. As a key in a document it is none of those. Unknown *parameters* needed no machinery. `Preset` already holds whatever keys it is given and resolves them against the descriptors only at apply time, so one written by a newer build survives by being stored. Only lines that are not `op.param = float` at all are preserved verbatim, which is the sidecar's version-skew promise made here too. Applying is the paste path with a different source, so a preset reaches a selection through the sidecar read-modify-write that was already there: no graph, no decode, no GPU, forty files or one. Two smaller decisions worth the record. A library that fails to parse is held empty in memory and *not* written back over — settings regenerate themselves and this is work, so a parse failure must not be the moment it is destroyed. And every save persists immediately and rolls the in-memory copy back if the write fails, so the sheet never lists a preset the file does not have. The grid's "Presets" button is gated on the selection alone, unlike the "Paste to 40" beside it. That button needs a clipboard armed this session; the preset list is whatever was saved last month, and hiding it behind an unrelated action is what makes a feature only its author knows about. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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574107bc39 |
Let a manual collection be put in the order it is meant to be seen in
`collection_members.position` and `Sort::CollectionPosition` have been in the catalog since collections were, and nothing above dr-catalog has ever written or read either: `collections::set_order` had no callers, and the grid ordered everything by capture time whatever it was scoped to — dr-ui does not construct a `Query` at all, it has its own `GRID_ORDER` constant. So a manual collection was a set with an order nobody could see or change. Three pieces, because it could not be fewer: `grid_order_for` decides the ordering from the scope, and both readers take it from there. That is the load-bearing part. An ordinal only names a photograph relative to an ordering, so the window read and the span read have to agree — a shift-click resolved through a different ORDER BY than the cells were drawn with selects a different run than the one on screen, and the user finds out when the export runs. `read_ids_span` already stated that invariant about `GRID_ORDER`; this widens it to an ordering that depends on the scope. Only a single manual collection has one. A set draws its descendants' images too, and two children's positions are unrelated integers that interleave arbitrarily; a smart collection has no member rows to carry a position at all. Both fall back to capture time and refuse the drop rather than pretending. The drop is on the cell, on whichever half of it the finger landed — the trailing edge is the only way to name the last place in a collection, since there is no cell beyond the last one to drop in front of. `reordered` is pure and the membership is rewritten whole. `set_order` sets the positions it is given and leaves the rest, so a partial write would interleave the moved run with rows nobody touched; and it is read unfiltered, so what the filter is hiding keeps its place relative to what the user can see. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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6d25d85f18 |
Make the range gesture visible, and offer the whole grid at once
Touch has had a range gesture for as long as selection mode has: double-tap the far end. It is invisible, it is unreliable on a grid that scrolls under the second tap, and it extends from the anchor *before* the two taps moved it — a rule subtle enough that the code needs two paragraphs to explain it to itself. Nobody who was not told about it has ever used it. "Select to…" is the same operation with state you can see. Press it, the strip stops reporting and says "Tap the last photograph", and the next cell taken is the far end. It reaches Rust as shift on `cell-pressed`, so it lands in `apply_press` as the ctrl+shift it already is, and there is no third selection policy to keep in step with the other two. This is deliberately not the sweep gesture. A drag that paints cells can only reach what is on screen, and the ranges that hurt on a tablet are longer than a screenful — between the two taps here the user may scroll as far as they like, and the run is resolved by the catalog rather than by what happened to be loaded. A sweep is still worth having for short runs; it is not what this should have rested on. "Select all" beside it, asked of the catalog for the same reason: a select-all that quietly meant "the hundred cells that happen to be loaded" is a lie the user cannot see until the export runs. The double-tap stays. It is tested, and an accelerator that costs nothing is worth keeping for whoever has already learnt it. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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9ac1447139 |
Ask for the collection's name where the keyboard can reach it
"New collection from selection" created the collection under a placeholder name and then opened the rename field in the sidebar tree. On a tablet the sidebar is not on screen. It is instantiated all the same — app.slint collapses it to zero width and `visible: false` rather than using an `if`, because an `if` there is a layout loop Slint panics on — so the rename field was created, its `init` took focus, and Android raised the on-screen keyboard over a box nobody could see. Nothing else on the screen is focusable, so the keyboard had nowhere to go: it stayed, the name could not be typed, and the collection was already written under the name the user did not want. Asked in a sheet instead, on the same card as the filing and keywording sheets, before anything is written. That also fixes what was hiding behind it: an abandoned rename used to leave a "New collection" in the tree, because the collection existed before the name did. `Field` gains `take-focus()` so a sheet whose field is the only thing to do in it can answer the keyboard for the user — a function rather than a property, because focus is an event and a bound property would re-take it on every unrelated re-evaluation. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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5133e53bc8 |
Give back what a straighten took, when the angle comes back
Build and test / Desktop (Linux) (push) Successful in 2h16m6s
Build and test / Layer separation (push) Successful in 52s
🐳 Android image / Build and push (push) Successful in 4s
Build and test / android-image (push) Successful in 4s
Traceability / Requirement traces (push) Successful in 51s
Build and test / Android (aarch64) (push) Successful in 47m10s
The auto-crop only ever shrank. Straighten to 20 degrees and the corners are cropped away correctly; come back to 3, or all the way to zero, and the crop stays at the size 20 degrees demanded. Nothing on screen explains why the photograph is still small, and the only way back was undo. The cause was that each correction was computed from the previous correction's output, so it accumulated: every angle the slider rested at took its cut and none was ever returned. The fix is to stop accumulating and recompute. The applied crop is now always the user's own rectangle fitted into the current angle's safe area, so as the angle falls and that area opens up the crop grows back — and stops, exactly, at the rectangle they chose. At zero the safe area is the whole frame and the fit is the identity, which is what carries it the last of the way home. There is deliberately no early exit for the upright case now: that exit is precisely what would strand the crop small. **The intent is remembered as a pair, so it repairs itself.** The session keeps `(applied, intended)` — what the correction wrote, and what it was derived from — and trusts the remembered intent only while the graph still holds `applied`. Every other route to the crop leaves something else there: a handle dragged, a ratio chosen, a sidecar loaded, a paste, an undo. That mismatch is the signal the memory is stale, and the current rectangle becomes the new intent. The alternative was a write into this field from each of those paths, which is the kind of bookkeeping that is correct until someone adds a seventh path. Dragging a handle therefore *is* the user choosing, including at a non-zero angle: the correction will not later grow the crop past what they dragged it to. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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ff6c313bab |
Wrap the chip rows, so one six-choice parameter stops sizing the sidebar
The develop column asked for 482px. Every comment in it, a dozen of them, describes it as a 280px column — and on a tablet it was taking 40% of the screen from the photograph it exists to serve. Measured rather than guessed, because none of it is visible in the source: the column takes the widest width any panel declares, `AdjustPanel` wanted 482 of it, its rows wanted 458, and after the 44px scroll gutter the widest single row was 414. That row is `film_sim`'s `format` — six film formats from 35mm to 8x10, laid out by `Segmented` as six 64px chips in a `HorizontalLayout` that cannot wrap. 6 x 64 + 5 x 6 = 414, exactly. Nothing about that is the film simulation's fault. An operation declares its parameters and the panel decides how to draw them (FR-DEV-3a), so a node is entitled to offer six choices; it is the drawing that has to cope. Any future operation with a five-choice enum would have done the same thing, silently, to every screen in the application. `ChipGrid` is the general answer: chips placed by index arithmetic inside a plain `Rectangle`, wrapping at a column count, declaring a width that depends on the columns rather than on the number of choices. `Segmented` takes a `columns` property and uses it when asked — zero, one row however many chips, stays the settings page's behaviour, where the page is full-width and reading the alternatives side by side is the whole argument for chips over a dropdown. The generated enum rows and the curve-channel picker now wrap at three, and the crop ratio chips use the shared grid instead of the private copy of it they shipped with last week. The column measures 351 now, down from 482, and what sets it is the mode strip rather than a parameter — which is a control the user chose to have on screen rather than an accident of one node's variant list. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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bd33487054 |
Say which axis each export dimension is, in the one place that renders
The box modes put two numeric fields one above the other, and on screen they are two anonymous numbers: `TextRow` draws its label behind the field rather than above it, so "Width" and "Height" never appear. That fault is older than this feature — the storage panel's cache sizes have the same missing labels, and the single "Size value" row always did — and it belongs in its own change rather than being fixed under cover of this one. But one unlabelled number is survivable and two are not, so the axis goes where the page does render it: the unit. It reads "3840 px wide" above "2160 px high", which is the sentence the user is trying to write anyway. The `label` bindings stay correct and stay where they are, so this becomes redundant rather than wrong the day `TextRow` is fixed. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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c38df01bf7 |
Hang the auto-crop off the slider's commit, not off the pointer passing over
The straighten auto-crop worked once and then stopped. It was keyed on `PlainSlider::drag-changed`, whose name is a lie inherited from what it forwards: `SliderTrack` defines `engaged` as `has-hover || claimed`, and it has to — a `Flickable` withholds the press for 100ms, so hover is the only signal that arrives in time to stand the scrolling ancestor down. That is the right definition for the job it was written for and the wrong one for this. Keyed on hover, the correction fires when the pointer first crosses the track — before anything has been dragged — and then does not fire again for as long as the pointer stays on it, however many times the angle is changed. Which is exactly what "it only works once" looks like. `SliderTrack` already publishes the signal this wants. `committed` fires on release, once per gesture, after the final `changed`, and its doc comment says so in as many words. It was simply not forwarded through `PlainSlider`, so it now is, and the geometry panel's callback is a `committed(float)` rather than a `drag-changed(bool)`. The angle needs no re-applying here: the track emits its last `changed` before it commits, so the value is already in the graph by the time this runs. What is left is the correction that has to happen exactly once. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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2c8768ac29 |
Lay the ratio chips out by hand, because Slint will not lay them out
The ratio chips shipped inside a `GridLayout` with `row` and `col`
computed from the repeater's index. It compiles. On screen every chip
piles into a single row that runs off the panel, and the terminal fills
with
Internal error in Slint: RepeatedItemTree::grid_layout_input_data()
not implemented
once per frame. A `for` inside a `GridLayout` is not supported, and
nothing says so until it is running.
A `HorizontalLayout` is not the answer either: six chips side by side
need over 400px, and this column's width is the largest width any panel
declares — so one row would widen every other panel in the application to
fit a control that is on screen only while cropping.
So the grid is arithmetic over the index inside a plain `Rectangle`. It
costs the layout engine nothing, it wraps a seventh ratio onto a third
row by itself, and — because a bare `Rectangle` declares no preferred
width — it takes the width the column already has instead of setting it.
The Portrait chip gets a container of its own for the same reason: a
`ChoiceChip` dropped straight into a `VerticalLayout` is stretched the
full width of the panel and reads as a button for the section rather than
as one more chip.
The three conditional pieces are also now individually-conditional
children of the one layout rather than a nested layout under a single
`if`, which is the convention `app.slint` and `masks.slint` already carry
notes about: a conditional nested layout under-reports its height here
and the panels below it draw on top of one another.
All of this was invisible in the source and obvious in a screenshot.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
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dtourolleandClaude Opus 5
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52c655e6cf |
Turn the ratio lock with the photograph when it is turned
A quarter turn carries the crop with it — that is what makes turning a photograph keep its composition rather than sliding the selection onto a different part of the picture. So a rect locked to 16:9 comes out of the turn at 9:16, of a frame whose axes have also swapped, and the lock was left claiming landscape over a portrait rect. The next drag would then snap it back upright and undo what the turn had just done. The orientation switch now turns with it, on odd numbers of quarters. `Original` is deliberately excluded, and getting that wrong flips it twice: it is resolved against the framed size every time it is asked for, and the turn has already swapped that frame's axes — so it has turned by the time anything asks. `turns_with_the_frame` is the one predicate that separates the two cases, with a test that pins both. `CropAspect` arrived without tests of its own; it has them now, including the round trip this fixes. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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3bb68cff69 |
Export at an exact resolution, and offer the panels worth naming
Export sizing could bound an image but not fix it. Long edge, short edge and percentage all preserve the aspect ratio by letting one dimension fall where it may, which is right for most work and useless against a display that accepts one resolution and rejects everything else — a television's art mode, a digital frame, a wallpaper slot. FR-EXP-3 has always listed both halves of the answer, and this adds them. **Fit box** scales to fit inside a width and height, so nothing is thrown away and the result is smaller than the box on one axis unless the crop already matches it. **Fill box** scales to cover the box and cuts the overhang off the middle, so the file is exactly the pixels asked for. Fill is the only mode in the file that discards image data, so two things about it are worth stating. The overhang comes off symmetrically: the crop tool is where a photographer decides which part of a frame survives, and this stage having an opinion of its own would fight it. And locking the crop to the same ratio leaves nothing here to cut, which is the workflow the two features are meant to be used in. With upscaling off and a source too small to cover, a fill box keeps its *shape* rather than falling back to the source's: exporting a 3:2 file where 16:9 was asked for is silently wrong in exactly the way the mode exists to prevent, so the box shrinks instead. The existing rule — clamp, never fail — is otherwise unchanged. Four panel sizes are offered as buttons beside the fields. Getting 3840 x 2160 by typing four digits twice is a step at which the mistake is discovered after the upload rather than before it. They fill in the numbers and nothing else, in particular not the fit/fill choice: both are legitimate against a screen, and guessing would discard the edges of a photograph for a user who wanted them. The list is panels rather than platforms, because a screen has one exact pixel count for ever where "what a photo site wants" would rot in the file. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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d9eb8faffd |
Crop away the corners a straighten exposed, once the slider is let go
Turning a rectangle inside its own bounds exposes its corners: there is no source pixel out there, and the shader renders it black. Nothing in the render prevents that, deliberately — a free angle does not change the output size, which is what leaves the frame where the user put it while the slider moves. Correct during the drag; four black wedges on the finished photograph. Letting go of the slider now pulls the crop inside the area the angle leaves defined. `Framing::max_inscribed_crop` already computed that bound and had no caller; this is the caller its doc comment described. **Once, at the end of the gesture.** Applied per frame it would shrink the crop on every step of the slider and never grow it back, so a user who overshot to 20° and came back to 3° would be left with a crop ratcheted down by the excursion rather than by the angle they settled on. Per gesture it is bounded by the angles actually rested at, and undo steps back through them. **The crop is fitted into the bound, not replaced by it.** A crop placed deliberately off-centre is a decision, and an automatic correction that recentred it would undo the user's work to fix a problem they did not have. `CropRect::fitted_into` scales only as far as the bound demands and then slides the rect the shortest distance needed to be inside — so a ratio locked in the crop panel survives the straighten too, since the shape is never touched. It returns the rect unchanged, bit for bit, when nothing needed to move. That matters more than it looks: this runs on every release of the slider, including releases at zero, and a rect that drifted by a rounding error each time would be an edit recorded for no reason. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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e6ad906bc1 |
Let the crop be held to a ratio while it is dragged
A photographer cropping for a print, a phone wallpaper or a 16:9 frame is not choosing four edges — they are choosing one edge and a known shape. Free-dragging every corner made them do that arithmetic by eye on every drag, and get it slightly wrong. The panel now offers Free, Original, 1:1, 3:2, 4:3 and 16:9, with a Portrait switch for the ones that have two orientations. Original follows the frame rather than naming a number, so it stays right on the next photograph from another body and after a quarter turn. **The ratio is of output pixels, and the rect is not.** `CropRect` is stored in fractions of a frame that is not itself square, so holding a shape needs the frame's size — `ratio * height / width` of the frame. Skipping that gives a "1:1" crop that is square only on a square photograph, which is the one case nobody would test on, so the conversion lives in `CropRect::with_aspect` where it is explained and pinned by a test that asserts the fractions are *not* equal. Two decisions worth recording: The reshaped rect **grows** onto the ratio rather than shrinking onto it, then scales down only as far as the frame's edge demands. Fitting inside instead makes a one-axis drag do nothing at all — the other axis clamps the first straight back, and the handle simply refuses to move. The overlay now reports **which corner the drag is holding**, because reshaping onto a ratio has to know which corner is nailed down and only the handle that took the press knows that. A move reports no corner and keeps its shape: reshaping about a centre would pull an over-moved rect smaller instead of sliding it along the edge. The lock lives with the window rather than the session. A `DevelopSession` is per image, and cropping a set of frames to one shape is exactly when the lock earns its place. It is not an edit and reaches no sidecar — what is saved is the rectangle it produced. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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dbaf5358d1 |
Measure a crop drag against the frame, not against the rect it is moving
Dragging the crop rectangle tracked the pointer at half speed: the rect slid out from under the cursor, and the handle being held stopped being the one under the finger. On a photograph where the whole point is to place an edge by eye, that made the tool close to unusable. The cause is that a `TouchArea` reports `mouse-x` relative to itself, and every area in the overlay is positioned *by the very rect the drag is editing*. Rust echoes the applied rect back on each step, so the area moves under the pointer and the reported position falls by exactly the amount it had just risen. `mouse-x - pressed-x` therefore subtracts the drag from itself, and the fixed point of that feedback is a rect that moves half as far as the pointer does — which is why it looked like sluggish tracking rather than like a coordinate bug. Both terms are now taken in the frame's own coordinates: `parent.x + mouse-x`, where `parent.x` tracks precisely the movement `mouse-x` lost, with the press captured in those same coordinates on the way down. The two movements cancel and the rect follows the pointer exactly. `GradientHandles` in masks.slint was already written this way, and for the same reason — its handles are placed by the mask they drag. The header note here now says why the shape matters, since the wrong version compiles, looks plausible, and is only wrong once the rect starts moving. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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da20d42d33 |
Merge master: pluggable storage, and a name that anchors
Conflicts were docs/traceability.md alone, and it is generated — so it was regenerated rather than hand-merged. dr-face was untouched on the other side; ui/dr-ui/src/faces.rs and identity_ui.rs auto-merged, the first around recluster's anchoring and the second around load_faces. Worth recording because the two branches met on the same problem from different ends. Master's "Let a name hold a group together" is the fix for the sixteen Catherines — fourteen of them empty — that this branch found while measuring the library and reported without fixing. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |
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dtourolleandClaude Opus 5
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ebb7d3cf5c |
Score a suggestion against the people the user has named
The number beside a suggestion was the mean calibrated probability between the face and the rest of its group, which measures the wrong thing twice. It punishes coverage: a person with two hundred faces over fifteen years is *meant* to have members a given photograph is orthogonal to, so a correct suggestion onto a well-photographed person scored low for being well photographed. And it never asked who else the face might be — a face matching Anna at 0.95 and nobody else, and one matching Anna at 0.95 and her sister at 0.93, came out identical, when the second is the only one worth the user's attention. dr_face::assign answers both, and multiplies them: the mean of the best ten calibrated matches into the identity (the old mean, capped, which is what stops coverage counting against it), times that identity's share of the evidence against every *named* rival. Only named people compete, and per person rather than per group. Both halves of that had to be measured on a real 18,000-face library rather than reasoned about. Normalising across every group made the number useless — median suggestion 21%, four in five under half — because clustering leaves one person spread over many groups, so a face competed against itself; and keying rivals by group left Catherine competing with Catherine, median 39%. Per named person: median 99.5%. Rivals are gathered below the merge threshold, down to even odds: a named person matching at 0.6 will never be merged into but is exactly the competition to discount for. That would be a second similarity scan, the expensive half of regrouping a library, so cluster_scored scans once at the looser floor and hands the merge engine the subset at or above the threshold — pair for pair what it would have scanned for itself, held to that by a test. Leave-one-out over that library's 2,702 confirmations across 54 named people: 99.33% of faces placed on the right person against the old mean's 99.15%, and the number shown for the right person moves from a median of 90.4% to 99.3%. It errs low — 100% correct wherever it states 80% or more — which is the safe direction, and docs/faces.md §9.1 says plainly that the low bands are not calibrated. The example that measures it comes too: this is a claim about a library's numbers, and nobody should have to take it on faith. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> |