A copy becomes a duplicate only once its capture time is read, and on a
fresh library that is the sweep, not the scan: the sidebar row stayed
hidden until the next launch. The count is refreshed when a sweep that
dated anything finishes.
Also says on a group left out of the plan that nothing will move, drops
an unused method, and names the review's completion callback type for
clippy.
"Duplicate originals" appears under the trash in the collections
sidebar while the catalog holds any, and Settings says how many there
are beside the other whole-library passes. Both open one page: every
group with its picture and paths, the copy that stays (tap another path
to change it), a per-group Include box, what the survivor will gain and
any flag, label or face conflict, and why a group was skipped.
The summary is the dry run -- "N groups, M files to trash, K skipped" --
and nothing moves until "Check" has read the copies and "Move M copies
to trash" is pressed. Both run on workers with progress on the page, in
the activity register and, for the move, on the library status line;
Stop ends a job between groups. When it ends the grid, the sidebar and
the trash are refreshed and the survivors' judgements are written to
their sidecars and XMP the way a rating keystroke writes them.
The page is paginated at 30 groups, so a redraw decodes 30 thumbnails
and previews 30 merges whatever the size of the library. Back and
Escape leave it like its own Back button.
dr_ui::duplicates is the half of #67 that touches files. The check reads
each copy's first and last megabyte by range through the backend and
hashes them (or compares stored content hashes where every copy has one),
keeps the probes in the catalog, and reads each copy's sidecar: a group
whose bytes differ, whose copies cannot be read, or whose develop edits
differ is left out and the review says why.
Consolidating a group carries the one edit onto the survivor's sidecar
where it has none, moves the other copies into the trash, and then
commits dr_catalog::duplicates::consolidate. A failure after the first
move puts the files and the sidecar back; a run that died between the
moves and the commit is finished by the next one, which finds each moved
file at its trash path.
Tested end to end on a folder library of real files: the copies land in
.darkroom-trash, the skipped groups are untouched, the edit reaches the
survivor, a catalog failure moves everything back, and restore returns
the copies byte for byte.
Rating and flagging in develop (FR-UI-5, amended 2026-09-19) landed with
the keyboard audit: 0-5, P, X and U in develop's key scope, stars and
Pick/Reject in its top bar, and flag and stars on the roll's cells. Two
of the amendment's rules were held by nothing. The keys must judge the
photograph on screen and never a selection left behind in the grid, and
judging must not move on to the next frame, which is culling's
auto-advance and not develop's.
The rating, flag and label callbacks that take a row each spelled the
row-to-image lookup themselves. It is now one function, `image_at_row`,
which answers None for a negative row as well as one past the end: the
roll passes -1 when the open photograph is outside the loaded window,
and the right answer then is to judge nothing. A test says so. The key
bindings live in Slint, where no test can press them, so a second test
reads develop's handler as the gestures gate and the canvas-order test
do, and checks that each judgement key calls the row callback on
`library-roll-current` and that none of them steps the roll or the
cursor.
The writes themselves go through `apply_judgement`, the grid's own path:
one catalog statement, then the sidecar and XMP writes behind it.
Adding a labelled Help button to develop's top bar made the strip about
100 pixels wider than a 1600-pixel window. The strip scrolls, so nothing
became unreachable, but Settings was off the right-hand end until the
bar was dragged.
Help is now a square IconButton with a drawn question mark (a new "help"
icon, drawn rather than typed for the reason icons.slint gives about
Android's fonts), and screen readers still hear it as "Help". That saves
60 pixels, which was not enough alone: the strip had fit with 3 to spare
before. The rest comes from the spacing. Controls that belong together
now sit in groups at gap-sm with gap between groups: Pick and Reject,
Undo and Redo, Copy, Paste and Presets, and "?" and Settings. The empty
export-status caption no longer takes a slot and two spacings while it
has nothing to say. At 1600 wide with the panel open the whole bar now
shows, Settings included.
The grid's header keeps its worded Help button; it has room for it.
The develop "Open this list" gesture now names the "?" button, and the
gesture book is regenerated from it.
The "Controls and shortcuts" sheet was drawn by LibraryGrid, so only the
grid's Help button and its F1 could open it. Develop, where most of the
keys it lists are bound (Ctrl+E, Ctrl+Shift+C, A/D, Z, R, H, [ ]), had no
way to it: a photographer who wanted to look a shortcut up had to leave
the photograph they wanted it for.
The sheet now hangs off the shell beside the export and copy sheets, on a
`help-open` property both views set. The grid's Help button and F1 raise
it through a callback, and its keys stand down through the `sheet-open`
they already honour for the export sheet, so Escape falls through to the
shell, which closes it. Develop gains a Help button beside Settings in
its top bar, as in the library header, and F1 in its key scope; its keys
decline while the sheet is up, as they do for the other two sheets, so
nothing behind it is rated or stepped. The book already begins with the
Develop section, so from develop it opens where the reader wants it.
Tests hold the shape: the sheet is drawn by the shell and not the grid,
and develop's opening guard names all three sheets and its F1 opens this
one. The new GESTURE: block puts the develop route in the book.
Holding D in develop across the edge of the loaded window panicked with
"RefCell already borrowed" at the first step that had to move it. The
`*ctl.offset.borrow()` written inside the `if let` condition is a
temporary that lives to the end of the `if let` block (edition 2021),
and the block calls `load_window`, which borrows the offset mutably.
The unit tests drive the placement arithmetic, not the RefCells, so
they could not see it; stepping 400 frames in the app did.
The offset is copied out before the test. `follow_open` gets the same
treatment for `image_ids`: the lookup's result is bound first, so no
borrow is held while it writes properties back to the window.
In a library's develop view the arrows, space, A and D opened
`library-roll-pick(library-roll-current ± 1)`. `roll-current` is a row
of the loaded window, set when a photograph was opened and never again.
Two things followed on any library larger than one window:
- Holding D stopped dead at the end of the loaded window: the pick of a
row past `ctl.paths` found no path and did nothing, a few screenfuls
into a library of thousands. A stopped at its start the same way.
- Any reload of the window — a background sync, a judgement that drops
the open frame out of a filter — left `roll-current` on a row that now
held another photograph. The roll marked it, develop's rating keys
judged it, and the next step walked on from it.
The keys now call `library-roll-step(delta)`, and Rust steps as
`move_cursor` does in the grid: from the open photograph's ordinal
(`index`, which `report_position` already keeps), clamped to the
library, loading the window around the target only when it lies
outside. The window-bringing half of `place_cursor` is shared for this
as `bring_window_to`, so the grid cursor and the roll move the window
the same way. Catalog reads stay proportional to the window: one
`load_window` per window crossed, none per step within it.
The open photograph is also remembered by image id. Every
`load_window` finds it again in the rows it just read (a scan of one
window, no query), puts `roll-current` and `index` back on it, or takes
the mark off when it is not there. When it is missing but its ordinal
is still inside the window, it has left the grid and its successor
moved up into its place, so the next step forward lands on that ordinal
instead of skipping the successor.
A click on the roll still reports a row; it is right because the cells
it is drawn from and `ctl.paths` are replaced together, and it now goes
through the same open path as a step.
Fixes#64.
When a scan pull takes in sidecars another device wrote, `apply_judgement`
finds the photographs each one describes with
`source_ref LIKE '{stem}.%'`. SQLite's LIKE folds ASCII case, and nothing
indexes `source_ref` case-insensitively, so every lookup read all 24,000
names of the root through the `(root_id, source_ref)` index: 1.5-2 ms per
sidecar, 520-690 ms for the 342 `.drsc` files the reference catalog has
read. Another device culling a shoot is several hundred of them.
Every name beginning `{stem}.` lies in the half-open range
`[{stem}., {stem}/)` -- `/` is the byte after `.` -- which the unique key
serves as a seek. The rows LIKE matched beyond these differed only in
case, and the check that decides, `sidecar_path(source) == sidecar`, has
always compared exactly and refused them; the escaping of `%` and `_`
goes too, since a range has no wildcards.
persist_bench: 342 lookups 634-691 ms -> 9 ms CPU. Checked against the
reference catalog directly as well: for all 18,430 distinct sidecar
names its images imply, the range and the old LIKE, each filtered by
`sidecar_path`, pick the same photographs. A test pins the neighbours of
the range: a case variant, a longer stem, a subfolder named like the
stem, and a folder whose name holds `%` and `_`.
The XMP reader's LIKE (`xmp_sync::images_for`) is left alone: its check
is case-insensitive, so the range would not be a superset there, and it
only runs when the exact darktable-style name is not found.
`persist` runs after every scan, for every photograph the scan listed. On
a settled library that is the folders whose ETag changed -- a sidecar
written there by a rating is enough -- so one relisted folder of 1,600
images is an ordinary pass, and a first scan is all 24,000.
Per photograph it prepared four statements from their SQL (a folder
lookup, the image upsert, the id read-back, the remote upsert) and then,
after the commit, found the image again by path and enqueued its
thumbnail job as an autocommitting statement of its own -- a commit per
photograph, for rows that were almost all already queued.
Now the statements are prepared once per pass, a folder's id is looked up
once per folder rather than once per photograph in it, and the job is
enqueued inside the transaction with the id already in hand. That also
makes the job atomic with the row it points at, which is what the old
ordering after the commit was trying to guarantee. `jobs::enqueue` uses a
cached statement for the same reason.
persist_bench on a copy of the reference catalog, CPU, best of runs:
largest folder (1,589 images) 102-118 ms -> 10-13 ms
whole library (23,582 images) 1.55-2.19 s -> 188-192 ms
The fingerprint of images, remote, jobs and folders after the run is the
same for both builds.
Two benches for reading side by side before and after a change, against a
copy of a real catalog, in the manner of identity_bench:
- `dr-catalog --example catalog_bench CATALOG [FACES_DIR]` times
`Catalog::open` and the backfill inside it step by step, the upload
snapshot, a merge of the catalog with a copy of itself, and the face
shard export and import in the steady state where nothing is new.
- `persist_bench`, an ignored test in dr-ui's scan module because
`persist` and `apply_judgement` are private to it, replays the
catalog's own rows through `persist` (the largest folder, and the whole
library) and looks up every `.drsc` sidecar the catalog has read. It
works on a scratch copy and prints a fingerprint of what `persist` left,
so two builds can be shown to agree.
Both print best, median and CPU time; the CPU figure is the one to compare
while other builds share the machine.
Every TextRow drew a field and a hint but no name: "Filename template"
and "Destination" on the settings page and in the export sheet, the two
storage budgets, the export size fields. The label was there, painted
behind the entry, with a clipped "ws" of "Thumbnails and previews"
poking out beside the thumbnail field.
The field sits in a Rectangle so the row can dim it and watch it lose
focus, and that Rectangle took its height from `field.preferred-height`.
`Field` sets its own `height` outright and has no layout inside it, so
its preferred height is zero. The box was zero tall, the row around it
took its height from the unit label beside it, and the field, centred
on an empty box, sat half its own height above the row, on top of the
FieldRow. Segmented never showed it because its chips live in a layout
that reports a real height.
Reading `field.height` instead gives the box the height the field
actually draws at, so the row reserves it and the label sits above. The
note on `Field.label` that recorded the fault now records the trap.
scenes.py aimed every press at window pixels, and the develop column had
already moved under it: Compose now sits above Adjust, so the old
exposure coordinate lands on a straighten slider. Every scene now names
what it presses by its accessible label through the automation hook,
places points on the photograph relative to the canvas, and opens its
photographs by file name. Each starts from a known place and undoes what
it did, so one can be recorded alone; the few that continue another's
state name it, and running one runs that first into a scratch folder.
Each scene also declares the pictures it makes and the sources they
depend on. `record.sh --check` fails when the manual shows a picture no
scene makes, or a scene makes one it does not show; it reads two files.
`record.sh --changed` re-records the scenes whose sources, or own code,
changed since the commit that last touched their pictures. record.sh
builds with the automation feature, restores the library from
DR_LIBRARY_SNAPSHOT, starts from a fresh profile and pins inference to
the CPU; the launch screen is recorded from an empty profile of its own.
Re-recorded with the ported scenes, and looked at frame by frame. What
differs from the pictures they replace:
- develop, presets, settings, local, compose, film, wb, light: the
current develop column (Compose with Vertical and Horizontal above
Adjust, the Label button), otherwise the same moments.
- library pictures: the filter bar's colour-label chips; no collection
left over from an earlier run in the sidebar; library-selection is the
twelve alpine frames rather than eight of them and four New York ones.
- library-rating rates two frames nobody had rated, so the stars are set
and not cleared.
- develop-zoom goes on past 1:1 with the wheel and ends on the file's
pixels as hard-edged blocks.
- repair covers a real mark on the road, with a size that fits it; film
is shown on the Chinatown frame instead of the road.
- panorama tries Perspective, Spherical and Cylindrical before filling.
- launch, launch-folder and panorama-aligned came out byte-identical.
Every scene in tools/manual aimed at window pixels written in by hand, so
a panel that gained a row moved every slider under it and the recording
went on dragging where the slider used to be. The develop column has
already moved that way (Compose now sits above Adjust), and nothing said.
A build with the `automation` feature listens on the Unix socket named
by DR_AUTOMATION and answers where an element is: by its accessible
label, the name a screen reader reads, or by its markup id for the few
things that are not controls (the canvas, the crop rectangle). It uses
Slint's element queries, which need the compiler's debug tables, so the
feature also turns those on in build.rs. It only answers questions; the
input is still xdotool's real pointer. No default build has the feature,
and one that has it listens only when the variable is set.
drive.py gains click-on, drag-on, hold-on, wait-for, wait-gone, labels
and ids. The grid's cells are now named by their file, each rating star
by its value, the sidebar's + as "New collection", and the Adjust
heading's reset as "Reset all adjustments" - controls a screen reader
could not reach before either.
With Skia drawing pre-rotated on wgpu's Vulkan swapchain, Android no
longer needs to draw with Skia over OpenGL, which was the only reason
the develop view read its frame back through memory (TD-1).
So `unstable-wgpu-29` moves back to the common slint dependency. The
android-activity backend then builds `SkiaRenderer::default_wgpu_29`,
and `shared_gpu` loses its Android arm. The one wgpu device is handed to
Slint through `BackendSelector::require_wgpu_29` on both platforms.
`slint::android::init_with_event_listener` runs before `dr_ui::run`, so
the selector reaches the Android adapter before its window exists.
`renderer-femtovg-wgpu` stays desktop-only, since Android has no FemtoVG.
The two `#[cfg(target_os = "android")]` readbacks in `develop::render`
(the frame through `export_pixels` and the focus overlay through
`read_overlay`) are gone. `read_overlay` stays for the tests that check
what the overlay marks.
Built for arm64 and release-signed. Not yet run on the tablet.
FR-UI-5's 2026-09-19 amendment asks for the rating and flag wherever they
can be set and on the roll's cells, so that stepping along a set in develop
shows what has been judged. The roll drew thumbnails only, so the keys that
now judge the open photograph left no trace on its neighbours.
Each roll cell carries a small badge with a tick or a cross and a star
count, drawn only when there is something to show, in shapes and a number
rather than colours (NFR-A11Y-3).
F1 opens the help sheet from the grid, and nothing on the keyboard closed
it: Escape fell through to the shell, and every other key went on judging,
labelling and keywording the photographs hidden behind the sheet.
Escape and Back now close the sheet first, ahead of the grid's other
sheets, since it is drawn over all of them. While it is open the grid's
handler declines every other key, so a stray P or Ctrl+K changes nothing
the reader cannot see.
An audit of every action by view against the keys the handlers bind left
develop without zoom, pan, fit or a way back to the grid, the grid without
select-none, thumbnail size or keywording, People with no key at all, and
the export and copy sheets without Enter. It also found the reverse gap
FR-UI-5 forbids: pick and reject had no route but P, X and U, and the
2026-09-19 amendment's judging in develop had not been built.
Develop: Ctrl+= and Ctrl+Plus zoom in and Ctrl+- out about the middle of the
view, Ctrl+0 fits and Ctrl+1 goes to 1:1, Shift and an arrow pan a magnified
view, G goes back to the grid, Ctrl+Y redoes, and Enter keeps a crop that hid
a mask. 0-5, P, X and U rate and flag the open photograph without moving on,
with stars and Pick/Reject in the top bar as the pointer and touch route.
= and - nudge the control last moved by a hundredth of its travel; the
framing sliders, perspective included, now count as "last moved", so R puts
them back as well. J turns the selected mask part's join chip.
Grid: Ctrl+D and Ctrl+Shift+A clear the selection, = and - resize the
thumbnails, Ctrl+K opens keywording, and Flag in the selection bar gives
pick and reject a pointer and touch route. Sidebar: Enter commits a
collection's name, and Enter or Escape hands the keyboard back to the grid,
where it used to go nowhere until something was clicked. People: Up and Down
walk the rail, F2 puts the name field under the keys, and Escape or Back now
leave the screen the way its back button does instead of doing nothing.
Sheets: Enter does what the export or copy sheet's button does.
The choices follow Lightroom where it has one. No new key steals typing: the
grid's and People's keys live on focus holders that are not ancestors of any
text field, and the sheets' Enter comes after a focused field has had it.
Every binding is tagged beside its handler, and the gate added in the
previous commit holds the two to each other.
The gesture book is generated from GESTURE tags, so it could not describe a
gesture nobody tagged, but nothing made anyone tag one. The arrow keys, Enter,
P, X, U, Delete, F1 and F2 all worked in the grid with no line in the help
sheet, and a tag could name a key whose handler had gone.
Key handlers now compare one canonical string, Keys.chord(event) == "Ctrl+Z",
instead of reading event.text and the modifiers themselves. keys.slint folds
the key and its modifiers into that spelling, so the literal in the handler is
the whole binding and the checker reads exactly what the handler dispatches
on. Each handler carries a KEYMAP comment naming the gesture-book section its
keys belong to, and a tag's keys field names its keys between backticks.
gestures-check now fails when a handler binds a key no tag in that section
names, when a tag names a key no handler there binds, when any .slint file
other than keys.slint reads event.text, when a compared literal is not
canonical, and when keys.slint's named keys drift from the Rust list.
Spellings are normalised in one place, chord.rs: Ctrl+z, Control+Z and
LeftArrow all mean what the handler's "Ctrl+Z" and "Left" mean. Shift and Alt
count only for letters and named keys, because on the French layout every
digit needs shift and a 6 has to be a 6 however it was typed.
A Rust keymap that both dispatched and was read by the generator was the
alternative. It would have moved the handlers' decisions away from the Slint
state they depend on, and a window that forgot to install it would have had
no working keys at all.
The keys that were already bound and undocumented are now tagged.
The sheet could now offer "See it", but no gesture said where to look.
Every GESTURE tag whose move the manual describes names that section:
the white-balance picker, zoom and pan, masks, undo and snapshots,
export, colour labels and ratings, selection, collections, the People
page, thumbnail size. Fifty of the fifty-one; the one left, putting a
single control back to its default, has no section and is too small to
earn one.
Three important gestures had nowhere to land, so the manual gains three
short sections, without pictures for now: Bursts (opening a folded
burst, choosing the frame it shows, and the eyes-open filter), Moving
between photographs (the roll, the arrows and A/D in develop) and
Copying settings (Copy, Paste, Paste to N, and choosing what a copy
carries). The page, the gesture book and docs/gestures.md are
regenerated from them.
The help sheet says which move does a thing, and the manual has a
picture of the thing being done, but nothing joined the two: a user
reading "Pinch it with two fingers" had no way from there to the GIF of
it.
A GESTURE tag takes an optional `manual:` field naming a heading of
docs/manual/README.md by its anchor. The scan checks every one against
the anchors the bundled page is rendered with and fails when the manual
has no such heading, so renaming a section cannot leave the sheet
linking to the top of the page; gestures-check carries the same failure
into CI. The anchor goes into gesture_book.rs as a new field, and into
docs/gestures.md as a "See it" link to manual/README.md#anchor. The help
sheet draws a "See it" button beside the title of each gesture that has
one, which opens the bundled manual at that section.
The field is additive: a tag without it is unchanged, and no gesture
carries one yet.
The packages now carry the manual, but nothing in the application opened
it: the help sheet listed gestures and stopped there.
The help sheet gains a Manual button beside Done, and Settings a Manual
row under About beside the version. Both go through dr_ui::manual, which
finds the installed page through dr_plat::system_data_dirs (the package's
share directory on Linux, the executable's directory on Windows), and a
development build also in the checkout it was compiled from. A copy with
no manual says so on the status line rather than doing nothing.
On the desktop the page goes to the system browser. A section is a URL
fragment, and xdg-open's generic mode and Windows' FileProtocolHandler
both turn a file: URL into a path and drop the fragment, so a section is
opened through a one-line redirect page written to the data directory:
the opener gets a plain path, which every opener keeps, and the browser
follows the redirect to index.html#section itself. The launcher behind
the sign-in's open_in_browser is split out so both share it; the https
check stays with the sign-in.
Android has no path to give a browser: an asset is not a file, a copy in
private storage is unreadable to other apps, a file: URI across apps is
refused, and a content: URI leaves the browser resolving every picture
against the provider. So ManualActivity, a WebView reading
file:///android_asset/manual/index.html straight out of the APK, shows
it, started by class name with the section as an extra. JavaScript is
off, links off the page go to the browser, and the theme is day-night so
the page's own light and dark follow the system. A test checks that the
manifest, the Java class and dr_ui agree on the name and the extra.
The keystone existed in framing but nothing in develop could reach it:
framing is presented by its own Compose panel rather than generated, so
new framing parameters get no control until the panel names them.
Compose now has Vertical and Horizontal sliders under Straighten,
mirrored from the session like the angle, recorded as parameter steps
("Vertical Perspective" in the history), cleared by the Compose reset
and by opening the next photograph. Releasing either slider refits the
crop the way releasing the straighten slider does: a keystone alone
needs no crop, but it moves the empty corners of a straightened frame,
so the crop that avoided them before may not after, or may have room
to grow back.
NFR-A11Y-3 was argued in comments beside the rating strip, the
pick/reject mark and the focus-peaking chips, and nothing would have
failed if an edit made a set star differ from an unset one only in tint.
Only the clipping readout had a test.
These read the markup, as the accessibility-name tests do, since a
rendered window cannot be asked what a colour-blind reader sees. The
star and the flag must choose their glyph from their state, and the
glyphs they choose must be different drawings in icons.slint. The peaking
chips must be distinct words that reach the screen as text. Each colour
label must carry its own letter and the name the catalog's code stands
for, the mark must draw the letter, and the grid cell, the filter chips
and develop must draw the mark or the name. Breaking any of these by
hand makes the matching test fail.
Colour labels could be read from a Lightroom sidecar and queried by the
selector, but nothing drew one or set one, so the only labels a library
held were ones another program had written.
Every mark carries its label's initial on its colour — R, Y, G, B, P —
so a label is read without telling red from green, which is what
NFR-A11Y-3 asks of colour labels by name. A grid cell shows the mark
before its filename. In the grid, 6, 7, 8 and 9 set red, yellow, green and
blue as Lightroom's keys do, on the photograph under the pointer or on
the selection by the rule the star keys follow; the same key again takes
the label off, and over a mixed selection it sets it on all. The
selection bar gains Label, which opens the six choices — each a mark and
a name — and purple, which has no key, is there. In develop the top bar
says "Label: Green" beside the mark, opens the same choices, and 6-9
label the open photograph.
Each gesture is one catalog transaction, then the grid, the counts and
both sidecars are written as a rating's are. The filter bar gains a chip
per label, its mark and its name with a count, one at a time; the filter
is one SQL term, travels in the place record, and "All" clears it.
A rating and a flag are written to DarkRoom's sidecar as well as the
catalog, because the catalog is a disposable index and the sidecar is
how a judgement reaches the photographer's other devices. A label had no
place there, so once labels could be set, one would have lived only in
the catalog of the device it was set on and gone with it.
The sidecar version now carries `label` (0 none, 1-5 as the catalog
codes it), written only when set. It merges under the rating's rule, so a
device that never labelled a frame cannot clear another device's label,
and a code this build does not know reads as none rather than as some
other colour. A judgement write carries the catalog's label with the
stars, and the scan takes a sidecar's label into the catalog when it has
one. An older build keeps the line as an unknown key and writes it back.
When a gesture stopped, the half-resolution draft was replaced by the
full-resolution frame in one step, a visible jump from soft to sharp.
FR-DSP-4 asks for a refinement that is smooth, not a jarring swap.
The canvas now keeps the last draft frame (`canvas-previous`) and draws
it over the sharp one, fading it out over 150 ms when the draft flag
clears. The fade costs no render: the draft is a refcount on the texture
it was drawn into, and the adjust pass ping-pongs between two output
targets, so the sharp frame is written into the other one. While a
gesture is drafting the layer is hidden and snapped opaque, so a new
drag shows its draft at once; past the fade it is hidden again, and a
settled canvas composites one image as before.
The histogram is measured on settled frames only, so during a drag it
describes the frame from before the gesture while the canvas shows
something newer, and nothing said so. The draft flag stopped at the
render closure.
It now reaches the interface: `canvas-draft` on the window and
`Levels.provisional` for the readouts, both set on every canvas render
from the flag that chose the frame's resolution, and cleared when a
render fails. The histogram panel dims its display reading to half
while a draft is up and brings it back when the frame settles. Dimmed
rather than captioned, because a caption appearing on every drag would
move the column; the raw reading has no frame to lag and is left alone.
During any drag longer than 120 ms the canvas rendered a full-resolution
frame every 128 ms under the finger. The settle timer was armed by the
first draft of a burst and not re-armed by later ones, so it counted from
the start of the gesture rather than from its last movement, fired
mid-drag, and the next coalesced event armed it again. Each of those
frames is the most expensive one the canvas draws, landing where the
frame budget is tightest.
The draft/sharp decision now lives in `refine::Refine`, apart from the
timers that carry it out. Every draft frame arms a settle timer carrying
a generation token and only the newest token is honoured, so the sharp
frame lands SETTLE_DELAY after the last movement. A request arriving
while a settle is still owed also counts as part of the gesture, so a
slow stretch of a drag (one event per frame, nothing to coalesce) no
longer renders sharp between drafts. A timer that fires with a render
already posted defers to it.
The tests drive the state machine through simulated timelines; the
long-drag case reproduced the four mid-drag sharp frames before the fix.
Cropping tighter past a mask layer made it invisible without a word:
the layer stayed in the panel and the sidecar, and its adjustment went
on landing on pixels nobody would see again.
When a crop is let go, develop now measures what the gesture did to the
mask stack (dr_pipeline::orphan) and, if any layer is now entirely or
mostly outside the frame, shows a notice over the photograph: how many
layers, their names, "Undo crop" and "Keep crop". The crop is already
applied and nothing waits on the answer.
The crop overlay gains a release callback carrying the rect the press
began from, so the measurement runs once per gesture and never on the
drag's per-frame changes. Choosing a ratio is measured the same way,
being a crop committed in one click.
"Undo crop" is the ordinary undo, and the notice is tied to the history
revision it was raised at: the redraw that follows any history move
clears it, so the crop and its warning go back as one step. A second
drag folded into the same step is measured from where that step began.
A crop that strands nothing shows nothing.
FR-RAW-2's "without changing callers" needs a test that would fail if a
caller named the concrete decoder; passing a real RAW through rawler
cannot tell the two apart, because both routes give the same answer.
The decoder_seam tests hand a stub decoder, for a container no real
decoder reads, to the catalog scan (read_metadata_only over a folder
backend), the preview ladder (the remote two-stage fetch, an import's
thumbnail and the viewer's no-GPU fallback) and export (open_for_export,
skipped without an adapter). Each assertion is on something only the
stub produces: its camera and date, a header fetched at its 64-byte
budget rather than HEADER_BYTES, preview and sensor sizes turned by its
orientation. Switching collect_metadata or make_thumbnail back to the
free functions fails two of the three tests.
The develop test_support module is widened to the crate so the export
test shares the one headless GPU context the other tests use. The
requirements note for FR-RAW-2 now records the trait as built and the
second decoder as not.
With the trait in place the claim still meant nothing while every caller
named dr_decode's free functions: a second decoder would have had to be
threaded through the scan, the thumbnail ladder, import, the viewer,
export, merge and repairs at the moment it arrived.
Each of those now takes a &dyn Decoder and reads headers, previews,
orientation and sensor data through it, including the header budget a
remote fetch asks for (header_bytes) and where it finds the embedded
preview (locate_preview). Only the places that start a job name
dr_decode::default(): the thumbnail, sweep and thumbnail-sweep threads,
the viewer's open handlers, and the request structs a job is handed
(BatchRequest, MergeRequest, the import Request, the repairs Toolkit),
so a caller can be given another decoder by changing what it is handed.
The default is rawler through the same free functions as before, so
nothing a user sees changes. The trait gains Debug as a supertrait so
request structs that derive Debug can carry one.
The chained lookup in the_intersect_button_joins_a_part_that_intersects was
one line past rustfmt's width, so fmt --check failed on the branch. Split
as rustfmt wants it; no behaviour changes.
The pipeline could now keep only where two selections agree, but the panel
had no way to ask for it: the part row's chip flipped between + and -, and
the buttons under the parts joined an added or a subtracted correction.
An "∩ Intersect" button joins a painted part that intersects, and the chip
on a part row cycles + -> - -> ∩ and round, so an existing part can be
turned into an intersection without being repainted. Both go through the
same session calls as before, indexing Join::ALL, whose first two entries
kept their places. The chip is now a tagged gesture, so it is in the
gesture book.
A layer's parts could be added to the mask or taken out of it, and nothing
else. The selections that need composing most are the ones that are
neither: the sky that is also bright, the subject that is also skin. With
union and subtract alone, "this and that" had to be spelled as "this minus
everything that is not that", which needs a second part that selects the
complement and rarely exists.
Join gains Intersect, stored as "intersect" in the part block of a sidecar.
It is the product of the two coverages, dst * src, which is one more
fixed-function blend state beside union's max and subtract's
dst * (1 - src) (mask-editing.md 5.2): the same scratch texture, the same
three vertices, no shader arithmetic. The product equals the minimum
wherever either side is fully in or out, and is the softer reading where
two soft edges overlap. Join::apply spells the three operations on the CPU
so the GPU tests can be held to one definition.
A layer that intersects with a part covering nothing now reports that it
covers nothing, so it is not rasterised as an empty slice. Old sidecars
never contain the word, so they read as before; a build from before this
reads "intersect" as a union, the existing unknown-join fallback, which
keeps the part visible rather than dropping it. Join::ALL keeps union and
subtract at indices 0 and 1 so a stored panel index still means the same
join.
Zoomed to 1:1 or past it, the develop canvas showed a smoothed blur
rather than the photograph's pixels, so focus and noise could not be
judged at the magnification meant for judging them.
Two things caused it. The canvas only switched to nearest-neighbour
strictly past 1:1, with a margin, so the 1:1 inspection itself stayed
smooth. And the switch mostly had nothing to act on: the pipeline
rendered a viewport-sized frame at every zoom, so past 1:1 it was the
pipeline doing the enlarging - bilinearly whenever a straightening angle
or lens correction was in the chain - and the detail stage then sharpened
and denoised those invented pixels at radii scaled up to match. The
texture reached the canvas already blurred and was presented 1:1.
Now, from 1:1 on, the visible region is rendered at the source's own
resolution (render::render_size) and the canvas enlarges it with
nearest-neighbour, so the blocks on screen are the pixels an export would
have; it is also less shading. The decision lives in two small
functions, render::magnification and render::shows_source_pixels,
measured in physical pixels like one_to_one_zoom, with a half-percent
tolerance so the inspection zoom counts as 1:1 even where fit() rounded
the other edge. Below 1:1 the render and the smooth filter are unchanged.
Before the previous commit, browser sign-in could store an account as
http://, and the client now refuses to send to one. Left alone, such a
library would fail to open with a configuration error, so its stored
endpoint is rewritten before anything reads it.
The endpoint is half of two keys, and both are handled:
- The keyring entry is filed under it. Rewriting only the record would
strand the app password under the old key and sign the user out, so
AccountStore::move_endpoint copies the secret across first, rewrites
the record in place (the last record is the one resumed), and deletes
the old entry only once nothing refers to it.
- namespace() is built from it and names the catalog directory. For an
http to https rewrite it does not change, because the namespace strips
either scheme. A move that would change it is refused, not performed,
so no later rewrite can abandon a catalog either.
The rewrite is a new BackendProvider::upgrade_endpoint hook, which does
nothing by default, and not a second call to normalise_endpoint. The
folder connector's normalise_endpoint canonicalises the path and needs
it to exist, so running it on every launch would fail a library on an
unplugged disk, or rename one whose path now resolves differently. Only
Nextcloud implements the hook.
If the move fails (for example, a locked keyring), it is logged, the
account is left as it was, and the move is tried again on the next
launch.
Closes#65.
Login Flow v2 saved the account under the `server` field of the poll
response, not under the address the person typed. That field is the
server's idea of its own URL. Behind a TLS-terminating proxy without
`overwriteprotocol` (a common setup) it says http://, and the account then
sent its app password in the clear on every request after that. The
typed address, already upgraded to https by normalise_endpoint, has just
carried the whole flow, so it is the one kept.
The flow's other two URLs come from the server as well, and are now
upgraded from http to https, and refused if they use any other scheme:
- The login URL is handed to the OS to open. On Windows that is
`rundll32 url.dll,FileProtocolHandler`, which runs a file: or UNC path
rather than showing a web page, so a hostile server could launch a
program when the user starts signing in. open_in_browser also refuses
anything that is not https, as the last check before a process starts.
- The poll endpoint is where the app password comes back from.
The host is not checked. A server reached by its LAN address can answer
with its public name, and refusing that would break a working setup
without protecting anything: the account is stored under the typed
address whatever the server says.
Part of #65.
Filtering the grid by a face crawled on the reference library. The SQL
is not it — the person predicate counts in ~20 ms, the eyes-open term in
~60 — but every press on the tray ran `push_people_chips`, which read the
whole people table (26,362 rows, nearly all empty groups a regrouping
pass left behind) and then called `push_people_roster`, which read it
again and replaced the roster model. The roster is every person holding
a face, 1,581 chips, in a row Slint does not virtualise: a new model
tore down and re-created all of them and laid the row out again, to
move one tick.
A press now walks the roster model and sets `picked` on the rows whose
tick changed; the roster is built only when the tray opens. Both reads
use `people_in_use` (2,140 rows) rather than `people`. A picked person
the in-use query leaves out — emptied by a split while the filter held
them — still gets a chip, since a term with no chip cannot be removed,
and without one the in-place update would fall back to a rebuild on
every press.
bddf325 and 00c028c went in unformatted, so the Desktop job's
`cargo fmt --check` step failed on master (run 1693) and the release job
that needs it was skipped. Whitespace only.
Rating keys in the grid follow darktable's rule: with the pointer over a
photograph outside the selection, 0-5, P, X and U judge that photograph
alone; over one inside it, the whole selection, as before; off the grid,
the selection. The hover is cleared when the grid scrolls, so a key after
a wheel turn cannot judge whatever used to be under the pointer.
Holding F and tapping digits filters by stars: one digit for exactly
that many, two for everything between them, F alone to show every
rating again. The filter gains a ceiling to do it (`max_rating`, one
BETWEEN in the query). The place record carries it, and a record from an
older build reads as having none. The star chips light across a capped
range and the bar says "2-3★ only" beside them.
The grid also takes Ctrl+E and Ctrl+Shift+E for the selection, Ctrl+V to
paste onto it and Ctrl+A to select all. The "Gestures" button is now
"Help", its sheet "Controls and shortcuts", and F1 opens it.
Ctrl+E opens an export sheet: the export defaults on their own, over the
photograph, with an Export button. Ctrl+Shift+E exports straight away on
those defaults. There is no per-export copy of the settings, so what is
chosen in the sheet is saved as it is on the settings page, and the next
Ctrl+Shift+E uses it.
To make that one set of controls in two places, the export options move
out of the settings page into export.slint: an `ExportOptions` global
that Rust writes once, and two panels that read it. The window no longer
forwards forty `settings-*` properties to the page.
Ctrl+Shift+C opens a copy sheet with the edit-kind chips the preset
sheet already uses and a Copy button, which is how a paste leaves each
photograph's crop and rotation alone (Compose off). A and D step along
the roll beside the arrows. While either sheet is up the develop keys
stand down, so A cannot change the photograph behind the form, and
Escape closes it.
The arrow keys and space in develop called `next-image` and
`prev-image`, which walk the files given on the command line. A
photograph opened from a library leaves that list empty, so the keys did
nothing and only a click on the photo roll moved on.
With a library open the step now goes through the roll: it opens the
neighbouring frame exactly as clicking it would, and saves the outgoing
edit the same way.
It was the last of a dozen buttons in a row that scrolls sideways once
it outgrows the window, which at a desktop width it does. The button
sat past the right edge and nothing says the row scrolls to a mouse,
so batch export of a selection looked like a feature the library did
not have. The rest of the row still scrolls; Export, which is also the
cancel for a running batch, now sits beside it and is always visible.
It appeared only once settings had been copied this session, so with an
empty clipboard nothing on the selection bar said pasting onto a
selection was possible. It is one of the things a selection can have
done to it, like filing it in a collection, and now sits with them
beside Presets.
They sat in the develop column under a "SETTINGS" heading, which read as
application settings, and went away with the panel toggle and in the
mask and spot modes. The strip is where undo already is for the same
reason: these act on the whole edit, not on any one panel.
The paste button still names what it would apply. The TransferPanel
component is gone; the Transfer global and its Rust wiring are
unchanged.
a_second_claim_waits_for_the_first_to_be_released failed on CI: the
second claim came back Some. The waiter thread signalled the main thread
before calling claim, so the main thread could drop the first guard
before the waiter reached the lock. The path was free by then, and the
waiter claimed it outright.
The registry now keeps a test-only count of threads parked in claim,
bumped under the lock just before the condvar wait. The test spins until
that count is one before releasing. The release needs the same lock, so
it can only reach a waiter that is already waiting. Passed 500 runs in a
row.
Moving each group of properties and callbacks out of AppWindow left
several two- and three-line gaps where a removed block's neighbours no
longer needed separating. No declarations changed.
dtourolle