DarkRoom/core/dr-gpu/tests/local_contrast.rs

//! Clarity and texture, end to end on a real device.
//!
//! `dr-pipeline`'s tests assert what the composer *generates* — the kernel
//! width, the uniforms, which lines of WGSL each node emits. None of that can
//! tell whether the two passes compose into an unsharp mask, whether the
//! original colour really survives the hand-off from the blur pass to the
//! combining one, or whether the halo the soft limit is supposed to bound is
//! actually bounded in pixels. Those are questions only a GPU answers.
//!
//! # Why every measurement is in stops
//!
//! The controls work on log luminance, and their guarantees are stated in
//! stops: an overshoot of at most `gain * threshold`, an effect that is
//! symmetric about neutral, a strength that does not depend on how bright the
//! subject is. Asserting on 8-bit code values would restate all of that in a
//! unit where none of it is true, and would need a fresh magic number for
//! every brightness tested. So the pixels are decoded back to linear and
//! compared as ratios.
//!
//! # The test image
//!
//! A vertical step between two **midtones** rather than between black and
//! white. Clarity is tapered to nothing at both ends of the range on purpose
//! (see `midtone_weight`), so a 0–255 step is the one edge in the world it is
//! designed to leave alone, and a test built on it would measure the taper
//! working and call it the feature not working.

use dr_gpu::{AdjustPass, DemosaicedImage, GpuContext};
use dr_pipeline::descriptor::{OpId, ParamId};
use dr_pipeline::ops::local_contrast::{Clarity, Texture};
use dr_pipeline::{Affects, EditGraph, OutputMode};
use dr_types::ColourSpace;

const CLARITY: OpId = OpId("clarity");
const TEXTURE: OpId = OpId("texture");
const AMOUNT: ParamId = ParamId("amount");

/// Large enough that texture's kernel — a tenth of clarity's — is still more
/// than one pixel wide. At 1024 its sigma is 1.2 px; at 256 it would round to
/// a delta and the control would honestly do nothing, which is the behaviour
/// `texture_stops_rather_than_lying_when_the_render_is_too_small` covers and
/// not the behaviour under test here.
const SIZE: u32 = 1024;

/// The two sides of the step, as sRGB code values.
///
/// Both well inside the range, and roughly two stops apart — a real edge, of
/// the kind that produces the halo this file exists to bound.
const DARK: u8 = 90;
const BRIGHT: u8 = 175;

fn ctx() -> Option<GpuContext> {
    // CI runners and headless machines may have no usable adapter. Skip rather
    // than fail, exactly as the rest of this crate's device tests do.
    match pollster::block_on(GpuContext::new_headless()) {
        Ok(c) => Some(c),
        Err(e) => {
            eprintln!("skipping: no GPU adapter ({e})");
            None
        }
    }
}

fn srgb_decode(v: u8) -> f32 {
    let e = v as f32 / 255.0;
    if e <= 0.040_45 {
        e / 12.92
    } else {
        ((e + 0.055) / 1.055).powf(2.4)
    }
}

/// A vertical step from `DARK` to `BRIGHT` at the half-way column.
fn step_edge(ctx: &GpuContext, size: u32, tint: [f32; 3]) -> DemosaicedImage {
    let data: Vec<u8> = (0..size * size)
        .flat_map(|i| {
            let x = i % size;
            let v = if x < size / 2 { DARK } else { BRIGHT } as f32;
            [
                (v * tint[0]).round() as u8,
                (v * tint[1]).round() as u8,
                (v * tint[2]).round() as u8,
                255,
            ]
        })
        .collect();
    DemosaicedImage::from_rgba8(ctx, &data, size, size).expect("upload")
}

/// One row of the rendered image, as linear luminance-ish red values.
fn row(pixels: &[u8], size: u32, y: u32) -> Vec<u8> {
    (0..size)
        .map(|x| pixels[((y * size + x) * 4) as usize])
        .collect()
}

/// One row as full RGB triples.
fn row_rgb(pixels: &[u8], size: u32, y: u32) -> Vec<[u8; 3]> {
    (0..size)
        .map(|x| {
            let i = ((y * size + x) * 4) as usize;
            [pixels[i], pixels[i + 1], pixels[i + 2]]
        })
        .collect()
}

/// Render one graph with its detail stage and read the pixels back.
fn render(pass: &mut AdjustPass, graph: &EditGraph, source: &DemosaicedImage, out: u32) -> Vec<u8> {
    let shader = graph.compose_for(ColourSpace::Srgb);
    let scale = graph.render_scale(source.size(), (out, out));
    let detail = graph.compose_detail_for(scale, ColourSpace::Srgb);
    let key = graph.invalidation().through(Affects::Colour);
    pass.render_detailed(source, &shader, out, out, None, &detail, key)
        .expect("render");
    pass.export_pixels().expect("readback").0
}

/// A graph with one of the two controls set and everything else neutral.
fn graph_with(op: OpId, amount: f32) -> EditGraph {
    let mut g = EditGraph::default_chain();
    g.set_param(op, AMOUNT, amount);
    g
}

/// How far a pixel moved, in stops, against the same pixel unedited.
fn stops(edited: u8, plain: u8) -> f32 {
    (srgb_decode(edited).max(1e-6) / srgb_decode(plain).max(1e-6)).log2()
}

#[test]
fn clarity_lifts_local_contrast_and_leaves_the_flat_regions_alone() {
    // The definition of a local contrast control, as pixels: it must do
    // something at the edge and *nothing* a long way from it. An operation
    // that brightened the whole bright plateau would be an exposure slider
    // with extra steps, and it is the failure a sign error in the base
    // produces.
    let Some(ctx) = ctx() else { return };
    let source = step_edge(&ctx, SIZE, [1.0, 1.0, 1.0]);

    let mut plain_pass = AdjustPass::new(&ctx);
    let plain = row(
        &render(&mut plain_pass, &EditGraph::default_chain(), &source, SIZE),
        SIZE,
        SIZE / 2,
    );

    let mut pass = AdjustPass::new(&ctx);
    let edited = row(
        &render(&mut pass, &graph_with(CLARITY, 100.0), &source, SIZE),
        SIZE,
        SIZE / 2,
    );

    let edge = (SIZE / 2) as usize;
    let reach = Clarity::with_amount(100.0)
        .kernel(EditGraph::default_chain().render_scale((SIZE, SIZE), (SIZE, SIZE)))
        as usize;

    // Far outside the kernel's reach the base equals the pixel, the detail
    // signal is zero, and the output must be the input to the last code value.
    for x in [
        0,
        reach / 2,
        SIZE as usize - 1 - reach / 2,
        SIZE as usize - 1,
    ] {
        assert!(
            edited[x].abs_diff(plain[x]) <= 1,
            "column {x} moved by {} away from any edge",
            edited[x].abs_diff(plain[x])
        );
    }

    // And at the edge it must do the thing it is for: the bright side lifts,
    // the dark side drops, which is what "more local contrast" means.
    assert!(
        edited[edge] > plain[edge] + 4,
        "the bright side of the edge did not lift: {} vs {}",
        edited[edge],
        plain[edge]
    );
    assert!(
        edited[edge - 1] + 4 < plain[edge - 1],
        "the dark side of the edge did not drop: {} vs {}",
        edited[edge - 1],
        plain[edge - 1]
    );
}

#[test]
fn the_soft_limit_bounds_the_halo_at_a_hard_edge() {
    // The single most common way clarity is got wrong, held to a number.
    //
    // `t * tanh(d / t)` saturates at `t`, so no pixel may move further than
    // `gain * threshold` stops however violent the edge — a bound that holds
    // by construction rather than by tuning, and one this test takes from the
    // operation itself rather than restating.
    //
    // The comparison that gives it meaning is the second assertion: an
    // unlimited unsharp mask over this edge would move the bright side by
    // about half the step, which is more than twice as far. That is the
    // difference between a control and a white glow along the skyline.
    let Some(ctx) = ctx() else { return };
    let source = step_edge(&ctx, SIZE, [1.0, 1.0, 1.0]);

    let mut plain_pass = AdjustPass::new(&ctx);
    let plain = row(
        &render(&mut plain_pass, &EditGraph::default_chain(), &source, SIZE),
        SIZE,
        SIZE / 2,
    );
    let mut pass = AdjustPass::new(&ctx);
    let edited = row(
        &render(&mut pass, &graph_with(CLARITY, 100.0), &source, SIZE),
        SIZE,
        SIZE / 2,
    );

    let worst = (0..SIZE as usize)
        .map(|x| stops(edited[x], plain[x]).abs())
        .fold(0.0f32, f32::max);
    let bound = Clarity::with_amount(100.0).overshoot_bound();

    // Where the two comparisons below sit, derived rather than observed:
    //
    //   srgb_decode(175) = 0.4287, srgb_decode(90) = 0.1022
    //   the step is log2(0.4287 / 0.1022)     = 2.069 stops
    //   an unlimited mask peaks at half of it = 1.034 stops
    //   the soft limit saturates at           = 0.350 stops  (`bound`)
    //   the midtone taper then takes about 13% off at 175, so the peak this
    //   test should actually see is near      = 0.30  stops
    //
    // So 0.30 has to clear the 0.1 floor with room, and fall well under both
    // 0.35 + slack and 0.6 × 1.034 = 0.62. Every one of those is a bound with
    // a reason, not a tolerance widened until the test passed.
    //
    // A code value's worth of slack: the readback is 8-bit, and a pixel
    // sitting exactly on the bound quantises either side of it.
    assert!(
        worst <= bound + 0.02,
        "a pixel moved {worst:.3} stops, past the {bound:.3} the soft limit \
         promises"
    );

    // Half the step is what an unlimited mask would have produced at the very
    // edge, since the base there is the mean of the two plateaus.
    let unlimited = (srgb_decode(BRIGHT) / srgb_decode(DARK)).log2() / 2.0;
    assert!(
        worst < unlimited * 0.6,
        "the limit is not biting: {worst:.3} stops against the {unlimited:.3} \
         an unlimited unsharp mask would give"
    );
    // But it is still a real effect, not a control that does nothing.
    assert!(
        worst > 0.1,
        "clarity moved almost nothing: {worst:.3} stops"
    );
}

#[test]
fn a_proxy_and_an_export_agree_about_the_effect() {
    // TRACES: FR-DSP-1 — the decision the radius unit rests on, proved in
    // pixels rather than in kernel widths.
    //
    // Clarity's radius is a fraction of the frame because the control is
    // compositional: "separate the subject from its background" is a statement
    // about how much of the picture the subject occupies. If that is right,
    // the *same edit* rendered at two resolutions must produce an effect of
    // the same strength covering the same proportion of the frame — which is
    // exactly what a photographer tuning on screen and exporting at full size
    // is relying on.
    //
    // Had the radius been stated in source pixels, the proxy here would show
    // half the reach and the export would be a different photograph.
    let Some(ctx) = ctx() else { return };
    let source = step_edge(&ctx, SIZE, [1.0, 1.0, 1.0]);

    // Peak excursion in stops, and how far the effect reaches, as a fraction
    // of the frame.
    let measure = |out: u32| -> (f32, f32) {
        let mut plain_pass = AdjustPass::new(&ctx);
        let plain = row(
            &render(&mut plain_pass, &EditGraph::default_chain(), &source, out),
            out,
            out / 2,
        );
        let mut pass = AdjustPass::new(&ctx);
        let edited = row(
            &render(&mut pass, &graph_with(CLARITY, 100.0), &source, out),
            out,
            out / 2,
        );

        let moved: Vec<f32> = (0..out as usize)
            .map(|x| stops(edited[x], plain[x]).abs())
            .collect();
        let peak = moved.iter().cloned().fold(0.0f32, f32::max);
        // The width of the band that moved by more than a tenth of the peak —
        // a threshold relative to the effect, so it means the same thing at
        // both sizes.
        let touched = moved.iter().filter(|m| **m > peak * 0.1).count();
        (peak, touched as f32 / out as f32)
    };

    let (proxy_peak, proxy_reach) = measure(SIZE / 2);
    let (export_peak, export_reach) = measure(SIZE);

    assert!(
        (proxy_peak - export_peak).abs() < 0.03,
        "the same edit is {proxy_peak:.3} stops on the proxy and \
         {export_peak:.3} in the export"
    );
    assert!(
        (proxy_reach - export_reach).abs() < 0.02,
        "the effect covers {proxy_reach:.3} of the proxy and {export_reach:.3} \
         of the export; a radius tuned on screen must land in the file"
    );
    // And it is a real effect at both sizes, not two flat images agreeing.
    assert!(
        proxy_peak > 0.1 && proxy_reach > 0.02,
        "{proxy_peak:.3} stops over {proxy_reach:.3} of the proxy"
    );
}

#[test]
fn texture_acts_at_a_finer_scale_than_clarity() {
    // The whole reason there are two nodes. If the two controls ever reach the
    // same distance from an edge, the second slider has become a duplicate of
    // the first and a photographer setting both is setting one thing twice.
    let Some(ctx) = ctx() else { return };
    let source = step_edge(&ctx, SIZE, [1.0, 1.0, 1.0]);

    let mut plain_pass = AdjustPass::new(&ctx);
    let plain = row(
        &render(&mut plain_pass, &EditGraph::default_chain(), &source, SIZE),
        SIZE,
        SIZE / 2,
    );

    let reach = |op: OpId| -> usize {
        let mut pass = AdjustPass::new(&ctx);
        let edited = row(
            &render(&mut pass, &graph_with(op, 100.0), &source, SIZE),
            SIZE,
            SIZE / 2,
        );
        // How many columns moved by more than a code value — the honest
        // measure of "how far from the edge does this control reach".
        (0..SIZE as usize)
            .filter(|&x| edited[x].abs_diff(plain[x]) > 1)
            .count()
    };

    let coarse = reach(CLARITY);
    let fine = reach(TEXTURE);
    assert!(fine > 0, "texture did nothing at all");
    assert!(
        coarse > fine * 4,
        "clarity reaches {coarse} columns and texture {fine}; these are not \
         separable scales"
    );
}

#[test]
fn clarity_moves_luminance_without_moving_hue() {
    // The third halo decision, in pixels. The gain is applied as a scale on
    // the whole triple, so chromaticity is untouched; boosting the channels
    // independently would put a *coloured* fringe along every edge, arriving
    // from a control the photographer reads as contrast.
    let Some(ctx) = ctx() else { return };
    // A strongly tinted step, so a per-channel mask would show plainly.
    let source = step_edge(&ctx, SIZE, [1.0, 0.55, 0.25]);

    let mut plain_pass = AdjustPass::new(&ctx);
    let plain = row_rgb(
        &render(&mut plain_pass, &EditGraph::default_chain(), &source, SIZE),
        SIZE,
        SIZE / 2,
    );
    let mut pass = AdjustPass::new(&ctx);
    let edited = row_rgb(
        &render(&mut pass, &graph_with(CLARITY, 100.0), &source, SIZE),
        SIZE,
        SIZE / 2,
    );

    // Compare in linear light, where a scale is a scale. The two channel
    // ratios together fix the chromaticity, so holding both fixes the colour.
    let edge = (SIZE / 2) as usize;
    for x in [edge, edge + 1, edge + 4, edge - 1, edge - 4] {
        let ratio = |p: [u8; 3], i: usize| srgb_decode(p[i]) / srgb_decode(p[0]).max(1e-6);
        for channel in [1, 2] {
            let before = ratio(plain[x], channel);
            let after = ratio(edited[x], channel);
            assert!(
                (after - before).abs() < 0.02,
                "column {x} channel {channel}: chromaticity moved from \
                 {before:.4} to {after:.4} — that is a coloured fringe"
            );
        }
    }
    // And the effect was actually applied here, or the assertion above is
    // vacuous.
    assert!(edited[edge][0].abs_diff(plain[edge][0]) > 3);
}

#[test]
fn negative_clarity_softens_the_surface_without_dissolving_the_edge() {
    // The soft limit earns its keep in both directions. An unlimited mask at
    // −100 subtracts the whole detail signal and turns every edge to mud;
    // limited, it removes at most the threshold, so modelling softens and real
    // edges stand.
    let Some(ctx) = ctx() else { return };
    let source = step_edge(&ctx, SIZE, [1.0, 1.0, 1.0]);

    let mut plain_pass = AdjustPass::new(&ctx);
    let plain = row(
        &render(&mut plain_pass, &EditGraph::default_chain(), &source, SIZE),
        SIZE,
        SIZE / 2,
    );
    let mut pass = AdjustPass::new(&ctx);
    let softened = row(
        &render(&mut pass, &graph_with(CLARITY, -100.0), &source, SIZE),
        SIZE,
        SIZE / 2,
    );

    let edge = (SIZE / 2) as usize;
    // The sign is the other way round from the positive case: the bright side
    // of the edge comes down and the dark side comes up.
    assert!(
        softened[edge] + 3 < plain[edge],
        "negative clarity did not soften: {} vs {}",
        softened[edge],
        plain[edge]
    );

    // But the step itself survives. Measured in stops across the edge, so the
    // claim is about contrast and not about code values.
    let step_of = |r: &[u8]| (srgb_decode(r[edge]) / srgb_decode(r[edge - 1])).log2();
    let before = step_of(&plain);
    let after = step_of(&softened);
    assert!(
        after > before * 0.55,
        "the edge dissolved: {after:.3} stops left of {before:.3}"
    );
}

#[test]
fn neutral_controls_cost_the_edit_nothing() {
    // Both nodes are in the default chain, and both are the widest kernels in
    // the pipeline. An unedited photograph must render through the single
    // fused dispatch it always did — no detail pass, no intermediate texture,
    // and byte-identical pixels.
    let Some(ctx) = ctx() else { return };
    let source = step_edge(&ctx, 128, [1.0, 1.0, 1.0]);
    let graph = EditGraph::default_chain();

    assert_eq!(
        graph.compose_for(ColourSpace::Srgb).output_mode,
        OutputMode::Encoded,
        "a neutral detail operation must not change how the fused pass ends"
    );

    let mut pass = AdjustPass::new(&ctx);
    render(&mut pass, &graph, &source, 128);
    assert_eq!(pass.colour_dispatches(), 1);
    assert_eq!(pass.detail_dispatches(), 0);
    assert_eq!(pass.detail_allocations(), 0, "nothing was allocated");
}

#[test]
fn dragging_the_slider_re_runs_the_detail_stage_and_nothing_else() {
    // TRACES: FR-DEV-3d. Clarity is `Affects::Detail`, so the fused colour
    // pass's result is still valid while the slider moves — which for a
    // hundred-tap kernel is the difference between an interactive control and
    // a slideshow. Invisible in the output by construction, so a dispatch
    // counter is the only thing that can see it.
    let Some(ctx) = ctx() else { return };
    let source = step_edge(&ctx, 256, [1.0, 1.0, 1.0]);
    let mut pass = AdjustPass::new(&ctx);

    let mut graph = graph_with(CLARITY, 40.0);
    render(&mut pass, &graph, &source, 256);
    assert_eq!(pass.colour_dispatches(), 1);
    assert_eq!(
        pass.detail_dispatches(),
        2,
        "a separable mask is two passes"
    );
    let pipelines = pass.cached_detail_pipelines();

    for amount in [50.0, 60.0, 70.0] {
        graph.set_param(CLARITY, AMOUNT, amount);
        render(&mut pass, &graph, &source, 256);
    }
    assert_eq!(
        pass.colour_dispatches(),
        1,
        "the fused colour pass re-ran for a change it does not depend on"
    );
    assert_eq!(pass.detail_dispatches(), 8);
    assert_eq!(
        pass.cached_detail_pipelines(),
        pipelines,
        "an amount is a uniform, not a shader"
    );

    // Turning on the other control adds its own pair, and only its own pair.
    graph.set_param(TEXTURE, AMOUNT, 40.0);
    render(&mut pass, &graph, &source, 256);
    assert_eq!(pass.detail_dispatches(), 12);
    assert_eq!(pass.colour_dispatches(), 1);
}

#[test]
fn the_two_controls_stack_without_overwriting_each_other() {
    // Four passes through one ping-pong, with the scratch lane changing hands
    // half way. If clarity's combining pass left the colour where its blur
    // pass had put it — or if texture's blur overwrote the colour rather than
    // the lane — the result would be a blurred image rather than a sharpened
    // one, which is loud rather than subtle.
    let Some(ctx) = ctx() else { return };
    let source = step_edge(&ctx, SIZE, [1.0, 1.0, 1.0]);

    let mut plain_pass = AdjustPass::new(&ctx);
    let plain = row(
        &render(&mut plain_pass, &EditGraph::default_chain(), &source, SIZE),
        SIZE,
        SIZE / 2,
    );

    let mut graph = graph_with(CLARITY, 80.0);
    graph.set_param(TEXTURE, AMOUNT, 80.0);
    let mut pass = AdjustPass::new(&ctx);
    let both = row(&render(&mut pass, &graph, &source, SIZE), SIZE, SIZE / 2);
    assert_eq!(pass.detail_dispatches(), 4);

    let edge = (SIZE / 2) as usize;
    // Both sides of the edge move the way local contrast moves them...
    assert!(both[edge] > plain[edge] + 4);
    assert!(both[edge - 1] + 4 < plain[edge - 1]);
    // ...and the plateaus are untouched, which a stray blur would not leave.
    assert!(both[0].abs_diff(plain[0]) <= 1);
    assert!(both[SIZE as usize - 1].abs_diff(plain[SIZE as usize - 1]) <= 1);

    // Stacked, they must reach further than either alone — the coarse control
    // still working at its own scale rather than being overwritten by the fine
    // one running after it.
    let mut clarity_only = AdjustPass::new(&ctx);
    let coarse = row(
        &render(&mut clarity_only, &graph_with(CLARITY, 80.0), &source, SIZE),
        SIZE,
        SIZE / 2,
    );
    assert!(
        both[edge] >= coarse[edge],
        "adding texture undid clarity: {} against {}",
        both[edge],
        coarse[edge]
    );
}

#[test]
fn texture_contributes_nothing_where_its_scale_does_not_exist() {
    // Unlike the acutance family this is not an approximation being hidden. A
    // two-pixel surface structure is not present in a 128-pixel rendering of
    // the frame, so the honest answer is no pass at all — and clarity, a
    // hundred times wider, still runs, which is what a thumbnail should show.
    let Some(ctx) = ctx() else { return };
    let source = step_edge(&ctx, 512, [1.0, 1.0, 1.0]);

    let mut graph = graph_with(TEXTURE, 100.0);

    // Asserted on the composed chain rather than on a dispatch counter,
    // because what is interesting here is not how many dispatches ran but
    // that texture contributed no *kernel* to them.
    //
    // This assertion used to require an empty chain, and recorded the empty
    // chain as a gap in the seam: `compose_full` decides whether the fused
    // pass hands on linear working values from `is_active()`, which has no
    // `RenderScale` to consult, while `compose_detail` decides what to
    // dispatch from the kernel it can actually draw at this scale. When a
    // detail operation was active and its kernel rounded away, the two
    // disagreed, `render_detailed` found nothing to run, fell through to
    // `render_masked`, and was rejected for handing a linear-working shader
    // to the plain path — so texture alone on a thumbnail did not render.
    //
    // The seam was closed where that note said it would have to be, at the
    // composition boundary: `compose_detail` now emits a bodyless
    // `detail/resolve` pass in exactly this case, which reads only the pixel
    // it writes and performs the output transform the fused pass declined to
    // do. So the chain is no longer empty — it carries precisely the one pass
    // that finishes the render and no kernel at all, which is the honest
    // description of "a two-pixel surface structure is not present in a
    // 128-pixel rendering".
    let scale = graph.render_scale(source.size(), (128, 128));
    let composed = graph.compose_detail_for(scale, ColourSpace::Srgb);
    assert_eq!(
        composed.len(),
        1,
        "the chain must carry the resolve pass and nothing else"
    );
    assert_eq!(composed.passes[0].label, "detail/resolve");
    assert_eq!(
        composed.radius(),
        0,
        "texture claimed a kernel it cannot draw"
    );

    // With clarity on as well the edit is renderable again, and the dispatch
    // count says what the assertion above says: two passes, not four. Texture
    // is active, and contributes nothing.
    graph.set_param(CLARITY, AMOUNT, 100.0);
    let mut pass = AdjustPass::new(&ctx);
    render(&mut pass, &graph, &source, 128);
    assert_eq!(
        pass.detail_dispatches(),
        2,
        "clarity survives a thumbnail, and texture added nothing beside it"
    );

    // And texture comes back, exactly, as soon as the view is large enough to
    // hold it — no separate path, no fade, just the kernel resolving again.
    let mut zoomed = AdjustPass::new(&ctx);
    render(&mut zoomed, &graph_with(TEXTURE, 100.0), &source, 1024);
    assert_eq!(zoomed.detail_dispatches(), 2);
}